Frans Coenen, Eric Bogosian, Robert Penn Warren, George Oppen, Sue Grafton, Carl Spitteler, Anthony Trollope, Michael Schaefer, Marcus Clarke

De Nederlandse schrijver, essayist en criticus Frans Coenen werd in Amsterdam geboren op 24 april 1866. Zie ook alle tags voor Frans Coenen op dit blog.

Uit: In duisternis

“In zijn kamertje, grijsdruilend van wintermorgenschemering, lag hij al lange tijd wakker op het ijzerknarsend ledikant, zich telkens omwendend in de bedwarmte, liggend een poos met gesloten ogen, dan weer starend op het groezele vlak van ’t neergelaten gordijn. Zijn hoofd voelde zwaar-moe, zwak van zorggedachten, die hij niet meester worden kon. Het verleden was daar telkens in hem met brokken visie, met gehoorde woorden van vroeger, vermoeiend druk en duidelijk. Dan ineens, als een brede benauwing, kwam het besef van de dag en het noodzakelijk doen dat aanstaande was, zijn bewustheid bezetten, zodat zijn hart hoorbaar bonzen ging en weeë angstgolven borrelden door zijn lijf. Het moest nu wel… het móést… De even-aansluipende verlokking tot nog-uitstellen werd zelve tot walging onder het onverzettelijk besef der noodzakelijkheid. Wat gaf het vandaag niet te doen, als ’t morgen toch moest of overmorgen?…
En hij zag het in, wreed zichzelve pijnend, met bewust willen. Hij zou opstaan, eten in die kille kamer naast-aan en dan, in de grauwe, natte novemberochtend, begon zijn tocht, de zware solliciteergang. Vaag en vluchtig openden zich even de gezichten van zijn sjokkend lopen op straat: een kaal-fatsoenlijk heer met bleek gezicht tussen de onverschillige mensenstoeten. Zijn zenuwig wachten na het aanbellen aan een breed herenhuis, of het lange, pijnlijke wachten in een stommelig hokje tegenover een paar matglazen loketten, sufgrauw-ogend. Een hokje, waar kantoorlopers zwaar binnenstampen en de stroefverende deur moeilijk-piepend openzwaait. En dan herhaalde hij in zich koortsig de woorden, die hij zeggen moest, hoe te doen om zijn optreden zelfbewuster, zekerder te maken…
Maar nu bijna halfluid sprekend, klonk zijn eigen stem leeg-onnozel in de stilte van het kamertje… Hij werd weer zich zelf bewust en zonk vermoeid in het kussen terug, een ogenblik matsoezend zonder gedachten, daar zijn hoofd te vol was om ze afzonderlijk gewaar te worden. Maar allengs klaarde de doezel op, en begon hij weer één gedachte tegelijk uit te spinnen.
Het was een weevragende onrust waar Carolien nu wel zou zijn, hoe ze ’t hebben zou daarginds, en of ze nog met die vent zou wezen. Hij was wel helemaal los van haar… Zij had hem schandalig behandeld… maar een mens kan toch maar niet net zo makkelijk vergeten, als hij ander goed aandoet… Je had toch je momenten van zwakheid… Hij hield nog van d’r… hij voelde het in ’t flauw-zoete verlangen dat nu zijn gedachten tot haar dreef… Hij werd ineens benauwd-ongerust om haar, zoals hij pas nog ongerust om zich zelf was…”

 

 
Frans Coenen (24 april 1866 – 23 juni 1936)
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De Amerikaanse schrijver en acteur Eric Bogosian werd geboren op 24 april 1953 in Woburn, Massachusetts. Zie ook alle tags voor Eric Bogosian op dit blog.

Uit: Perforated Heart

“I brought up my own mother’s premature death and we discussed that for a while until I sensed that tears were imminent and I changed the subject. After endless all-night sessions with various ex-girlfriends and lovers, I am no longer available as therapist to fucked-up beauties. I want my perquisites with no strings attached. The awards dinner was a fading memory as we flirted. It was fait ac-compli, wasn’t it? We were striking a deal. She would permit me to caress those mysterious thighs, nuzzle those breasts and enter her. In return I would grant her access to the inner sanctum of a great man’s life. She would be allowed to entertain the illusion that she had melded with a great mind. (A mind not unlike hers, of course.) This entitlement would nourish her grandiosity, which she mistook for authentic talent. My venerable cum was still cooling (or warming?) in her somewhere when I began to get restless. (No, no condom. I’m fixed. Furthermore I always make a pretense of being a person who rarely gets laid, ergo, the logic is, I carry no STDs. Girls like my new friend are usually clean and so am I. I hope.) At two A.M, I let her know I had an early morning appointment and invited her to depart. She seemed surprised by this. As she redressed, I killed time scanning the latest issue of The New York Review of Books, then escorted her down to my driver, who had been waiting patiently under the awning of the building. Something simultaneously chivalrous and vulgar about that. I handed her an autographed copy of A Gentle Death, slammed the door of the car, blew a kiss, turned on my heels and marched smartly back into the mild glow of the lobby, where my stoic doorman kept vigil. His face betrayed nothing. In the elevator I discovered myself in a mirror. I am in my mid-fifties, almost handsome, gray-haired, bespectacled. I have the bearing of what? A successful man of the city. Or just one more putz?”

 

 
Eric Bogosian (Woburn, 24 april 1953)
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De Amerikaanse dichter en schrijver Robert Penn Warren werd geboren op 24 april 1905 in Guthrie, Kentucky. Zie ook alle tags voor Robert Penn Warren op dit blog.

Uit: Selected Letters of Robert Penn Warren: Triumph and Transition, 1943-1952

“TO LAMBERT DAVIS
January 28, 1943
Dear Lambert: I mentioned in my last note that Samuel Goldwyn wants a reading on At Heaven’s Gate. Recently, I have had two other requests: Richard Mealand, of Paramount, and Irving Deakin, of Warner Brothers. I realize, of course, that these requests area matter of routine, but I have referred them to you, since I don’t have a decent copy of the novel. In fact, your copy is the only complete one of the final version. By the way, Paramount got fairly warm on Night Rider.’ But I suppose that At Heaven’s Gate would offer too many difficulties—unless they simply took some of the material and drastically reworked it. There’s another little matter. Recently, in worrying over the novel coming up (which will probably be called All the King’s Men) and the text book, I got the idea of appealing to the Rosenwald people’ for a grant to enable me to get South for the summer and work the newspaper files and do a little prying around, gossip and interview, etc. to heat myself up for the final business on the political novel. It’s just a damned shame I didn’t get farther into this novel before I had to leave the neighborhood of Louisiana and Mississippi. The Rosenwald people reply that there are sev-eral objections to my application — too much publishing behind me, not living in the South now, only four months involved in project instead of six, etc. But they admit that there’s a chance and send me blanks. I’ve given you as a reference. So you’ll know what it’s all about when you hear from them. If you hear. The trouble is that that damned house of mine in Louisiana is still around my neck, and so the Harcourt $750 simply has to go for the annual extra payment on that. Which means that its teaching for me next summer unless I can scare up the money from Rosenwald. I don’t dare hope for anything from At Heaven’s Gate. And certainly I can’t do any planning on it. By the way, tell the text book people that I haven’t forgotten them. I’ve been fiddling with the project’—inspecting books, doing a few trial outlines, etc. And I taught a section of freshmen last term. I shall teach another in the spring term and try out what few ideas I have come to by that time. I have also written Cleanth about the matter. If it should work out that I could get South next summer, I could kill two birds with one stone — or at least knock off a few tail feathers. As for the date of All the King’s Men. I hope to get down to the final grind of writing next fall. I have begun tinkering with it, and have settled on an approach. It seems to me that my way in is through a single narra-tor who will carry the ball all the way—first-person treatment. I think I’ve got my man picked. The problem was to get a narrator who would have enough opportunity to know the story and would have enough intelli-gence to interpret and would have a style of his own. I believe that I have the boy, all right. He’s a first cousin of Duckfoot (Blake, in At Heaven’s Gate], I should say., Coming back to the date. I should hope to have the thing ready for you in the early fall of next year. I don’t see it as a very long book— rather a shortish and strongly unified one., Well, goodbye, and best luck. We are still wrestling with colds and flu. My head feels like a feather bed the baby wet in. As ever, Red”

 

 
Robert Penn Warren (24 april 1905 – 15 september 1989)
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De Amerikaanse dichter George Oppen (eig. George Oppenheimer) werd geboren op 24 april 1908 in New Rochelle, New York. Zie ook alle tags voor George Oppen op dit blog.

 

Five Poems about Poetry

1
THE GESTURE

The question is: how does one hold an apple
Who likes apples

And how does one handle
Filth? The question is

How does one hold something
In the mind which he intends

To grasp and how does the salesman
Hold a bauble he intends

To sell? The question is
When will there not be a hundred

Poets who mistake that gesture
For a style.


2
THE LITTLE HOLE

The little hole in the eye
Williams called it, the little hole

Has exposed us naked
To the world

And will not close.

Blankly the world
Looks in

And we compose
Colors

And the sense

Of home
And there are those

In it so violent
And so alone

They cannot rest.

 

 
George Oppen (24 april 1908 – 7 juli 1984)
Mary en George Oppen op hun boot in California, ca. 1930

 

De Amerikaanse schrijfster Sue Grafton werd geboren in Louisville (Kentucky) op 24 april 1940 als dochter van schrijver C.W. Grafton en Vivian Harnsberger. Zie ook alle tags voor Sue Grafton op dit blog.

