Julian Barnes, Bert Natter, Edgar Allen Poe, Edwidge Danticat, Patricia Highsmith

De Engelse schrijver Julian Barnes werd geboren op 19 januari 1946 in Leicester. Zie ook alle tags voor Julian Barnes op dit blog.

Uit: The Noise of Time

“And so, it had all begun, very precisely, on the morning of the 28th of January 1936, in Arkhangelsk. He had been invited to perform his first piano concerto with the local orchestra under Viktor Kubatsky; the two of them had also played his new cello sonata. It had gone well. The next morning he went to the railway station to buy a copy of Pravda. He had looked at the front page briefly, then turned to the next two. It was, as he would later put it, the most memorable day of his life. And a date he chose to mark each year until his death.
Except that—as his mind obstinately argued back—nothing ever begins as precisely as that. It began in different places, and in different minds. The true starting point might have been his own fame. Or his opera. Or it might have been Stalin, who, being infallible, was therefore responsible for everything. Or it could have been caused by something as simple as the layout of an orchestra. Indeed, that might finally be the best way of looking at it: a composer first denounced and humiliated, later arrested and shot, all because of the layout of an orchestra.
If it all began elsewhere, and in the minds of others, then perhaps he could blame Shakespeare, for having written Macbeth. Or Leskov for Russifying it into Lady Macbeth of Mtsensk. No, none of that. It was, self-evidently, his own fault for having written the piece that offended. It was his opera’s fault for being such a success—at home and abroad—it had aroused the curiosity of the Kremlin. It was Stalin’s fault because he would have inspired and approved the Pravda editorial—perhaps even written it himself: there were enough grammatical errors to suggest the pen of one whose mistakes could never be corrected. It was also Stalin’s fault for imagining himself a patron and connoisseur of the arts in the first place. He was known never to miss a performance of Boris Godunov at the Bolshoi. He was almost as keen on Prince Igor and Rimsky-Korsakov’s Sadko. Why should Stalin not want to hear this acclaimed new opera, Lady Macbeth of Mtsensk?
And so, the composer was instructed to attend a performance of his own work on the 26th of January 1936. Comrade Stalin would be there; also Comrades Molotov, Mikoyan and Zhdanov. They took their places in the government box. Which had the misfortune to be situated immediately above the percussion and the brass. Sections which in Lady Macbeth of Mtsensk were not scored to behave in a modest and self-effacing fashion.
He remembered looking across from the director’s box, where he was seated, to the government box. Stalin was hidden behind a small curtain, an absent presence to whom the other distinguished comrades would sycophantically turn, knowing that they were themselves observed.”

 


Julian Barnes (Leicester, 19 januari 1946)

 

De Nederlandse schrijver, uitgever en journalist Bert Natter werd geboren in Baarn op 19 januari 1968. Zie ook alle tags voor Bert Natter op dit blog.

Uit: Hoe staat het met de liefde?

“Begin opnieuw. Steek de sleutel in het slot. Open de voordeur.
Ga het halletje binnen. Vermoed niets. Hoor buiten het geronk van de bus wegsterven. Luister niet naar het gebonk binnen.
Geniet van het onverwachte vrije uur. Voel hoe lekker behaaglijk het is.
Ga verder. Sluit de deur. Stamp op de mat. Gooi die kapotte schooltas onder de kapstok. Doe die wanten uit. En die muts af. Vergeet school, vergeet de kou. Verlies nooit deze onschuld. Trek uit die dikke winterjas.
Duw tegen de deur naar de gang. Baal ervan dat die klemt. Blijf in het halletje staan.
Bedenk wie hier achter zit. Duw nog eens. Sla op de deur. Roep. Schop tegen de deur. Scheld en vloek.
Laat ook maar.
Ga zonder jas, zonder wanten en zonder muts de kou in. Trek de deur in het slot.
Kijk niet naar de overkant van het kruispunt. Weiger daarheen te gaan. Kruip daar niet weg.
Loop om door het gangetje.
Zucht diep.
Hoop dat alles goed komt.
Zie dat aan het huis niets te zien is.
Sta in de tuin. Probeer te glimlachen om de inzakkende sneeuwpop. De fietspomp in zijn hoofd. Goed idee van pap. Denk aan mooie momenten. Bewaar herinneringen. Koester alles wat gebeurde tot wat straks gebeurt.”

