De Amerikaanse schrijver en essayist Edmund White werd geboren op 13 januari 1940 in Cincinnati. Zie ook alle tags voor Edmund White op dit blog.

Uit: The Humble Lover

“He said to his very pale, very young companion, “It must be such a thrill to be a ballet dancer and have hundreds, thousands, of fans applauding you.”
The young man, whose name was August Dupond, said dryly, “Yeah, I guess it is nice. A dream come true.”
“Did you ever think you’d be a soloist in the greatest company in New York?”
The boy smiled weakly. “Well, that was the idea. Three classes every day for years, except for performance days, when I have only one afternoon class. Now or never, I guess.” He smiled and took a sip of water. “Do you think they’d have Gatorade here?”
“What’s that?”
“Gatorade. Oh, gosh, athletes drink it. Electrolytes.”
“Gaston!”
“Yes, Monsieur West?”
“Monsieur Dupond would like a Gatra-Aid. I’ll have a champagne cocktail. And the usual hors d’oeuvres.”
August said hopefully, “A Gatorade?”
“I’m sorry, jeune homme, but I’ve never—”
“Is there a deli near here?”
“Not open, I fear.”
“Skip it,” August said with a tarnished smile. “Bring me a decaffeinated tea, please.”
“Tout de suite!” the waiter said. He’d known Mr. West for nine or ten years and felt sorry that he was always accompanied by these underdressed youths who invariably ordered a hamburger or spaghetti, had strange food dislikes like mushrooms, and seldom would eat fish. One boy had asked him if the Dover sole was chicken.
“I’m so embarrassed they didn’t have your health drink,” Aldwych West said. He pulled out his agenda with its own gold pencil. “Here, if you’ll just scribble the name of the drink I’ll have a case delivered tomorrow.”
“Why?”
“We might come back here some day. It’s so close to the theater.”
“Le thé décaféiné pour le jeune monsieur. Et le champagne pour Monsieur West!’
“Merci.”
“What language are you guys speaking?”
“French. Sorry. It must be very rude—
“I thought it might be French. Real French. I’m French Canadian.”
“Then you must understand—”
“No. Not really. We speak a funny French.”
“They say that Canadian French is seventeenth-century French, the purest.”

De Duitse dichter en schrijver Adrian Kasnitz werd geboren op 10 januari 1974 in Orneta, Polen. Zie ook alle tags voor Adrian Kasnitz op dit blog.

In de zomer had ik een omhelzing
ik waarschuw je, het voelde als wind aan
het smaakte licht, wat ik in mijn mond stopte
ik veegde kleine dingen weg, half droog, half nat
de rivier was meer kruimels, meer haar
snel trok ik mijn enkel er weer uit
stak mijn vinger er weer in
de wind bleef even hangen in mijn haar, even op de huid
een en ander smaakt bitter, ik waarschuw je
een en ander is ijs dat langs vingers en enkel druipt

Vertaald door Frans Roumen

Zie voor nog meer schrijvers van de 13^e januari ook mijn blog van 13 januari 2019 deel 1 en eveneens deel 2.

De Amerikaanse schrijver en essayist Edmund White werd geboren op 13 januari 1940 in Cincinnati. Zie ook alle tags voor Edmund White op dit blog.

Uit: A Previous Life

“Six months had gone by and the day was fast approaching when they’d agreed to read their memoirs in alternating chapters out loud to each other. They were in the Engadin, in the little town of Sils Maria. Around the corner, in a two-story house painted white with green trim, Nietzsche had lived briefly in the upstairs room. Now the Engadin was a costly ski resort, twice the site of the Winter Olympics, but in Nietzsche’s time, it must have been one of the most remote places on earth, reachable from Italy only by a steep, perilous road through the Maloja Pass in a carriage, then a sleigh pulled by six lathered-up horses baring their big yellow teeth around the bits, their breath visible in the cold mountain air (a sleigh ride was disagreeably called a Schlittenfahrt in German). The most famous village in the area was St. Moritz.
They had no visible servants there, though an expensive service washed the sheets, shoveled the roof and walkway, watered the plants, ran the sweeper, aired the rooms (throwing back the heavy duvet), turned up the heat a day in advance of their return, dusted everything (though there was no dust so high up in the mountains). The simple priceless side tables inlaid with split reeds and designed in the 1920s, the overhead lamp from the 1950s made in Milan, sprouting multicolored metal cups of light, the matronly restuffed 1950s couch from Paris in green velvet, the polished wood zigzag chairs, the huge painting of the naked, dagger-wielding artist himself with Italian words spilling out of his mouth— all of it materialized before their eyes as Ruggero turned on the track lighting and disarmed the security system. The room looked glaring and guilty as a police photo of a murder scene. Not one thing in it had Constance chosen. She had put up a favorite Chagall poster of a red rooster, but it had mysteriously disappeared and found its way into the unused maid’s room. She knew the house represented the high point of taste (she knew it because connoisseurs exclaimed over it and shelter magazines often asked to photograph it but were always turned down. Ruggero was worried about thieves and tax collectors).
This afternoon they’d arrived in their four-wheel drive, so suited for navigating through the snow. Ruggero had insisted on skiing right away. Constance didn’t really ski. She’d taken lessons but was afraid of heights, and even the mountain lifts made her sick. The only reason to ski was to keep Ruggero company, and after she discovered he found her ineptness annoying she abandoned the unpleasant effort. Whereas he had gone on ski holidays with his distant cousins every January since he was six, she had never even put on a ski boot until she was twenty-eight— and had promptly broken her toe and had to sit slightly drunk by the fire with a lap robe and a brandy snifter (how delightful!), watching through the windows the dying light illuminate the downhill racers.”