Uit: X

“Santa Teresa, California, Monday, March 6, 1989. The state at large and the town of Santa Teresa in particular were nearing the midpoint of a drought that had slithered into view in 1986 and wouldn’t slither off again until March of 1991, when the “miracle rains” arrived. Not that we dared anticipate relief at the time. From our perspective, the pitiless conditions were upon us with no end in sight. Local reservoirs had shrunk, leaving a wide swath of dried mud as cracked as an alligator’s hide.
My professional life was in the same state—always worrisome when you are your sole financial support. Self-employment is a mixed bag. The upside is freedom. Go to work when you like, come home when you like, and wear anything you please. While you still have bills to pay, you can accept a new job or decline. It’s all up to you. The downside is uncertainty, the feast-or-famine mentality not everyone can tolerate.
My name is Kinsey Millhone. I’m a private detective by trade, doing business as Millhone Investigations. I’m female, thirty-eight years old, twice divorced, and childless, a status I maintain with rigorous attention to my birth control pills. Despite the shortage of new clients, I had a shitload of money in the bank, so I could afford to sit tight. My savings account had been plumped by an unexpected sum that dropped into my lap some six months before. I’d invested the major chunk of it in mutual funds. The remaining cash I kept in a money market account that I designated “untouchable.” Friends, on hearing about my windfall, viewed me as certifiable. “Forget about work. Why not travel and enjoy life?”
I didn’t give the question credence. At my age, retirement is out of the question, and even temporary idleness would have driven me insane. True, I could have covered my expenses for months to come with enough in reserve for a lavish trip abroad, except for the following impediments:

1. I’m miserly and cheap.
2. I don’t have a passport because I’ve never needed one. I had traveled to Mexico some years before, but all that was required in crossing the border then was proof of U.S. citizenship.”

 


Sue Grafton (24 april 1940 – 28 december 2017)

 

De Zwitser dichter, schrijver, essayist en criticus Carl Friedrich Georg Spitteler (eig. Carl Felix Tandem) werd geboren op 24 april 1845 in Liestal bij Basel. Zie ook alle tags voor Carl Spitteler op dit blog.

Uit: Lachende Wahrheiten

Kein empörenderes Schauspiel, als sehen zu müssen, wie unsere leidige Allerweltsschulmeisterei es fertig gebracht hat, die süßesten Früchte mittels pädagogischer Bakterien ungenießbar zu machen und Geschenke, die dazu ersehen waren, uns zu beglücken, in Buß und Strafe umzusetzen. Die Kunst ist großherzig und menschenfreundlich wie die Schönheit, welcher sie entspringt. Sie ist ein Trost der Menschen auf Erden und erhebt keinen andern Anspruch, als innig zu erfreuen und zu beseligen. Sie verlangt weder Studien noch Vorbildung, da sie sich unmittelbar durch die Sinne an das Gemüt und die Phantasie wendet, so daß zu allen Zeiten die einfache jugendliche Empfänglichkeit sich im Gebiete der Kunsturteilsfähiger erwiesen hat, als die eingehendste Gelehrsamkeit. So wenig man Blumen und Sonnenschein verstehen lernen muß, so wenig es Vorstudien braucht, um den Rigi herrlich, ein Fräulein schön zu finden, so wenig ist es nötig, die Kunst zu studieren. Gewiß, die Empfänglichkeit ist beschränkt, die Begabungen sind ungleich zugeteilt, die Sinne, welche die Kunsteindrücke vermitteln, beobachten schärfer oder stumpfer. Indessen habe ich noch keinen Menschen von Gemüt und Phantasie (denn Gemüt und Phantasie sind die Vorbedingungen, aber auch die einzigen Vorbedingungen des Kunstgenusses) gekannt, welcher nicht an irgendeinem Teil der Kunst unmittelbare Freude empfunden hätte. Und darauf kommt es allein an. Jeder suche sich an dem himmlischen Fest diejenige Speise aus, die seine Seele entzückt, und weide sich daran nach Herzenslust, so oft und so viel er mag, im stillen oder, wenn ihm das Herz überläuft, mit gleichgesinnten Freunden. Das ist Kunstgenuß. Das ist aber auch Kunstverständnis. Wer sich aufrichtig und bescheiden an einem Kunstwerke erfreut, der versteht es ebensowohl und wahrscheinlich noch besser, als wer gelehrte Vorträge darüber hält; wie denn auch ewig die Künstler selbst sich unmittelbar an das einfache Publikum wenden und alle Vormundschaft und gelehrte Zwischenträgerei zwischen Kunstwerk und Publikum verabscheuen.“

 

 
Carl Spitteler (24 april 1845 – 29 december 1924)
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De Engelse schrijver Anthony Trollope werd geboren in Londen op 24 april 1815. Zie ook alle tags voor Anthony Trollope op dit blog.

Uit: The Prime Minister

“Ferdinand Lopez, who in other respects had much in his circumstances on which to congratulate himself, suffered trouble in his mind respecting his ancestors such as I have endeavoured to describe. He did not know very much himself, but what little he did know he kept altogether to himself. He had no father or mother, no uncle, aunt, brother or sister, no cousin even whom he could mention in a cursory way to his dearest friend. He suffered no doubt; — but with Spartan consistency he so hid his trouble from the world that no one knew that he suffered. Those with whom he lived, and who speculated often and wondered much as to who he was never dreamed that the silent man’s reticence was a burden to himself. At no special conjuncture of his life, at no period which could be marked with the finger of the observer, did he glaringly abstain from any statement which at the moment might be natural. He never hesitated, blushed, or palpably laboured at concealment; but the fact remained that though a great many men and not a few women knew Ferdinand Lopez very well, none of them knew whence he had come, or what was his family.
He was a man, however, naturally reticent, who never alluded to his own affairs unless in pursuit of some object the way to which was clear before his eyes. Silence therefore on a matter which is common in the mouths of most men was less difficult to him than to another, and the result less embarrassing. Dear old Jones, who tells his friends at the club of every pound that he loses or wins at the races, who boasts of Mary’s favours and mourns over Lucy’s coldness almost in public, who issues bulletins on the state of his purse, his stomach, his stable, and his debts, could not with any amount of care keep from us the fact that his father was an attorney’s clerk, and made his first money by discounting small bills. Everybody knows it, and Jones, who like popularity, grieves at the unfortunate publicity. But Jones is relieved from a burden which would have broken his poor shoulders, and which even Ferdinand Lopez, who is a strong man, often finds it hard to bear without wincing.
It was admitted on all sides that Ferdinand Lopez was a ‘gentleman’. Johnson says that any other derivation of this difficult word than that which causes it to signify ‘a man of ancestry’ is whimsical. There are many who, in defining the term for their own use, still adhere to Johnson’s dictum; — but they adhere to it with certain unexpressed allowances for possible exceptions. “

 

 
Anthony Trollope (24 april 1815 – 6 december 1882)
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De Duitse schrijver Michael Schaefer werd geboren op 24 april 1976 in Bielefeld. Zie ook alle tags voor Michael Schaefer op dit blog.

Uit: Liebe auf Raten

„Als sie dann den Buckingham-Palace aus der Entfernung sahen, wurden die Gespräche über das schöne Schloss und die Queen laut. Immer neue Wunder durften Tom und Steve bewundern. Als sie dann in eine kleinere Seitengasse im Stadtzentrum einbogen und vor dem Jugendhotel zum Stehen kamen, war keiner mehr zu halten. Sie quetschten sich heraus, so als würden sie innerhalb von Minuten alles verpassen. Die Begeisterung fand ihren ersten Höhepunkt als sie in das weitläufige Foyer des Hotels schritten mit seinen hohen Räumen und den Bemalungen an Wand und Decke. Der Boden war sorgsam gebohnert, die kleinen Sitzecken geschickt mit bepflanzten Raumteilem getrennt. In der Mitte der Halle neben der bauchigen Rezeption der Wegweiser zu den Speisesälen, der Waschstube, den Tagungsräumen, dem Freizeitkeller mit Tischtennis, Kicker und Billard. Dem Partykeller mit Discoanlage und Lichtorgeln. Auch eine Bar war ausgeschildert. Tom war hellauf begeistert, wie Licht und Schatten geschickt ausgenutzt wurden, um eine warme, heimische Atmosphäre zu schaffen. Die große Halle wurde optimal genutzt und gab den Betrachtern nicht das Gefühl, eingeengt zu sein. Als die Zimmer verteilt wurden, hatten Tom und Steve das große Los gezogen, als einzige ein Zweibettzimmer zu bekommen, während die anderen in 6-Bett-Zimmern untergebracht wurden. Steve war das relativ egal, schlafen würde er dann ohnehin nur, wenn es unbedingt sein muss. Zuviel gibt es in London zu entdecken. Die Tagesplanung der Lehrer war genau richtig, um die nähere Umgebung zu erkunden. Man durfte ohne Lehrer durch die Stadt ziehen, musste nur am Abend um 19 Uhr wieder im Haus sein, weil es da Abendessen gab. Auch die Zimmer waren eher zweckmäßig als schick eingerichtet, dafür waren sie aber sauber und gepflegt. Tom und Steve warfen einfach ihr Zeug ins Zimmer, bezogen schnell die Betten und waren als eine der ersten bereits schon wieder unten und aus dem Hotel raus. Steve, bewaffnet mit Stadtführer und Stadtplan, und Tom mit einer Fotokamera anno Domini 1980. Tom wünschte sich zwar schon immer eine Digitalkamera als so ein klobiges Ding, allerdings hatten seine Eltern das bisher mangels finanzieller Möglichkeiten abgelehnt.
Als sie die ersten Schritte in der Traummetropole wagten, begannen auch die Probleme. Zuerst verirrten sie sich in der alten Metro mit ihren Tausenden kleinen Durchgängen und Gleisen. Dann stiegen sie auch noch in die falsche Bahn und fuhren bis fast zum Stadtrand, wo es wenig Tolles zu sehen gab. Außerdem war die allgemeine Hektik in der Stadt unter der Stadt völlig unbekannt für die beiden. Die lauten Stimmen und die schiebenden, quetschenden und durchaus mal Ellenbogen nutzenden Massen, waren den beiden Landeiem sehr bald schon zuwider. Auch diese teilweise völlig obskuren Gestalten mit hoch stehenden gefärbten Haaren, zerrissenen Hosen und Ketten an den Schuhen und Jacken.“

 

 
Michael Schaefer (Bielefeld, 24 april 1976)
Buckingham Palace from St James’s Park door Daisy Sims-Hilditch, z.j.

 

De Australische schrijver Marcus Clarke werd geboren op 24 april 1846 in Londen. Zie ook alle tags voor Marcus Clarke op dit blog.