 


Bert Natter (Baarn, 19 januari 1968)

 

De Amerikaanse dichter en schrijver Edgar Allen Poe werd geboren op 19 januari 1809 in Boston. Zie ook alle tags voor Edgar Allen Poe op dit blog

Uit: The Devil in the Belfry

“Everybody knows, in a general way, that the finest place in the world is–or, alas, was–the Dutch borough of Vondervotteimittiss. Yet as it lies some distance from any of the main roads, being in a somewhat out-of-the-way situation, there are perhaps very few of my readers who have ever paid it a visit. For the benefit of those who have not, therefore, it will be only proper that I should enter into some account of it. And this is indeed the more necessary, as with the hope of enlisting public sympathy in behalf of the inhabitants, I design here to give a history of the calamitous events which have so lately occurred within its limits. No one who knows me will doubt that the duty thus self-imposed will be executed to the best of my ability, with all that rigid impartiality, all that cautious examination into facts, and diligent collation of authorities, which should ever distinguish him who aspires to the title of historian.
By the united aid of medals, manuscripts, and inscriptions, I am enabled to say, positively, that the borough of Vondervotteimittiss has existed, from its origin, in precisely the same condition which it at present preserves. Of the date of this origin, however, I grieve that I can only speak with that species of indefinite definiteness which mathematicians are, at times, forced to put up with in certain algebraic formulae. The date, I may thus say, in regard to the remoteness of its antiquity, cannot be less than any assignable quantity whatsoever.
Touching the derivation of the name Vondervotteimittiss, I confess myself, with sorrow, equally at fault. Among a multitude of opinions upon this delicate point–some acute, some learned, some sufficiently the reverse–I am able to select nothing which ought to be considered satisfactory. Perhaps the idea of Grogswigg–nearly coincident with that of Kroutaplenttey–is to be cautiously preferred.–It runs:- “Vondervotteimittis- Vonder, lege Donder- Votteimittis, quasi und Bleitziz- Bleitziz obsol:- pro Blitzen.” This derivative, to say the truth, is still countenanced by some traces of the electric fluid evident on the summit of the steeple of the House of the Town-Council. I do not choose, however, to commit myself on a theme of such importance, and must refer the reader desirous of information to the “Oratiunculae de Rebus Praeter-Veteris,” of Dundergutz. See, also, Blunderbuzzard “De Derivationibus,” pp. 27 to 5010, Folio, Gothic edit., Red and Black character, Catch-word and No Cypher; wherein consult, also, marginal notes in the autograph of Stuffundpuff, with the Sub-Commentaries of Gruntundguzzell.
Notwithstanding the obscurity which thus envelops the date of the foundation of Vondervotteimittis, and the derivation of its name, there can be no doubt, as I said before, that it has always existed as we find it at this epoch. The oldest man in the borough can remember not the slightest difference in the appearance of any portion of it; and, indeed, the very suggestion of such a possibility is considered an insult. The site of the village is in a perfectly circular valley, about a quarter of a mile in circumference, and entirely surrounded by gentle hills, over whose summit the people have never yet ventured to pass. For this they assign the very good reason that they do not believe there is anything at all on the other side.”

 


Edgar Allen Poe (19 januari 1809 – 7 oktober 1849) 
Cover

 

De Amerikaanse dichteres en schrijfster Edwidge Danticat werd geboren in Port-au-Prince op Haïti op 19 januari 1969. Zie ook alle tags voor Edwidge Danticat op dit blog.

 

Boat People

We are all in a drowning boat
Happened before at St. Domingue
We are the ones called boat people

We all died long ago
What else can frighten us ?
Let them call us boat people

We fight a long time with poverty
On our islands, the sea, everywhere
We never say we are not boat people

In Africa they chased us with dogs
Chained our feet, piled us on
Who then called us boat people?

