De Japanse schrijfster Sawako Ariyoshi werd geboren op 20 januari 1931 in Wakayama. Zie ook alle tags voor Sawako Ariyoshi op dit blog.
Uit: Le miroir des courtisanes Vertaald door Corinne Atlan)
“Tomoko avait déjà fait ses préparatifs pour se rendre au salon et était en train d’accorder son petit shamisen, quand une servante se précipita dans sa chambre.
– Madame Kokonoe, c’est terrible, c’est terrible !
Sans comprendre ce qui était si terrible, Tommoko saisit les longues manches de son kimono et en montant les escaliers quatre à quatre, elle se rendit compte de l’agitation générale et des bruits de pas précipités provenant d’une des chambres où les prostituées recevaient leurs clients. Elle chancela, se demandant soudain si sa mère, avec son corps lourdi, n’était pas tombée dans l’escalier. Totalement affolée, elle se précipita dans la pièce au moment même où retentissaient les vagissements de nouveau-né. Sans intention de le voir, elle avait assisté à la venue au monde de l’enfant. Le petit bloc noirâtre et sanguinolent qui venait d’être expulsé d’entre les cuisses grandes ouvertes de sa mère étendit aussitôt ses membres et se mit à bouger. A peine dégagé de la membrane qui le recouvrait, il se mit à pousser des cris déchirants.
Les gens qui se trouvaient là mirent un moment avant de s’apercevoir de la présence de Tomoko, blème et pétrifiée.
– Qu’est-ce que tu fais là ? Ce n’est pas la place d’une enfant, allez, va-t-en ! fit une geisha aînée, qui appela aussitôt une entremetteuse :
– Emmène donc Ochobo en bas !”
Wakayama
De Zwitserse dichter en schrijver Eugen Gomringer werd op 20 januari 1925 geboren in Cachuela Esperanza, Bolivia. Zie ook alle tags voor Eugen Gomringer op dit blog.
Gomringer: O
De Israëlische schrijfster, journaliste en literatuurwetenschapster Batya Gur werd geboren op 20 januari 1947 in Tel Aviv. Zie ook alle tags voor Batya Gur op dit blog.
Uit: Murder in Jerusalem
“Aren’t you fed up with all that yet? What’s the matter, aren’t there any other explanations in the world? Let’s see you, for once, just say ‘I don’t know’!” Michael returned to his bedroom and glanced at the full packet of cigarettes lying next to the reading lamp on the small night table. He had not smoked the whole day. The first week of his vacation he had spent counting and rationing. Each day he had smoked two fewer cigarettes than the day before. Later, when he understood that he would need twenty days in order to quit smoking entirely while he had at his disposal only one last week to make his abstinence a fait accompli, he had stopped smoking all at once. Five days had passed since his last cigarette. Perhaps that was why he was unable to fall asleep. And now the overturned bucket had jolted him into wakefulness. He would return to his book, that would be best. One thing he could say about this book for sure was that its wonderful collection of characters and historical events managed, occasionally, to divert his attention from smoking.
At the very moment he managed to settle into just the right position and had nearly immersed himself in the book again, the telephone rang.
Every work of art must be the result of overcoming obstacles; the more meaningful its execution is, the harder the obstacles seem to be, as if the creator has been put to the test against the very right that was granted him — or that he took for himself — to fulfill his own dream. Sometimes it even seems possible to think of obstacles and difficulties as the motivating force behind such creativity; in defiance, spiteful, as it were, but without which . . . Benny Meyuhas shook himself free of these musings, looking first at the monitor and then at Schreiber, the only cameraman he was willing to work with on this film.”
Batya Gur (20 januari 1947 – 19 mei 2005)
De Amerikaanse schrijver Robert Olen Butler Jr. Werd geboren op 20 januari 1945 in Granite City, Illinois. Zie ook alle tags voor Robert Olen Butler Jr. op dit blog.
Uit: Fairy Tale
“You must understand one thing about the Vietnam language. We use tones to make our words. The sound you say is important but just as important is what your voice does, if it goes up or down or stays the same or it curls around or it comes from your throat, very tight. These all change the meaning of the word, sometimes very much, and if you say one tone and I hear a certain word, there is no reason for me to think that you mean some other tone and some other word. It was not until everything is too late and I am in America that I realize something is wrong in what I am hearing that day. Even after this man is gone and I am in New Orleans, I have to sit down and try all different tones to know what he wanted to say to those people in Saigon.
He wanted to say in my language, “May Vietnam live for ten thousand years.” What he said, very clear, was, “The sunburnt duck is lying down.” Now if I think this man says that Vietnam should live for ten thousand years, I think he is a certain kind of man. But when he says that a sunburnt duck is lying down—boom, my heart melts. We have many tales in Vietnam, some about ducks. I never hear this tale that he is telling us about, but it sounds like it is very good. I should ask him that night what this tale is, but we make love and we talk about me going to America and I think I understand anyway. The duck is not burned up, destroyed. He is only sunburnt. Vietnam women don’t like the sun. It makes their skin dark, like the peasants. I understand.”