Uit: Australian Tales of the Bush

“A deeper melancholy seemed to fall on the always melancholy township. Coppinger’s cronies took their “tots” in silence, steaming the while, and Coppinger himself would come gloomily to the door, speculating upon evil unless the leaden curtain lifted.
But it did not lift, and rumour of evil came. Up the country, by Parsham and Merrydale, and Black Adder’s Gully, there were whole tracts of grass-land under water. The neighbouring station of Hall’s, in the mountains, was a swamp. The roads were bogged for miles. Tim Doolan was compelled to leave his dray and bullocks Tom and Jerry’s, and ride for his life before the advancing waters. The dams were brimming, at Quartzborough, St. Rey reservoir was running over. It was reported by little McCleod, the sheep-dealer, that the old bridge at the Little Glimmera had been carried away. It was reported that Old Man Horn, whose residence overlooked the river, had fastened a bigger hook to a larger pole (there was a legend to the effect that Old Man Horn had once hooked a body from the greedy river, and after emptying its pockets, had softly started it down stream again), and was waiting behind his rickety door, rubbing his withered hands gleefully. Young Bartram rode over to Quartzborough to get McCompass, the shire engineer, to look at his new dam. Then the coach stopped running, and then Flash Harry, galloping through the township at night, like the ghost-rider the ghost-rider in Bürger’s ghastly ballad, brought the terrible news: THE FLOODS WERE UP, AND THE GLIMMERA BANK AND BANK AT THE OLD CROSSING-PLACE.
“It will be here in less than an hour,” he shouted, under Coppinger’s red lamps; “make for the high ground if you love your lives;” and so wet, wild-eyed, and white, splashed off into the darkness, if haply he might warn the poor folk down the river of the rushing death that was coming upon them.
Those who were there have told of the horrors of that night. How the muddy street, scarce reclaimed from the river-bed, was suddenly, full of startled half-dressed folk. How Coppinger’ss was crowded to the garret. How the schoolmaster dashed off, stumbling through the rain, to warn them at Seven Creeks. How bullies grew pale with fear, and men hitherto mild of speech and modest of mien, waxed fiery-hot with wrath at incapacity, and fiercely self-assertive in relegating fools to their place in the bewildered social economy of that general overturn. How the roaring flood came down, bearing huge trees, fragments of houses, grotesquely terrible waifs and strays of house-hold furniture upon its yellow and turbid bosom, timid women grew brave, and brave men hid their faces for a while.”

 

 
Marcus Clarke (24 april 1846 – 2 augustus 1881)
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Zie voor nog meer schrijvers van de 24e april ook mijn blog van 24 april 2016 deel 2.

Frans Coenen, Eric Bogosian, Robert Penn Warren, George Oppen, Sue Grafton, Carl Spitteler, Anthony Trollope, Michael Schaefer, Marcus Clarke

De Nederlandse schrijver, essayist en criticus Frans Coenen werd in Amsterdam geboren op 24 april 1866. Zie ook alle tags voor Frans Coenen op dit blog.

Uit: Bezwaarlijke liefde

“Tusschen tafel en kanapee ging hij met gelijke vervelings passen op en neer, in vage benauwdheid.
De kamer was in schemering, maar in den eenen raamhoek scheen de lamp op zijn schrijftafel door de gekleurdpapieren kap een rooden gloed uit, en hij voelde, verstrooid er heenziende, daar een gezelligheidscentrum, in de lichtsfeer der lamp een hoekje saamgetrokken stilte-aandacht en als het uiterlijk aspect van een geestesstaat, die ernst en wegzijn uit de buitenwereld beduidde.
Maar hij ging in de gevoelige schemering naast de tafel, waarop nog het theegoed stond; pogend zijn verlangen te koelen in beweging, benauwd door de holheid van den tijd en de zwaarte van zijn lijfsbestaan.
Hoog uit het vage donkere, aan het penant tusschen de twee ramen, rusteloosde de bleeke tik van een oud porceleinen klokje, waarvan omlaag de gewichten stil koperglansden.
En er was een vermoeiend accent, telkens op de tweede tik, alsof de tijd mank ging. In zijn prikkelbare leegheid van zijn moest hij daar telkens op letten en die kreupele stap volgen door de stilte, verveeld-zenuwig-nieuwsgierig of het werkelijkheid of maar verbeelding was, dat de tweede tik zwaarder klonk.
Hij zag nog eens op naar de kleine ronde wijzerplaat, die vaag uit de wand bleekte en waar de grove stompe wijzers in de laagte de bekende scherpe hoek van halfnegen vormden.
Halfnegen pas… En hij moest tot minstens tien uur wachten…
De kamer stond om hem, leeg en onverschillig. Die intieme lichthoek met de aandachtschijn over het opgeslagen boek werd hem tot een ergernis, omdat het even smartelijk deed indenken in de zielerust en vruchtbare concentratie van een, die daar zou zitten, onbewust van alle uiterlijke dingen, de uren door.
Staande met de rug naar het smalle penant tusschen de ramen, zond hij vaagzoekende blikken uit in de schemerholle kamerruimte.
Bleek-vervig rezen de rechte, hoekende lijnen van de deur in de rechterhoek. Daarnaast de posten der hooge dubbeldeuren, die in ’t midden der kamer naar de alkoof openden. Die stonden nu open en flauw bleekten hun langwerpige vakken in de alkoofdonkerte, waar een lampet in zijn kom bleek opschimde aan de achterwand.”

 

 
Frans Coenen (24 april 1866 – 23 juni 1936)
De Munt te Amsterdam door Cornelis Vreedenburgh, 1926.

 

De Amerikaanse schrijver en acteur Eric Bogosian werd geboren op 24 april 1953 in Woburn, Massachusetts. Zie ook alle tags voor Eric Bogosian op dit blog.

Uit: One Day in the Life of Ivan Denisovich

“Shukhov had been told that this old man’d been in camps and prisons more years than you could count and had never come under any amnesty. When one ten-year stretch was over they slapped on another. Shukhov took a good look at him close up. In the camp you could pick him out among all the men with their bent backs because he was straight as a ramrod. When he sat at the table it looked like he was sitting on something to raise himself up higher. There hadn’t been anything to shave off his head for a long time-he’d lost all his hair because of the good life. His eyes didn’t shift around the mess hall all the time to see what was going on, and he was staring over Shukhov’s head and looking at something nobody else could see. He ate his thin gruel with a worn old wooden spoon, and he took his time. He didn’t bend down low over the bowl like all the others did, but brought the spoon up to his mouth. He didn’t have a single tooth either top or bottom-he chewed the bread with his hard gums like they were teeth. His face was all worn-out but not like a goner’s-it was dark and looked like it had been hewed out of stone. And you could tell from his big rough hands with the dirt worked in them he hadn’t spent many of his long years doing any of the soft jobs. You could see his mind was set on one thing-never to give in. He didn’t put his eight ounces of bread in all the filth on the table like everybody else but laid it on a clean little piece of rag that’d been washed over and over again.”
(…)

“Shukhov stared at the ceiling and said nothing. He no longer knew whether he wanted to be free or not…it had gradually dawned on him that people like himself were not allowed to go home but were packed off into exile. And there was no knowing where the living was easier – here or there. The one thing he might want to ask God for was to let him go home. But they wouldn’t let him go home.”

 

 
Eric Bogosian (Woburn, 24 april 1953)

 

De Amerikaanse dichter en schrijver Robert Penn Warren werd geboren op 24 april 1905 in Guthrie, Kentucky. Zie ook alle tags voor Robert Penn Warren op dit blog.

 

Lord Jesus, I wonder

Lord Jesus, I wonder if I would recognize you
On the corner of Broadway and Forty-Second-

Just one more glaze-eyed, yammering bum, nobody to listen
But the halt and maimed. My legs are good.

Yet sometimes I’ve thought of you, sandaled on sand,
Or stub-toed in gravel, dried blood black on a toe-nail,

And you seemed to look beyond traffic, then back with an innocent
Smile, to ask a revealing question

To which I could find no answer. But I suddenly smell
The sweat-putrid mob crowding closer, in pain and emptiness, ready

To believe anything-ignorant bastards. I envy them. Except
Their diseases, of course. For my head roars

With information, true or false, till I feel like weeping
At the garish idiocy of a Sunday School card. At fourteen,

I was arrogantly wrapped up in Darwin, but felt, sometimes,
Despair because I could not love God, nor even know his address.

How about this? God, c/o Heaven-Special Delivery? Well,
The letter was returned: Addressee Unknown. So

I laughed till I vomited. Then laughed again, this time
At the wonder of the world, from dawn to dark, and all

Night long, while stars spoke wisdom in battalions of brilliance.
Sometimes, since then, I have, face up, walked a night road,

Still adolescent enough to seek words for what was in my heart,
Or gut. But words, I at last decided, are their own truth.

There is no use to continue this conversation. We all
Know that. But, for God’s sake, look the next blind man you meet

Straight in the eye. Do not flinch at prune-shriveled socket, or
Blurred eyeball. Not that you have

The gift of healing. You will not heal him, but
You may do something to heal something within yourself.

 

 
Robert Penn Warren (24 april 1905 – 15 september 1989)

 

De Amerikaanse dichter George Oppen (eig. George Oppenheimer) werd geboren op 24 april 1908 in New Rochelle, New York. Zie ook alle tags voor George Oppen op dit blog.

 

Populist

I dreamed myself of their people, I am of their people,
I thought they watched me that I watched them
that they

watched the sun and the clouds for the cities
are no longer mine image images

of existence (or song

of myself?) and the roads for the light
in the rear-view mirror is not
death but the light

of other lives tho if I stumble on a rock I speak
of rock if I am to say anything anything
if I am to tell of myself splendor
of the roads secrecy

of paths for a word like a glass

sphere encloses
the word opening
and opening

myself and I am sick

for a moment

with fear let the magic
infants speak we who have brought steel

and stone again
and again

into the cities in that word blind

word must speak
and speak the magic

infants’ speech driving
northward the populist
north slowly in the sunrise the lapping

of shallow
waters tongues

of the inlets glisten
like fur in the low tides all that

childhood envied the sounds

of the ocean

over the flatlands poems piers foolhardy

structures and the lives the ingenious
lives the winds

squall from the grazing
ranches’ wandering

fences young workmen’s

loneliness on the structures has touched
and touched the heavy tools tools
in our hands in the clamorous

country birth-
light savage

light of the landscape magic

page the magic
infants speak

 


George Oppen (24 april 1908 – 7 juli 1984)

 

De Amerikaanse schrijfster Sue Grafton werd geboren in Louisville (Kentucky) op 24 april 1940 als dochter van schrijver C.W. Grafton en Vivian Harnsberger. Zie ook alle tags voor Sue Grafton op dit blog.