De Duitse dichter en schrijver Adrian Kasnitz werd geboren op 10 januari 1974 in Orneta, Polen. Zie ook alle tags voor Adrian Kasnitz op dit blog.

Gelukkige nederlagen

De lijst met nederlagen begint met het krabben
als baby de uitslag die maar niet weggaat
de chemische crème die de zaken alleen maar erger maakt
de pijn in het hoofd en in plaats van grapjes, de vage gedachten
de angsten van het kind de ongesteldheid de benauwdheid
het toekijken bij het spelen van de anderen
die altijd anders zullen blijven, hoe hard je ook je best doet
de breuken, de puistjes, de meisjes die je uitlachten
passen allemaal op het blad en zijn niets slechts
vergeleken met de beproevingen die voor je liggen
het onvermoeibare dagelijkse leven het najagen van geld
armoedige stoffen verkies je boven armoedige prestaties
en nu, nu je struikelt, valt, begin je
afstand te nemen, los te laten, schuif je het slechte opzij
rolt je af blijft op de straat liggen kijkt ganzen na
die het luchtruim kruisen in de vlucht schreeuwen ze gaggagggag

Vertaald door Frans Roumen

Zie voor nog meer schrijvers van de 13^e januari ook mijn blog van 13 januari 2019 deel 1 en eveneens deel 2.

De Amerikaanse schrijver en essayist Edmund White werd geboren op 13 januari 1940 in Cincinnati. Zie ook alle tags voor Edmund White op dit blog.

Uit: The Unpunished Vice

“Sometimes I read now to fill up my mind-banks with new coins – new words, new ideas, new turns of phrase. From Joyce Carol Oates I learned to alternate italicized passages of mad thought with sentences in Roman type narrating and describing in a straightforward manner. To me the first half of D. H. Lawrence’s The Rainbow shows how far prose can go toward the poetic without falling into a sea of rose syrup.
Each classic is eccentric. Samuel Beckett is both bleak and comic. Karl Ove Knausgaard is both boring and engrossing. Proust is so long-winded he often loses the thread of an anecdote; too many interpellations can make a story nonsensical – and sublimely interesting, if the narrator possesses a sovereign intellect. V. S. Naipaul’s The Enigma of Arrival is both confiding and absurdly discreet (he doesn’t mention he’s living in the country with his wife and children, for instance; nor does he tell us that his madman-proprietor is one of England’s most interesting oddballs, Stephen Tennant). I suppose all these examples demonstrated to me that any excess can be rewarding if it explores the writer’s unique sensibility and goes too far. The farthest reaches of fiction are marked by Mircea Cărtărescu’s monumental Blinding and Samuel Delany’s The Mad Man and Compass by Mathias Énard – and there are no books more memorable.
Almost every literary gay book gets sent to me for a blurb, and I’ve become a true ‘blurb slut.’ It’s a bit like being a loose woman; everyone mocks you for your liberality – and everyone wants at least one date with you. I like to help first-time authors (if I admire their work), but serious writers aren’t supposed to be so generous with their favours. Now that I’m old I turn down most manuscripts, and I always remind publishers that I might not like their new books if I do read them. A good blurb is pithy, phrased unforgettably, at once precise and a statement that makes broad claims for the book.
Reading books by friends is a special problem. They usually want a review, not a mere blurb. If I have mixed feelings about a friend’s book, I phone him or her rather than write something. In a conversation one can judge how honest the writer wants you to be. He or she will clam up right away or press for a fuller statement. Sometimes I give writers reports as I read along; most writers can’t wait for a week to get a full report.
Reading books for pleasure, of course, is the greatest joy. No need to underline, press on, try out mentally summarizing or evaluating phrases. One is free to read as a child reads – no duties, no goals, no responsibilities, no clock ticking: pure rapture. Proust’s essay ‘On Reading’ is a magical account of a child’s absorption in a book, his regret about leaving the page for the dinner table, even the erotic aspect (he reads in the water closet and associates with it the smell of orris root). Perhaps my pleasure in reading has kept me from being a systematic reader. I never get to the bottom of anything but just step from one lily pad to another.”

De Duitse dichter en schrijver Adrian Kasnitz werd geboren op 10 januari 1974 in Orneta, Polen. Zie ook alle tags voor Adrian Kasnitz op dit blog.

Bremerhaven 2

de wind voert het geluid weg
een geroezemoes van de havenfaciliteit
in lichtkegels

de hele stad op korter
wordende dagen – lichtsnoeren
naar buiten gewend
om de duisternis te verdrijven
(alsof ze daar woonde!)

de containers wagen zich
dichter en dichter bij de dorpen
kranen loodsen ze daarheen

de dijk houdt
het bier zo koud als lucht

alleen de bediening aan de bar
belooft troost in haar decolleté.

Vertaald door Frans Roumen

Zie voor nog meer schrijvers van de 13^e januari ook mijn blog van 13 januari 2019 deel 1 en eveneens deel 2.