Half the cargo perished
The rest sold at Bossal Market
It’s them who call us boat people

We stamp our feet down, the earth shakes
Up to Louisiana, down to Venezuela
Who would come and call us boat people?

A bad season in our country
The hungry dog eats thorns
They didn’t call us boat people yet

We looked for jobs and freedom
And they piled us on again: Cargo—Direct to Miami
They start to call us boat people

We run from the rain at Fort Dimanche
But land in the river at the Krome Detention Center
It’s them who call us boat people

Miami heat eats away our hearts
Chicago cold explodes our stomach
Boat people boat people boat people

Except for the Indians—
What American didn’t get here somehow
But they only want to call us boat people

We don’t bring drugs in our bags
But courage and strength to work
Boat people—Yes, that’s all right, boat people

We don’t come to make trouble
We come with all respect
It’s them who call us boat people

We have no need to yell or scream
But all boat people are equal, the same
All boat people are boat people

One day we’ll stand up, put down our feet
As we did at St. Domingue
They’ll know who these boat people really are

That day, be it Christopher Columbus
Or Henry Kissinger—
They will know us
We who simply call ourselves
People

 

 
Edwidge Danticat (Port-au-Prince, 19 januari 1969)

 

De Amerikaanse schrijfster Patricia Highsmith werd geboren als Mary Patricia Plangman in Fort Worth (Texas) op 19 januari 1921. Zie ook alle tags voor Patricia Highsmith op dit blog.

Uit:Sauce For The Goose

“The incident in the garage was the third near-catastrophe in the Amory household, and it put a horrible thought into Loren Amory’s head: his darling wife Olivia was trying to kill herself. Loren had pulled at a plastic clothesline dangling from a high shelf in the garage — his idea had been to tidy up, to coil the clothesline properly — and at that first tug an avalanche of suitcases, an old lawnmower, and a sewing machine weighing God-knows-how-much crashed down on the spot that he barely had time to leap from. Loren walked slowly back to the house, his heart pounding at his awful discovery. He entered the kitchen and made his way to the stairs. Olivia was in bed, propped against pillows, a magazine in her lap. ‘What was that terrible noise, dear?’ Loren cleared his throat and settled his black-rimmed glasses more firmly on his nose. ‘A lot of stuff in the garage. I pulled just a little bit on a clothesline —’ He explained what had happened. She blinked calmly as if to say, ‘Well, so what? Things like that do happen.’ `Have you been up to that shelf for anything lately?’ `Why, no. Why?’ `Because — well, everything was just poised to fall, darling.’ `Are you blaming me?’ she asked in a small voice. `Blaming your carelessness, yes. I arranged those suitcases up there and I’d never have put them so they’d fall at a mere touch. And I didn’t put the sewing machine on top of the heap. Now, I’m not saying —’ ‘Blaming my carelessness,’ she repeated, affronted. He knelt quickly beside the bed. ‘Darling, let’s not hide things any more. Last week there was the carpet sweeper on the cellar stairs. And that ladder! You were going to climb it to knock down that wasps’ nest! What I’m getting at, darling, is that you want something to happen to you, whether you realize it or not. You’ve got to be more careful, Olivia — Oh, darling, please don’t cry. I’m trying to help you. I’m not criticizing.’ ‘I know, Loren. You’re good. But my life — it doesn’t seem worth living any more, I suppose. I don’t mean I’m trying to end my life, but —’ ‘You’re still thinking — of Stephen?’ Loren hated the name and hated saying it. She took her hands down from her pinkened eyes. ‘You made me promise you not to think of him, so I haven’t. I swear it, Loren.’ ‘Good, darling. That’s my little girl.’ He took her hands in his. ‘What do you say to a cruise soon? Maybe in February? Myers is coming back from the coast and he can take over for me for a couple of weeks.”

 


Patricia Highsmith (19 januari 1921 – 4 februari 1995)

 

Zie voor nog meer schrijvers van de 19e januari ook mijn vorige blog van vandaag.