Uit: W Is For Wasted

“Two dead men changed the course of my life that fall. One of them I knew and the other I’d never laid eyes on until I saw him in the morgue. The first was Pete Wolinsky, an unscrupulous private detective I’d met years before through Byrd-Shine Investigations, where I’d served my apprenticeship. I worked for Ben Byrd and Morley Shine for three years, amassing the six thousand hours I needed for my license. The two were old-school private eyes, hard-working, tireless, and inventive. While Ben and Morley did business with Pete on occasion, they didn’t think much of him. He was morally shabby, disorganized, and irresponsible with money. In addition, he was constantly pestering them for work, since his marketing skills were minimal and his reputation too dubious to recommend him without an outside push.
Byrd-Shine might subcontract the odd stretch of surveillance to him or assign him a routine records search, but his name never appeared on a client report. This didn’t prevent him from stopping by the office without invitation or dropping their names in casual conversations with attorneys, implying a close professional relationship. Pete was a man who cut corners and he assumed his colleagues did likewise.
More problematic was the fact that he’d rationalized his bad behavior for so long it had become standard operating procedure.
Pete Wolinsky was gunned down the night of August 25 on a dark stretch of pavement just off the parking lot at the Santa Teresa Bird Refuge. The site was right across the street from the Caliente Café, a popular hangout for off-duty cops. It might seem odd that no one in the bar was aware that shots were fired, but the volume on the jukebox, roughly the equivalent of a gas-powered chainsaw at a distance of three feet. The rare moments of quiet are masked by the high-pitched rattle of ice cubes in dueling blenders where margaritas are whipped up at a rate of one every four and a half minutes.
Pete’s body might not have been discovered until daylight if it hadn’t been for an inebriated bar patron who stepped into the shadows to take a leak. I heard about Pete’s death on the morning news while I was eating my Cheerios. The TV set was on in the living room behind me, more for the company than the content.”

 

 
Sue Grafton (24 april 1940 – 28 december 2017)

 

De Zwitser dichter, schrijver, essayist en criticus Carl Friedrich Georg Spitteler (eig. Carl Felix Tandem) werd geboren op 24 april 1845 in Liestal bij Basel. Zie ook alle tags voor Carl Spitteler op dit blog.

 

Es kam ein Herz an einem Jahrestage

Es kam ein Herz an einem Jahrestage
Vor seinen Herrn, zu weinen diese Klage:

“So muß ich Jahr für Jahr denn mehr verarmen!
Kein Gruß, kein Brieflein heute zum Erwarmen!
Ich brauch ein Tröpflein Lieb, ein Sönnchen Huld.
Ist mein der Fehler? ists der andern Schuld?
Hab jede Güte doch mit Dank erfaßt
Und auf die Dauer niemand je gehaßt.
Noch ist kein Trauriger zu mir gekommen,
Der nicht ein freundlich Wort von mir vernommen.
Wer weiß es besser, wie man Gift vergibt?
Wer hat in Strömen so wie ich geliebt?
Doch dieses eben schmeckt so grausam schnöde:
Da, wo ich liebte, grinst die leerste Öde.”

An seinem Schreibtisch waltete der Herr,
Schaute nicht auf und sprach von ungefähr:
“Ein jeder wandle einfach seine Bahn.
Ob öd, ob schnöde, ei was gehts dich an?
Was tut das Feuer in der Not? Es sprüht.
Was tut der Baum, den man vergißt? Er blüht.
Drum übe jeder, wie er immer tut.
Wasch deine Augen, schweig und bleibe gut.”

 

Die Sängerin

Im Traume wars. Ein Pilgerschwarm
Von Männern und von Frauen zog
Durch meine Heimat Hand in Hand,
Lobsingend einen süßen Psalm.
Im letzten Gliede schreitend folgt
ch selig der verwandten Schar.

Da schwang durch den harmonischen Chor,
Vom Haupt des Zuges, unsichtbar
sich eine Stimme jung und frisch
Und klar, weithin Gebirg und Tal
Vergoldend mit dem sonnigen Sang.
Allein die Stimme jauchzte falsch,
Im Tone hinkend und im Takt.

Und ob dem wundersamen Sang
So schön, so innig und so falsch,
Warf ich mich schluchzend auf den Weg,
Die Zähne klemmend in die Faust,
Die Stirn im heimatlichen Staub.

 

 
Carl Spitteler (24 april 1845 – 29 december 1924)
Monument in Bennwil

 

De Engelse schrijver Anthony Trollope werd geboren in Londen op 24 april 1815. Zie ook alle tags voor Anthony Trollope op dit blog.

Uit: The Duke’s Children

“No one, probably, ever felt himself to be more alone in the world than our old friend, the Duke of Omnium, when the Duchess died. When this sad event happened he had ceased to be Prime Minister. During the first nine months after he had left office he and the Duchess remained in England. Then they had gone abroad, taking with them their three children. The eldest, Lord Silverbridge, had been at Oxford, but had had his career there cut short by some more than ordinary youthful folly, which had induced his father to agree with the college authorities that his name had better be taken off the college books,–all which had been cause of very great sorrow to the Duke. The other boy was to go to Cambridge; but his father had thought it well to give him a twelvemonth’s run on the Continent, under his own inspection. Lady Mary, the only daughter, was the youngest of the family, and she also had been with them on the Continent. They remained the full year abroad, travelling with a large accompaniment of tutors, lady’s-maids, couriers, and sometimes friends. I do not know that the Duchess or the Duke had enjoyed it much; but the young people had seen something of foreign courts and much of foreign scenery, and had perhaps perfected their French. The Duke had gone to work at his travels with a full determination to create for himself occupation out of a new kind of life. He had studied Dante, and had striven to arouse himself to ecstatic joy amidst the loveliness of the Italian lakes. But through it all he had been aware that he had failed. The Duchess had made no such resolution,–had hardly, perhaps, made any attempt; but, in truth, they had both sighed to be back among the war-trumpets. They had both suffered much among the trumpets, and yet they longed to return. He told himself from day to day, that though he had been banished from the House of Commons, still, as a peer, he had a seat in Parliament, and that, though he was no longer a minister, still he might be useful as a legislator. She, in her career as a leader of fashion, had no doubt met with some trouble,–with some trouble but with no disgrace; and as she had been carried about among the lakes and mountains, among the pictures and statues, among the counts and countesses, she had often felt that there was no happiness except in that dominion which circumstances had enabled her to achieve once, and might enable her to achieve again–in the realms of London society.”

 

 
Anthony Trollope (24 april 1815 – 6 december 1882)
Cover

 

De Duitse schrijver Michael Schaefer werd geboren op 24 april 1976 in Bielefeld. Zie ook alle tags voor Michael Schaefer op dit blog.

Uit: Liebe auf Raten

„Die letzte Nacht schlief er höchstens zwei Stunden. Er war viel zu aufgeregt und checkte mindestens zwanzig Mal in der Nacht sein gesamtes Gepäck und seine Geldbörse, ob er auch alles hatte. Den Stadtführer, die Stadtkarte, die Metro-Karte, die er sich extra von seiner Klassenlehrerin bestellen ließ, damit er ohne Probleme in London umherfahren konnte, um alles anzusehen, was es dort gab. Er wechselte auch mindestens dreimal sein gesamtes Gepäck, um optimal auf alle ‘Wetterverhältnisse in London ausgerüstet zu sein. Am nächsten Morgen war er als erster am Frühstückstisch, fix und fertig zur Abreise nach London. Er hatte sogar seinen Eltern das Frühstück gemacht, so dass weniger Zeit verloren ging, um loszufahren. An der Schule von Silverville stand bereits der große Reisebus, um die wild durcheinander schreienden Jugendlichen aufzunehmen und sie gen London zu bringen. Er hielt sich nicht lange mit der Verabschiedung seiner Eltern auf. Er umarmte beide kurz und ließ sich seine goldblonden Locken noch etwas zurechtzupfen und seine Jacke etwas fester um seine Schulter ziehen. Dann verstaute er sein Gepäck in dem Lagerraum des Busses und stieg ein, ohne sich noch einmal umzublicken. Tom erwartete ihn bereits etwa in der Mitte des Busses, ganz in der Nähe der Toilette. Man weiß ja nie, wie sehr so ein Bus rütteln kann. Und da weder Tom noch Steve jemals eine solch lange Fahrt mit dem Bus gemacht hatten, konnte man nicht vorsichtig genug sein. Seine Klassenlehrerin und ihr Vertretungslehrer zählten durch und dann konnte die Fahrt endlich beginnen. Zwei Stunden und mindestens dreißig Minuten Busfahrt ohne Pause, Tom und Steve hielten sich beide nicht großartig lang an Gesprächen auf, sondern blickten voller Erwartung aus dem Fenster. Sie ließen Orte, Wiesen, Landstrassen und zum Ende auch die Autobahn hinter sich.
Nach zwei Stunden und 44 Minuten erreichten sie die ersten Außenbezirke von London. Die Jugendlichen drückten sich ihre Nasen an der Scheibe platt und staunten nicht schlecht über diese vielen Menschen, die eilig durch das typische Londoner Regenwetter eilten, um schnell nach Hause oder zum Arbeitsplatz, zum Supermarkt oder zum Bäcker zu kommen. Je näher man dem Stadtkern kam, umso voller wurde es und umso gewaltiger waren die Häuser. Mietswohnungen mit vier Stockwerken waren für die Landjungs schon fast Wolkenkratzer. Jedes Bankgebäude mit seinen metallenen Fassaden oder Glaswänden war Utopie. Die berühmten roten Doppeldecker des Londoner Stadtbildes entlockte dem einen oder anderen ein erstauntes „Boah”.

 


Michael Schaefer (Bielefeld, 24 april 1976)
London Under Rain door Yetis Uysal

 

De Australische schrijver Marcus Clarke werd geboren op 24 april 1846 in Londen. Zie ook alle tags voor Marcus Clarke op dit blog.

Uit: Australian Tales of the Bush

“She rides like an angel,said pious Fitz, and the next time he met her he told her so.
Now this young maiden, so fair, so daring, and so silent, came upon the Bullocktown folk like a new revelation. The old Frenchman at the Melon Patch vowed tearfully that she had talked French to him like one of his countrywomen, and the school master, Mr. Frank Smith, duly certificated under the Board of Education, reported that she played the piano divinely, singing like a seraph the while. As nobody played (except at euchre) in Bullocktown, this judgment was undisputed. Coppinger swore, slapping with emphasis his mighty thigh, that Miss Jane was a lady, and when he said that he said everything. So, whenever Miss Jane visited the township, she was received with admiration. Coppinger took off his hat to her, Mr. Frank Smith walked to the station every Sunday afternoon to see her, and Poor Joe stood afar off and worshipped her, happy if she bestowed a smile upon him once out of every five times that he held her tiny stirrups.
This taming of Poor Joe was not unnoticed by the whisky-drinkers, and they came in the course of a month or so to regard the cripple as part of the property of Miss Jane, as they regarded her dog for instance. The schoolmaster, moreover, did not escape tap-room comment. He was frequently at Seven Creeks. He brought flowers from the garden there. He sent for some new clothes from Melbourne. He even borrowed Coppinger ’s bay mare. Flirt,to ride over to the Sheep-wash, and Dick the mail-boy, who knew that Coppinger ’s mare was pigeon-toed, vowed that he had seen another horses tracks besides hers in the sand of the Rose Gap Road.
You’re a deep un, Mr. Smith, said Coppinger. I found yer out sparking Miss Jane along the Mountain Track. Deny it if yer can?
But Frank Smith ’s pale cheek only flushed, and he turned off the question with a laugh. It was Poor Joe ’s eyes that snapped fire in the corner.
So matters held themselves until the winter, when the unusually wet season forbade riding parties of pleasure. It rained savagely that year, as we all remember, and Bullocktown in rainy weather is not a cheerful place. Miss Jane kept at home, and Poor Joe ’s little eyes, wistfully turned to the Station on the hill, saw never her black pony cantering round the corner of Archie Camerons hayrick.“

 


Marcus Clarke (24 april 1846 – 2 augustus 1881)
Cover

 

Zie voor nog meer schrijvers van de 24e april ook mijn blog van 24 april 2016 deel 2.

Marcus Clarke, Carl Immermann, Otto Leixner von Grünberg, L. J. M. Feber, Karl Lappe, Gaston Martens

De Australische schrijver Marcus Clarke werd geboren op 24 april 1846 in Londen. Zie ook alle tags voor Marcus Clarke op dit blog.

Uit: Australian Tales of the Bush

“He was a quiet fellow enough. His utmost wrath never sufficed to ruffle a hair on the sleek backs of King Cobb’s horses. His utmost mirth never went beyond an ape-like chuckle, that irradiated his painstricken face, as a stray gleam of sunshine lights up the hideousness of the gargoyle on some old cathedral tower.
It was only when “in drink” that Poor Joe became a spectacle for strangers to wonder at. Brandy maddened him, and when thus excited his misshapen soul would peep out of his sunken fiery eyes, force his grotesque legs to dance unseemly sarabands, and compel his pigeonbreast to give forth monstrous and ghastly utterances, that might have been laughs, were they not so much like groans of a brutish despair that had in it a strange chord of human suffering. Coppinger was angry when the poor dwarf was thus tortured for the sport of the whisky-drinkers, and once threw Frolicksome Fitz into the muck midden for inciting the cripple to sputter forth his grotesque croonings and snatches of gruesome merriment. “He won’t be fit for nothin’ to-morrer,” was the excuse Coppinger made for his display of feeling. Indeed, on the days that followed these debauches, Poor Joe was sadly downcast. Even his beloved horses failed to cheer him, and he would sit, red-eyed and woe-begone, on the post-and-rail-fence, like some dissipated bird of evil omen.
The only thing he seemed to love, save his horses, was Coppinger, and Coppinger was proud of this simple affection. So proud was he, that when he discovered that whenever Miss Jane, the sister of Young Bartram, from Seven Creeks, put her pony into the stable, the said pony was fondled and slobbered over and caressed by Poor Joe, he felt something like a pang of jealousy.
Miss Jane was a fair maiden, with pale gold hair, and lips like the two streaks of crimson in the leaf of the white poppy. Young Bartram, owner of Seven Creeks Station—you could see the lights in the house windows from Coppinger’s—had brought her from town to “keep house for him,” and she was the beauty of the country side. Frolicksome Fitz, the pound-keeper, was at first inclined to toast an opposition belle (Miss Kate Ryder of Ryder’s Mount), but when returning home one evening by the New Dam, he saw Miss Jane jump Black Jack over the post-and-wire into the home station paddock, he forswore his allegiance.”

 
Marcus Clarke (24 april 1846 – 2 augustus 1881)
In 1886

Lees verder “Marcus Clarke, Carl Immermann, Otto Leixner von Grünberg, L. J. M. Feber, Karl Lappe, Gaston Martens”

Carl Spitteler, Marcus Clarke, Anthony Trollope, Carl Immermann

De Zwitser dichter, schrijver, essayist en criticus Carl Friedrich Georg Spitteler (eig. Carl Felix Tandem) werd geboren op 24 april 1845 in Liestal bij Basel. Zie ook alle tags voor Carl Spitteler op dit blog.

 

Pfauenauge

Ein kühles Schloß, ein schattiger Palast von Nesseln. –

Dicke Marienkäferchen mit rundem Schild

Reisen geschäftig trippelnd durch die Jalousien.

Zuoberst unterm Dache, am Mansardenfenster

Sitzt äsend eine schwarze, blaugeperlte Raupe.

Plötzlich ein dunkler Tulpenschein verdeckt die Aussicht –

Und schlüpfend in die Nesseln durch das schmale Fenster

Ein Pfauenauge zieht in seine Jugendheimat.

Flatternd durcheilt es die geliebten Säle, rot

Mit blut’gem Flammenlicht erhellend den Palast.

Plötzlich entspringt es durch die Tür. Ein Blitz. Verschwunden.

Aber die Raupe, ob dem Purpurflammenspiel

Jählings erfaßt von unnennbarer Seelensehnsucht,

Steigt auf das Dach und klettert an der steilen Mauer

Empor zum Sims. Daselbst, hangend in freier Luft,

Spinnt sie sich ab von aller Welt und träumt und dichtet.

Ob ihrem Träumen färbt und schildert sich ihr Wesen;

Ob ihrem Dichten füllt sie sich mit rotem Herzblut;

Während die Wintersonne, glitzernd überm Eis,

Schmückt ihr den Helm mit Gold und stählt den Schild und Panzer.

Bis daß nach langer Zeit an einem Mai und Morgen

Die Grille zirpt und schreit die Lerche überm Saatfeld:

Da zwängt und drängt sie sich ans Licht nach heft’gen Krämpfen

Und weint fünf Tropfen zähen Blutes. Plötzlich – ha! –

Bin ich es selbst? Mich dünkt, ich spüre Geist und Flügel!

Es hebt und trägt mich! Auf! empor zum hohen Himmel!

Gefahr zu suchen und die weite Welt zu messen.

Das höchste Los und Glück auf Erden nenn’ ich mein:

Leibhaft zu wissen meinen besten Seelenschein

Und was ich vormals stumm bewundert selbst zu sein.

 

Carl Spitteler (24 april 1845 – 29 december 1924)

Lees verder “Carl Spitteler, Marcus Clarke, Anthony Trollope, Carl Immermann”

Carl Spitteler, Marcus Clarke, Anthony Trollope, Carl Immermann

De Zwitser dichter, schrijver, essayist en criticus Carl Friedrich Georg Spitteler (eig. Carl Felix Tandem) werd geboren op 24 april 1845 in Liestal bij Basel. Zie ook mijn blog van 24 april 2007 en ook mijn blog van 24 april 2008 en ook mijn blog van 24 april 2009en ook mijn blog van 24 april 2010.

Die Blütenfee

Maien auf den Bäumen, Sträußchen in dem Hag.
Nach der Schmiede reitet Janko früh am Tag.
Blütenschneegestöber segnet seine Fahrt,
Lilien trägt des Rößleins Mähne, Schweif und Bart,
Lacht der muntre Knabe: »Sag’ mir, Rößlein traut:
Bist bekränzt zur Hochzeit, doch wo bleibt die Braut?«

Horch, ein Pferdchen trippelt hinter ihm geschwind,
auf dem Pferdchen schaukelt ein holdselig Kind.
Solche kleine Fante nimmt man auf den Schoß,
auf die Schulter wirft er’s spielend: Ei! wie groß!
Zappelnd schreit die Kleine: »Böser Bube du!
Weh! ich hab verloren meinen Lilienschuh.«

Rückwärts sprengt er suchend ein geraumes Stück.
Wie er mit dem Schuhe eilends kam zurück,
an des Kindes Stelle saß die schönste Maid.
Da geschah dem Jungen süßes Herzeleid.
Flüsterte die Schöne: »Liebster Janko mein,
hab’ ein kostbar Ringlein, strahlt wie Sonnenschein.
Bin dir hold gewogen, schenk’ es dir zum Pfand.
Weh! ich hab’s vergessen, badend an dem Strand.«

Wie er mit dem Wasser kam zum selben Ort,
war zu Staub und Asche Weib und Pferd verdorrt.

 

Carl Spitteler (24 april 1845 – 29 december 1924)

Lees verder “Carl Spitteler, Marcus Clarke, Anthony Trollope, Carl Immermann”

Frans Coenen, Eric Bogosian, Michael Schaefer, Robert Penn Warren, Carl Spitteler, Marcus Clarke, Anthony Trollope

De Nederlandse schrijver, essayist en criticus Frans Coenen werd in Amsterdam geboren op 24 april 1866. Zie ook mijn blog van 24 april 2007 en ook mijn blog van 24 april 2008.en ook mijn blog van 24 april 2009.

 

Uit: Bleeke levens

 

“….Een dier dagen kwam in het hôtel, dat levendig aan den grooten weg lag en dikwijls vroolijk weergalmde van jonge, driftige stemmen – heele zwermen jongelui, te voet of op rijwielen – een zonderling paar van een ouden heer en een jonge vrouw. De oude heer was lang en hoekigmager in zijn slof omhangende kleeren. Zijn beenig, grof gezicht met holle oogen onder borstelig-grijze wenkbrauwen, en grauwe bakkebaarden, die langs de vale wangen neergingen aan beide zijden van den paarschen, speekseligen lippenmond, had de somber-fatale uitdrukking van een ontvleeschden paardekop. De jonge vrouw met zuiver-ovaal gezichtje, donkere amandel-oogen, altijd neergeslagen onder zwarte wimpers, en glanzig zwart haar, was van een ideale zuidelijke schoonheid, een waar Odalisken-mooi. Zij kwam zeer eenvoudig gekleed, droeg altijd een hoed met een voile, die zij juist ver genoeg opsloeg om te kunnen eten.