Julian Barnes, Bert Natter, Edgar Allen Poe, Edwidge Danticat, Patricia Highsmith, Marie Koenen, Gustav Meyrink, Eugénio de Andrade, Thomas Gsella

De Engelse schrijver Julian Barnes werd geboren op 19 januari 1946 in Leicester. Zie ook alle tags voor Julian Barnes op dit blog.

Uit: Nothing to Be Frightened Of

“The change from teeth to dentures struck my brother and me as both grave and ribald. But my grandmother’s life had contained another enormous change, never alluded to in her presence. Nellie Louisa Machin, daughter of a labourer in a chemical works, had been brought up a Methodist; while the Scoltocks were Church of England. At some point in her young adulthood, my grandmother had suddenly lost her faith and, in the smooth narration of family lore, found a replacement: socialism. I have no idea how strong her religious faith had been, or what her family’s politics were; all I know is that she once stood for the local council as a socialist and was defeated. By the time I knew her, in the 1950s, she had progressed to being a communist. She must have been one of the few old-age pensioners in suburban Buckinghamshire who took the Daily Worker and—so my brother and I insisted to one another—fiddled the housekeeping to send donations to the newspaper’s Fighting Fund.
In the late 1950s, the Sino-Soviet Schism took place, and com-munists worldwide were obliged to choose between Moscow and Peking. For most of the European faithful, this was not a difficult decision; nor was it for the Daily Worker, which received funding as well as directives from Moscow. My grandmother, who had never been abroad in her life, who lived in genteel bungalowdom, decided for undisclosed reasons to throw in her lot with the Chinese. I welcomed this mysterious decision with blunt selfinterest, since her Worker was now supplemented by China Reconstructs, a heretical magazine posted direct from the distant continent. Grandma would save me the stamps from the biscuity envelopes. These tended to celebrate industrial achievement—bridges, hydroelectric dams, lorries rolling off production lines—or else show various breeds of dove in peaceful flight.
My brother did not compete for such offerings, because some years previously there had been a Stamp-Collecting Schism in our home. He had decided to specialize in the British Empire. I, to assert my difference, announced that I would therefore specialize in a category which I named, with what seemed like logic to me, Rest of the World. It was defined solely in terms of what my brother didn’t collect. I can no longer remember if this move was aggressive, defensive, or merely pragmatic. All I know is that it led to some occasionally baffling exchanges in the school stamp club among philatelists only recently out of short trousers. “So, Barnesy, what do you collect?” “Rest of the World.

 

 
Julian Barnes (Leicester, 19 januari 1946)
Cover

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Julian Barnes, Bert Natter, Edgar Allen Poe, Edwidge Danticat, Patricia Highsmith, Marie Koenen, Gustav Meyrink, Eugénio de Andrade, Thomas Gsella

De Engelse schrijver Julian Barnes werd geboren op 19 januari 1946 in Leicester. Zie ook alle tags voor Julian Barnes op dit blog.

Uit: Het tumult van de tijd (Vertaald door Ronald Vlek)