Wij zagen hen het eerst bij tafel, om één uur. Zij wisselden maar enkele woorden met elkaar en spraken heel niet met anderen. Er was iets terruggetrokkens en schuws in hunne manieren en blikken, dat juist de aandacht op hen trok; en tot elkaar gebogen hoofden fluisterden gissingen en zagen hen van terzijde aan met snelle blikken. ‘Vader en dochter’ scheen niet aannemelijk, omdat zij zoo weinig op elkaar geleken, ‘man en vrouw’ was meer waarschijnlijk, maar het bleek moeilijk te ontdekken of onder de ringen, die de jonge vrouw aan haar kleine bruine handen droeg, ook een trouwring was. De een meende van ja, de ander van neen, en de nieuwsgierigheid werd er grooter van, telkens als zij weer voor een maaltijd binnentraden, met nietsziende blikken, zich haastig aan een leeg tafeleinde zettend. Het hôtelboek zou het ten slotte moeten uitwijzen, maar zij haastten zich niet met teekenen.

….Twee dagen later zouden wij vertrekken.”

 

Coenen
Frans Coenen (24 april 1866 – 23 juni 1936)

 

 

De Amerikaanse schrijver en acteur Eric Bogosian werd geboren op 24 april 1953 in Woburn, Massachusetts. Zie ook mijn blog van 24 april 2009.

 

Uit: Perforated Heart

 

Last night Leon dangled the carrot of a fancy literary award before my greedy snout and I, like the pig I am, lurched for it.

Arrived on time for the Humphrey, freshly shaved, in suit and tie, and joined the throng of hipster literati milling outside the ballroom. I was shown to a table near the back of the room. Not a good sign. An aging socialite stinking of chardonnay and Chanel No. 5 leaned in, “Are you a writer? I hope someone at this table is a writer!” I beamed as if we were sharing a witty joke. A salad adorned with flower petals was put in front of me. Wine was poured.

I spied Leon seated three tables closer to the front of the room. He waved. I nodded. He turned away. My own editor could not be bothered to come over to my table and say hello. Of course, Leon wanted me there because he can’t waste precious bucks promoting my new novel. No budget means there will be no display ads. No audio book. No parties given in my honor at Balthazar or the Four Seasons. All I will get is an abbreviated book tour (flying coach and residing at budget hotels). No NPR appearances. No magazine covers. If I’m lucky, I’ll get two or three guest lecture gigs at second-rate colleges. It’s all nickels and dimes to him.

At my table for eight, the chocolate mousse lay unforked and the decaf cooled as the jovial movie stars onstage speculated on the names of the winners present in the crowd (forgetting to mention me, of course). An honorary award was given out to a publisher of progressive children’s books. A eulogy was intoned for the CEO of a major media corporation who had died rock climbing a week earlier. And so the circus draggedon and on. Finally, a winner was announced.

Upon hearing a name, not my name, my neighbors dropped their eyes to inspect their silverware. At adjacent tables, heads turned to gauge my humiliation. An obese publicist to my right patted my hand in consolation. “I’m sure your book was much better, Richard.” His pupils dilated with the thrill of witnessing my pain.“

 

EricBogosian
Eric Bogosian (Woburn, 24 april 1953)

 

 

De Duitse schrijver Michael Schaefer werd geboren op 24 april 1976 in Bielefeld. Al op jonge leeftijd schreef hij korte verhalen, meestal in het fantasy genre. In 1991 schreef hij zijn eerste complete roman die echter niet gepubliceerd werd. De roman had homosexualiteit als thema en Schaefer had zijn eigen coming out pas in 1994. In 2006 verscheen zijn debuutroman Liebe auf Raten, in 2008 volgde Touch me, Coach!, Onder het pseudoniem Eric Raven schrijft hij verder nog steeds fantasy verhalen als Krieger der Engel.

 

Uit: Love me,coach

 

„Louis zieht das Bein an den Oberkörper und blickt aus dem großen Fenster in die Nacht hinaus. Noch immer trägt er seinen Anzug. Eigentlich hätte er diesen schon längst ausgezogen. Spätestens dann, als Louis die aufgeregt wippenden, vollen Brüste von Rhiana berührte und sie zärtlich knetete … wäre zumindest seine Krawatte inklusive Hemd ein Opfer ihrer gemeinsamen Lust geworden. Er hätte aber spätestens nach dem zärtlichen Saugen ihrer Brustwarzen eine gierige Erregung spüren müssen! Doch nichts! Als Rhiana ihre Finger mit stöhnenden Lustlauten zu seiner Gürtelschnalle bewegte, sie öffnen wollte, legte er seine Hand auf ihre und zog sie zurück. Er konnte es nicht. Sein Verstand überschlug sich, sein Gewissen ackerte auf Hochtouren. In seinem Kopf waren immer die strahlenden Augen seines jungen Stars präsent. Evans Stimme durchfloss seinen Verstand. Die vielen Berührungen, die Schwärmereien … und zum guten Schluss, als Louis gewaltsam versuchte seine innere Stimme zum Schweigen zu bringen … Der Kuss in seinem Büro kurz nach der Regionalmeisterschaft! Evan hatte es geschafft, einen Kuss zu fabrizieren, der tatsächlich so schnell nicht in Louis’ Hirn bedeutungslos versickert war!”

 

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Michael Schaefer (Bielefeld, 24 april 1976)
Bielefeld, oude raadhuis (Geen portret beschikbaar)

 

 

De Amerikaanse dichter en schrijver Robert Penn Warren werd geboren op 24 april 1905 in Guthrie, Kentucky. Zie ook mijn blog van 24 april 2007 en ook mijn blog van 24 april 2008 en  ook mijn blog van 24 april 2009.

 

Uit:All the King’s Men

 

“To get there you follow Highway 58, going northeast out of the city, and it is a good highway and new. Or was new, that day we went up it. You look up the highway and it is straight for miles, coming at you, with the black line down the center coming at and at you, black and slick and tarry-shining against the white of the slab, and the heat dazzles up from the white slab so that only the black line is clear, coming at you with the whine of the tires, and if you don’t quit staring at that line and don’t take a few deep breaths and slap yourself hard on the back of the neck you’ll hypnotize yourself and you’ll come to just at the moment when the right front wheel hooks over into the black dirt shoulder off the slab, and you’ll try to jerk her back on but you can’t because the slab is high like a curb, and maybe you’ll try to reach to turn off the ignition just as she starts the dive. But you won’t make it, of course. Then a nigger chopping cotton a mile away, he’ll look up and see the little column of black smoke standing up above the vitriolic, arsenical green of the cotton rows, and up against the violent, metallic, throbbing blue of the sky, and he’ll say, “Lawd God, hit’s a-nudder one done done hit!” And the next nigger down the next row, he’ll say, “Lawd God,” and the first nigger will giggle, and the hoe will lift again and the blade will flash in the sun like a heliograph. Then a few days later the boys from the Highway Department will mark the spot with a little metal square on a metal rod stuck in the black dirt off the shoulder, the metal square painted white and on it in black a skull and crossbones. Later on love vine will climb up it, out of theweeds.

But if you wake up in time and don’t hook your wheel off the slab, you’ll go whipping on into the dazzle and now and then a car will come at you steady out of the dazzle and will pass you with a snatching sound as though God-Almighty had ripped a tin roof loose with his bare hands. Way off ahead of you, at the horizon where the cotton fields are blurred into the light, the slab will glitter and gleam like water, as though the road were flooded.”

 

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Robert Penn Warren (24 april 1905 – 15 september 1989)

 

 

De Zwitser dichter, schrijver, essayist en criticus Carl Friedrich Georg Spitteler (eig. Carl Felix Tandem) werd geboren op 24 april 1845 in Liestal bij Basel. Zie ook mijn blog van 24 april 2007 en ook mijn blog van 24 april 2008 en ook mijn blog van 24 april 2009.

 

Zitronenfalter

I

 

Aufrechten Hauptes eine Jungfrau eifrig schrieb.

 

Da blitzt’ ein Maigewittersturm herein und trieb

Kastanienblüten streuend auf die nassen Blätter.

Und mitten in dem Blütensturm und Maienwetter

Ein gelb Oranien-Vögelein, im Todesbangen

Zitternd und sterbend, blieb an ihrem Finger hangen.

 

Da holte sie ein neu’ Papier mit sachter Hand,

Und auf den Tisch gebeugt, seitwärts das Haupt gewandt,

Mit feuchten Blicken und mit träumerischem Sinnen

Entschloß sie sich, ein ander Schreiben zu beginnen.

 

Also mit seinem Sterben ein Zitronenfalter

Erschmeichelte das Lebensglück dem Brieferhalter.

 

 

II

 

“Geh weg! du häßlich Gretchen! Was kommt dir in den Sinn,

So nah’ bei mir zu stehen, die ich so lieblich bin?”

So rief die schöne Stephie. – Da kam ein gelbes Ding

Von Schmetterling geflogen, den sie behende fing.

 

Das Gretchen trat daneben, vergessend ihren Zwist:

“Nicht wahr? du läßt ihn leben? – Da er so lieblich ist.”

 

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Carl Spitteler (24 april 1845 – 29 december 1924)

 

 

De Australische schrijver Marcus Clarke werd geboren op 24 april 1846 in Londen. Zie ook mijn blog van 24 april 2009.

 

Uit: Australian Tales of the Bush

 

POOR JOE. was the ostler at Coppinger’s, and they called him Poor Joe. Nobody knew whence he came; nobody knew what misery of early mutilation had been his. He had appeared one evening, a wandering swagman, unable to speak, and so explain his journey’s aim or end — able only to mutter and gesticulate, making signs that he was cold and hungry, and needed fire and food. The rough crowd in Coppinger’s bar looked on him kindly, having for him that sympathy which marked physical affliction commands in the rudest natures. Poor Joe needed all their sympathies: he was a dwarf, and dumb. Coppinger — bluff, blasphemous, and good-hearted soul — dispatched him, with many oaths, to the kitchen, and when the next morning the deformed creature volunteered in his strange sign-speech to do some work that might ” pay for his lodging,” sent him to help the ostler that ministered to King Cobb’s coach-horses. The ostler, for lack of a better name, perhaps, called him ” Joe,” and Coppinger, finding that the limping mute, though he could speak no word of human language, yet had a marvellous power of communication with horseflesh, installed him as under-ostler and stable-helper, with a seat at the social board, and a wisp of clean straw in King Cobb’s stable. ” I have taken him on,” said Coppinger, when the township cronies met the next night in the bar. “Who,” asked the croniest, bibulously disregarding grammar.’ ” Poor Joe,” said Coppinger. The sympathetic world of Bullocktown approved the epithet, and the deforme…“

 

Marcus_Clarke
Marcus Clarke (24 april 1846 – 2 augustus 1881)

 

 

De Engelse schrijver Anthony Trollope werd geboren in Londen op 24 april 1815. Zie ook mijn blog van 24 april 2009.

 

Uit: Cousin Henry

 

Uncle Indefer “I have a conscience, my dear, on this matter,” said an old gentleman to a young lady, as the two were sitting in the breakfast parlour of a country house which looked down from the cliffs over the sea on the coast of Carmarthenshire. “And so have I, Uncle Indefer; and as my conscience is backed by my inclination, whereas yours is not–” “You think that I shall give way?” “I did not mean that.” “What then?” “If I could only make you understand how very strong is my inclination, or disinclination–how impossible to be conquered, then–” “What next?” “Then you would know that I could never give way, as you call it, and you would go to work with your own conscience to see whether it be imperative with you or not. You may be sure of this,–I shall never say a word to you in opposition to your conscience. If there be a word to be spoken it must come from yourself.” There was a long pause in the conversation, a silence for an hour, during which the girl went in and out of the room and settled herself down at her work. Then the old man went back abruptly to the subject they had discussed. “I shall obey my conscience.” “You ought to do so, Uncle Indefer. What should a man obey but his conscience?” “Though it will break my heart.” “No; no, no!” “And will ruin you.” “That is a flea’s bite. I can brave my ruin easily, but not your broken heart.” “Why should there be either, Isabel?” “Nay, sir; have you not said but now, because of our consciences? Not to save your heart from breaking,–though I think your heart is dearer to me than anything else in the world,–could I marry my cousin Henry. We must die together, both of us, you and I, or live broken-hearted, or what not, sooner than that. Would I not do anything possible at your bidding?” “I used to think so.” “But it is impossible for a young woman with a respect for herself such as I have to submit herself to a man that she loathes. Do as your conscience bids you with the old house. Shall I be less tender to you while you live because I shall have to leave the place when you are dead? Shall I accuse you of injustice or unkindness in my heart? Never! All that is only an outside circumstance to me, comparatively of little moment. But to be the wife of a man I despise!” Then she got up and left the room.”

 

Anthony_Trollope
Anthony Trollope (24 april 1815 – 6 december 1882)
Portret door Samuel Laurence

 

Zie voor nog meer schrijvers van de 24e april ook mijn vorige blog van vandaag.

Frans Coenen, Eric Bogosian, Robert Penn Warren, Carl Spitteler, Marcus Clarke, Anthony Trollope, Carl Immermann

De Nederlandse schrijver, essayist en criticus Frans Coenen werd in Amsterdam geboren op 24 april 1866. Zie ook mijn blog van 24 april 2007 en ook mijn blog van 24 april 2008.

Uit: Reizen, een uitweiding en inwijding

“WEIMAR is een trouwhartig stadje, dat zich geeft zooals het is. Het heeft sedert anderhalve eeuw een schat van herinneringen, maar laat er zich niet op voorstaan, het doet niet archaïstisch, het neemt niet de houding aan alsof het in den Goethe-tijd ontstaan was en sedert precies zoo gebleven. Alleen op de Markt staan enkele middeleeuwsche gebouwen, die dat ook met eenige opzettelijkheid zijn willen. Overigens heeft men het oorspronkelijk stadje uit het eind der 18e eeuw ongedwongen in het nieuwe Weimar laten overgaan, blijkbaar alleen de ergste excessen van steden- en woningbouw vermijdende. Zoo kan de vreemdeling zich eenvoudig wijden aan het vele, dat er inderdaad uit den historischen tijd over is, de talrijke paleizen en burgerhuizen, de doorkijkjes, de aardige pleintjes en hoekjes met de grappige rococofonteinen en pompen, die, eenigszins breed-uit en gewichtig, den tijd suggereeren, toen meisjes en vrouwen hier tenminste één keer daags bij elkaar kwamen, om het onontbeerlijk water te halen en de even onontbeerlijke ‘Klatsch’ te bedrijven.

De bedoelde vreemdeling zal zich dan allereerst er over verbazen hoe klein het stadje was en hoe groot, hoe overheerschend het paleizen-complex, dat al in de 17e eeuw bestond. Uit de centrale burcht met den hoogen uitzichtstoren, door talrijke grachten omringd, en waaromheen zich schuchtere wijken van beschermingzoekenden kwamen sluiten, is blijkbaar op den duur het stadje gegroeid. Het burchtgeheel, telkens door brand vernield, kromp in en vervormde zich tot een open vierhoek, op de wijze van het paleis te Versailles, welks indrukwekkenden aanblik de laatste groothertog nog juist voor zijn onttroning bedierf door de open zijde met een nieuw paleis te vullen. De langgestrekte vierhoek met zijn toren domineert thans nog het stadje, hoeveel meer zal dit dan geweest zijn, toen hetzooveel kleiner was en het vorstelijk leven ongeveer alle ruimten en alle uren vulde.”

Coenen

Frans Coenen (24 april 1866 – 23 juni 1936)
Frans Coenen Jr., 1894. Door F. Hart Nibbrig

 

De Amerikaanse schrijver en acteur Eric Bogosian werd geboren op 24 april 1953 in Woburn, Massachusetts. Bogosians meestal cynische komedies zijn een-persoons-stukken die ook wel door een ensemble kunnen worden opgevoerd. Een microfoon en een klapstoeltje is alles wat de hoofdrolspeler nodig heeft. Bogosian won voor deze stukken drie Obie Awards. Voor zijn bekendste stuk Talk Radio kreeg hij een nominatie voor de Pulitzer Prijs. De schrijver bewerkte het stuk zelf voor de verfilming ervan door Oliver Stone en speelde zelf de hoofdrol.

 

Uit: Love’s Fire: Seven New Plays Inspired by Seven Shakespearean Sonnets

 

„Inspired by Shakespeare’s Sonnet 118

A couch in the midst of the small living room of a small apartment. On the couch sits RENGIN, a beautiful young woman, in a white wedding gown. She is drinking from a pint flask of bourbon. The phone rings. She doesn’t bother with it. Instead, she rises unsteadily and checks herself out in a mirror.

A voice can he heard on the message machine.

HERMAN(voice): Rengin, it’s me. A
re you there? Please pick up if you are. Rengin? I’m sorry. Whatever I did. I’m such an ass. Please pick up. Please? OK. I’m coming home. I’m actually downstairs. If you are there, don’t be surprised when you see me. Maybe you’re in the bathroom. Then I understand why you’re not picking up.

RENGIN has walked over to the answering machine and is watching it record the message.

RENGIN: Herman, you don’t get it. You never got it. She goes back to the mirror.

RENGIN: What is this I am wearing? A white dress. Meaning what? Virginity? That the male proboscis has not slid through my vaginal lips? What bullshit! (drinks) What the fuck am I here? A human sacrifice? I am a womb being readied for impalement and fertilization. Yech!!!

She touches the bodice, feels it, as she drinks.

RENGIN: But I can’t take it off. I’m drunk as shit and I can’t take it off. He’s got to see me like this. We should go out together like this. Maybe someplace that has a mosh pit. I should mosh in my wedding dress and then find some bikers and have three guys screw me at the same time. And make Herman watch. Prepare him…

She drinks and wails.

RENGIN: FUCKING “A,” MAN, HOW THE FUCK DID THIS HAPPEN?

HERMAN enters.

HERMAN: Rengin, what’s wrong? Why didn’t you answer the phone?

RENGIN: I’m getting shit-faced.

HERMAN: Why, honey? You don’t like your wedding gown?

RENGIN: No, I don’t like my wedding gown. Hey, I have an idea. You wear the wedding gown and I’ll wear the tux. And then when we go on our honeymoon I’ll fuck you. How about that?“

 

Eric_Bogosian

Eric Bogosian (Woburn, 24 april 1953)

 

De Amerikaanse dichter en schrijver Robert Penn Warren werd geboren op 24 april 1905 in Guthrie, Kentucky. Zie ook mijn blog van 24 april 2007 en ook mijn blog van 24 april 2008.

A Way to Love God    

Here is the shadow of truth, for only the shadow is true.
And the line where the incoming swell from the sunset Pacific
First leans and staggers to break will tell all you need to know
About submarine geography, and your father’s death rattle
Provides all biographical data required for the Who’s Who of the dead.

I cannot recall what I started to tell you, but at least
I can say how night-long I have lain under the stars and
Heard mountains moan in their sleep. By daylight,
They remember nothing, and go about their lawful occasions
Of not going anywhere except in slow disintegration. At night
They remember, however, that there is something they cannot remember.
So moan. Theirs is the perfected pain of conscience that
Of forgetting the crime, and I hope you have not suffered it. I have.

I do not recall what had burdened my tongue, but urge you
To think on the slug’s white belly, how sick-slick and soft,
On the hairiness of stars, silver, silver, while the silence
Blows like wind by, and on the sea’s virgin bosom unveiled
To give suck to the wavering serpent of the moon; and,
In the distance, in plaza, piazza, place, platz, and square,
Boot heels, like history being born, on cobbles bang.

Everything seems an echo of something else.

And when, by the hair, the headsman held up the head
Of Mary of Scots, the lips kept on moving,
But without sound. The lips,
They were trying to say something very important.