“Het gebeurde midden in de oorlog, op een perron, even vlak en stoffig als de eindeloze steppe die het omringde. De wachtende trein was twee dagen geleden uit Moskou vertrokken, in westelijke richting; nog twee of drie dagen te gaan, afhankelijk van kolenvoorraad en troepenbewegingen. Het was kort na zonsopgang, maar de man – in werkelijkheid maar een halve man – was al bezig zich op een platte lorrie met houten wielen naar de slaaprijtuigen te stuwen. Er was geen andere manier om het geval voort te bewegen dan aan de voorkant te wrikken, en om te voorkomen dat hij zijn evenwicht verloor had hij een touw onder de lorrie door gehaald en door zijn broeksband gestoken. De handen van de man waren omzwachteld met smerige repen stof en zijn huid was gehard door het bedelen op straten en stations.
Zijn vader was een overlevende geweest van de vorige oorlog. Hij was vertrokken met de zegen van de dorpspriester om te gaan vechten voor het vaderland en de tsaar. Toen hij terug was gekomen waren de priester en de tsaar inmiddels verdwenen, en was zijn vaderland niet meer hetzelfde geweest. Zijn vrouw had gegild toen ze zag wat de oorlog met haar man had gedaan. Nu woedde er opnieuw een oorlog, en was dezelfde indringer weer terug, al waren de namen veranderd; de namen aan beide kanten.
Maar verder was er niets veranderd: jonge mannen werden nog steeds door kanonnen aan flarden geschoten en vervolgens door chirurgen ruw opengesneden. Zijn eigen benen waren afgezet in een veldhospitaal te midden van kapotgeschoten bomen. Allemaal voor een hoger doel, zoals dat de vorige keer ook het geval was geweest. Het liet hem koud. Laat anderen daar maar over twisten; zijn enige zorg was het einde halen van de volgende dag. Hij was verworden tot een techniek om te overleven. Beneden een bepaald niveau werden alle mannen dat: een techniek om te overleven.
Enkele passagiers waren uitgestapt om zich even te vertreden in de stoffige lucht; andere zaten met hun gezicht voor de ramen van de rijtuigen. Terwijl de bedelaar naderbij kwam, hief hij luidkeels een obsceen soldatenlied aan. Sommige passagiers zouden hem misschien een paar kopeken toewerpen als dank voor het vertier; andere hem betalen om zich te verwijderen.”

 

 
Julian Barnes (Leicester, 19 januari 1946)

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Julian Barnes, Edgar Allen Poe, Edwidge Danticat, Patricia Highsmith, Marie Koenen, Gustav Meyrink

De Engelse schrijver Julian Barnes werd geboren op 19 januari 1946 in Leicester. Zie ook alle tags voor Julian Barnes op dit blog.

Uit: Levels of Life

“You put together two things that have not been put together before; and sometimes it works, sometimes it doesn’t. Pilâtre de Rozier, the first man to ascend in a fire balloon, also planned to be the first to fly the Channel from France to England. To this end he constructed a new kind of aerostat, with a hydrogen balloon on top, to give greater lift, and a fire balloon beneath, to give better control. He put these two things together, and on the 15th of June 1785, when the winds seemed favourable, he made his ascent from the Pas-de-Calais. The brave new contraption rose swiftly, but before it had even reached the coastline, flame appeared at the top of the hydrogen balloon, and the whole, hopeful aerostat, now looking to one observer like a heavenly gas lamp, fell to earth, killing both pilot and co-pilot.
You put together two people who have not been put together before; and sometimes the world is changed, sometimes not. They may crash and burn, or burn and crash. But sometimes, something new is made, and then the world is changed. Together, in that first exaltation, that first roaring sense of uplift, they are greater than their two separate selves. Together, they see further, and they see more clearly.
Of course, love may not be evenly matched; perhaps it rarely is. To put it another way: how did those besieged Parisians of 1870-71 get replies to their letters? You can fly a balloon out from the Place St.-Pierre and assume it will land somewhere useful; but you can hardly expect the winds, however patriotic, to blow it back to Montmartre on a return flight. Various stratagems were proposed: for example, placing the return correspondence in large metal globes and floating them downstream into the city, there to be caught in nets. Pigeon post was a more obvious idea, and a Batignolles pigeon fancier put his dovecote at the authorities’ disposal: a basket of birds might be flown out with each siege balloon, and return bearing letters. But compare the freight capacity of a balloon and a pigeon, and imagine the weight of disappointment. According to Nadar, the solution came from an engineer who worked in sugar manufacture. Letters intended for Paris were to be written in a clear hand, on one side of the paper, with the recipient’s address at the top. Then, at the collecting station, hundreds of them would be laid side by side on a large screen and photographed. The image would be micrographically reduced, flown into Paris by carrier pigeon, and enlarged back to readable size..”

 

 
Julian Barnes (Leicester, 19 januari 1946)

Lees verder “Julian Barnes, Edgar Allen Poe, Edwidge Danticat, Patricia Highsmith, Marie Koenen, Gustav Meyrink”

Julian Barnes, Edgar Allen Poe, Edwidge Danticat, Patricia Highsmith, Marie Koenen

De Engelse schrijver Julian Barnes werd geboren op 19 januari 1946 in Leicester. Zie ook alle tags voor Julian Barnes op dit blog.