But I had forgotten to mention an upland
Of wind-tortured stone white in darkness, and tall, but when
No wind, mist gathers, and once on the Sarré at midnight,
I watched the sheep huddling. Their eyes
Stared into nothingness. In that mist-diffused light their eyes
Were stupid and round like the eyes of fat fish in muddy water,
Or of a scholar who has lost faith in his calling.

Their jaws did not move. Shreds
Of dry grass, gray in the gray mist-light, hung
From the side of a jaw, unmoving.

You would think that nothing would ever again happen.

That may be a way to love God.

warren

Robert Penn Warren (24 april 1905 – 15 september 1989)

 

 

De Zwitser dichter, schrijver, essayist en criticus Carl Friedrich Georg Spitteler (eig. Carl Felix Tandem) werd geboren op 24 april 1845 in Liestal bij Basel. Zie ook mijn blog van 24 april 2007 en ook mijn blog van 24 april 2008. 

 

Das Begräbnis

 

Mir war im Traum, sie täten dich begraben,

An einem Sonntag, draußen unterm wald,

Mit Singen und mit Beten. Leisen Trittes

Durch eine Seitenpforte naht ich traurig,

Entblößten Haupts von hinten der Versammlung.

 

Da stockte plötzlich der Gesang. Erstaunt,

Mit scheuen Blicken starrten sie nach mir.

Die Mesner zischelten. Ein Gärtnerjunge

Schob mir mit dienstbeflißnem Grinsen heimlich

Durch meine Finger einen Kranz von Dornen.

Aber die Menge teilend trat der Pfarrer

Mir f
eierlich entgegen, schrieb das Kreuz

Auf meine Stirne, hielt die Heilige Schrift

Mir auf die Brust und las mit lauter Stimme:

“Vergib, auf daß man dir vergebe”, las er.

Da regte sichs im Dornenkranz und wuchs

Und quoll wie Blust im Frühling. Rote, samtne,

Großmächtge Königsrosen fraßen wuchernd

Die lichte Luft, den leiderfüllten Kirchhof.

Blieb nichts mehr übrig als ein stilles Antlitz,

Von Schmerz verschönt, die lieben Heimataugen,

Wehmütigen Blicks mich grüßend durch die Rosen.

 

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Carl Spitteler (24 april 1845 – 29 december 1924)
Portret door Ferdinand Hodler

 

De Australische schrijver Marcus Clarke werd geboren op 24 april 1846 in Londen. Zijn belangrijkste roman is His Natural Life die oorspronkelijk, onder tijdsdruk geschreven, als feuilleton in een krant verscheen tussen 1870 en 1872. Het werk beschrijft de lotgevallen van Rufus Dawes die ten onrechte voor moord veroordeeld wordt en in een gevangenis belandt.  Bewerkt, ingekort en van een nieuw tragisch einde voorzien verscheen het boek in 1874. In 1908 werd er al een korte film van gemaakt, in 1927 een Hollywood film.  In 1983 volgde een televisieserie, gebaseerd op de roman.

 

Uit: His Natural Life

 

„We have some dim notion of what life on a convict ship means; and we have seen through what a furnace Rufus Dawes had already passed before he set foot on the barren shore of Hell’s Gates. But to appreciate in its intensity the agony he had suffered since that time, we must multiply the infamy of the ‘tween decks of the Malabar an hundred fold. In that prison was at least some ray of light. All were not abominable; all were not utterly lost to shame and manhood. Stifling though the prison, infamous the companionship, terrible the memory of past happiness—there was yet ignorance of the future, there was yet Hope. But at Macquarie Harbour was poured out the very dregs of this cup of desolation. The worst had come, and the worst must for ever remain. That pit of torment was so deep that one could not even see Heaven. There was no hope there as long as life remained. Death alone kept the keys of that island prison.

Is it possible to imagine, even for a moment, what an innocent man, gifted with ambitions and disgusts, endowed with power to love and to respect, must have suffered during one week of such a punishment? We ordinary men, leading ordinary lives—walking, riding, laughing, marrying and giving in marriage—can form no notion of such misery as this. Some dim ideas we may have about the sweetness of liberty and the loathing that evil company inspires; but that is all. We know that were we chained and degraded, fed like dogs, employed as beasts of burden, driven to our daily toil with threats and blows, and herded with wretches among whom all that savoured of decency and manliness was an open mock and scorn, we would—what? Die, perhaps, or go mad. But we do not know, and can never know, how unutterably loathsome life must become when shared with such beings as those who dragged the tree trunks to the banks of the Gordon, and toiled, blaspheming, in their irons, on the dismal sandspit of Sarah Island. No human creature could describe to what depth of personal abasement and self-loathing one week of such a life would plunge him. Even if he had the power to write, he dared not. As one who, in a desert, seeking for a face, comes to a pool of blood, and, seeing his own reflection, flies—so would such a one hasten from the contemplation of his own degrading agony. Imagine such an agony endured for six years!“

 

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Marcus Clarke (24 april 1846 – 2 augustus 1881)

 

De Engelse schrijver Anthony Trollope werd geboren in Londen op 24 april 1815 als zoon van de bekende schrijfster van reisverhalen Frances Trollope. Als kind werd hij naar een serie kostscholen gestuurd, totdat de familie Trollope verhuisde naar België. Zijn ervaringen op deze kostscholen waren ongunstig en hij bekende later aan zelfmoord te hebben gedacht. Na de dood van zijn vader, een advocaat, zag zijn moeder zich gedwongen door te gaan met het schrijven van reisverhalen om de kost te verdienen. Trollope zelf kreeg in 1834 een baan bij de Britse post, waarvoor hij in 1841 moest verhuizen naar Ierland. Deze verhuizing zou later doorklinken in zijn eerste romans, een aantal waarvan zich daar afspeelden. Door de vele treinreizen die Trollope nodig had in zijn baan als postbeambte, had hij veel tijd over om te schrijven. Hij zette zichzelf de taak een bepaald aantal woorden per dag te schrijven en mede hierdoor werd hij al snel de meest productieve schrijver van zijn generatie. In zijn baan als postbeambte wordt Trollope verantwoordelijk geacht voor de introductie van de bekende rode brievenbussen die nog steeds dienst doen in het Verenigd Koninkrijk. Dankzij het succes van zijn romans kon hij in 1867 zijn baan bij de post opgeven en na een mislukte poging tot verkiezing in het parlement wijdde hij zich geheel aan het schrijven.

 

Uit: The Warden

 

„The Rev. Septimus Harding was, a few years since, a beneficed clergyman residing in the cathedral town of ———; let us call it Barchester. Were we to name Wells or Salisbury, Exeter, Hereford, or Gloucester, it might be presumed that something personal was intended; and as this tale will refer mainly to the cathedral dignitaries of the town in question, we are anxious that no personality may be suspected. Let us presume that Barchester is a quiet town in the West of England, more remarkable for the beauty of its cathedral and the antiquity of its monuments, than for any commercial prosperity; that the west end of Barchester is the cathedral close, and that the aristocracy of Barchester are the bishop, dean, and canons, with their respective wives and daughters.

Early in life Mr. Harding found himself located at Barchester. A fine voice and a taste for sacred music had decided the position in which he was to exercise his calling, and for many years he performed the easy but not highly paid duties of a minor canon. At the age of forty a small living in the close vicinity of the town increased both his work and his income, and at the age of fifty he became precentor of the cathedral.

Mr. Harding had married early in life, and was the father of two daughters. The eldest, Susan, was born soon after his marriage; the other, Eleanor, not till ten years later. At the time at which we introduce him to our readers he was living as precentor at Barchester with his youngest daughter, then twenty-four years of age; having been many years a widower, and having married his eldest daughter to a son of the bishop, a very short time before his installation to the office of precentor“.

 

Trollope

Anthony Trollope 24 april 1815 – 6 december 1882)

 

De Duitse dichter en schrijver Carl Leberecht Immermann werd geboren op 24 april 1796 in Magdeburg. Hij werkte als jurist in Magdeburg, Münster en Düsseldorf. In 1832 richtte hij het Düsseldorfer Stadttheater op dat hij leidde tot 1837. Immermann stond in vriendschappelijk contact met tijdgenoren als Heine , Grabbe , Tieck , Fouqué , Eckermann , Goethe , Gutzkow , Freiligrath , Brockhaus, Campe , Cotta en Felix Mendelssohn-Bartholdy.

 

Uit: Der Karneval und die Somnambule

Der arme Schelm, aus dessen Papieren wir die folgenden Blätter mitteilen, gehörte zu den Leuten, aus denen andere nichts machen, weil sie selbst wenig aus sich machen. Er war der Meinung, daß in einer Zeit, welche Reiche entstehen und fallen sah, während ein Knabe kaum zum Manne wurde, das Schicksal eines einzelnen im Grunde nicht viel zu bedeuten habe. Es ist ihm zuweilen sehr übel gegangen; er fand aber immer bald den Ton der Gleichgültigkeit oder des Scherzes über sein Unglück; denn er mußte an die Schlachtfelder Europas denken und an die Völker, deren Gebeine auf ihnen bleichen.Wir wollen dies weder loben noch tadeln, sondern die Leser nur bitten, sich durch den Ton seiner Reminiszenzen nicht täuschen zu lassen. Es folgt denselben so viel Herzeleid, als eine gefühlvolle deutsche Romanleserin wünschen kann, wenn der Held der
Geschichte auch verschmäht hat, seine Schmerzen jammernd vorher zu verkündigen.Ich bin von jeher ein großer Liebhaber alles Merkwürdigen gewesen, und wenn es mir nach meinen Wünschen im Leben gegangen wäre, so hätte ich die ägyptischen Pyramiden und den Niagarafall sehen müssen. Ich kam aber nicht bis zu diesen Wunderdingen, sondern blieb meistens auf die Wanderung um den runden Tisch meines Studierzimmers beschränkt. Als ich mich eben anschickte, wenigstens die Tour durch Frankreich und Italien zu machen, lernte ich meine nachherige Frau kennen, die mit ihrem Oheim gerade von Neapel über Rom, Mailand und Paris zurückkehrte. Ich wollte die Gelegenheit benutzen, mich aus ihrem Munde über so manches, was mir als einem gründlich Reisenden not tat, unterrichten zu lassen, und besuchte den Oheim und die Nichte täglich in den Abendstunden.“

 

immermann_1828

Carl Immermann (24 april 1796 – 25 augustus 1840)