Uit: Alsof het voorbij is (Vertaald door Ronald Vlek)

“Er was onrust, meneer.’
Een explosie van nauwelijks onderdrukt gegniffel; Hunt glimlachte zelf bijna.
‘Zou je dat misschien wat nader kunnen preciseren?’
Marshall knikte traag instemmend, dacht nog iets langer na en besloot dat dit geen moment was voor behoedzaamheid. ‘Ik zou zeggen dat er grote onrust was, meneer.’
‘Finn dan. Ben jij een beetje thuis in die periode?’
De nieuwe jongen zat een rij voor me en links van mij. Hij had geen zichtbare reactie getoond bij Marshalls onnozelheden.
‘Niet echt, meneer, vrees ik. Maar er is een opvatting die inhoudt dat het enige wat er werkelijk over een historische gebeurtenis – zelfs over het uitbreken van de Eerste Wereldoorlog bijvoorbeeld – valt te zeggen is dat er “iets heeft plaatsgevonden”.’
‘O ja, is dat zo? Nou, dan zou ik meteen zonder werk zitten.’ Na wat kruiperig gelach, vergaf Ouwe Joe Hunt ons onze vakantieluiheid en praatte hij ons bij over de polygame koninklijke slager.
In de volgende pauze stapte ik op Finn af. ‘Ik ben Tony Webster.’ Hij keek me wantrouwend aan. ‘Mooi antwoord aan Hunt.’ Hij leek niet te weten waar ik op doelde. ‘Dat er iets had plaatsgevonden.’
‘O dat. Ik was een beetje teleurgesteld dat hij er niet op doorging.’
Dat was niet wat hij geacht werd te zeggen.
Nog een detail dat ik me herinner: wij drieën droegen, als symbool van ons verbond, onze horloges altijd met de wijzerplaat aan de binnenkant van onze pols. Het was natuurlijk aanstellerij, maar misschien iets meer. Het deed de tijd voelen als een persoonlijk, ja zelfs geheim iets. We verwachtten dat het Adrian zou opvallen en dat hij ons voorbeeld zou volgen; maar dat deed hij niet.”

 

 
Julian Barnes (Leicester, 19 januari 1946)

Lees verder “Julian Barnes, Edgar Allen Poe, Edwidge Danticat, Patricia Highsmith, Marie Koenen”

Patricia Highsmith, Marie Koenen, Thomas Gsella, Paul-Eerik Rummo

De Amerikaanse schrijfster Patricia Highsmith werd geboren als Mary Patricia Plangman in Fort Worth (Texas) op 19 januari 1921. Zie ook alle tags voor Patricia Highsmith op dit blog.

Uit: The Talented Mr. Ripley

‘I wasn’t quite sure you were Tom Ripley,’ Mr Greenleaf said. ‘I’ve seen you only once before, I think. Didn’t you come up to the house once with Richard?’
‘I think I did.’
‘The Schrievers gave me a description of you, too. We’ve all been trying to reach you, because the Schrievers wanted us to meet at their house. Somebody told them you went to the Green Cage bar now and then. This is the first night I’ve tried to find you, so I suppose I should consider myself lucky.’ He smiled. ‘I wrote you a letter last week, but maybe you didn’t get it.’
‘No, I didn’t.’ Marc wasn’t forwarding his mail, Tom thought. Damn him. Maybe there was a cheque there from Auntie Dottie. ‘I moved a week or so ago,’ Tom added.
‘Oh, I see. I didn’t say much in my letter. Only that I’d like to see you and have a chat with you. The Schrievers seemed to think you knew Richard quite well.’
‘I remember him, yes.’

 

 
Scene uit de gelijknamige film met Matt Damon, Jude Law en Gwyneth Paltrow, 1999

 

‘But you’re not writing to him now?’ He looked disappointed.
‘No. I don’t think I’ve seen Dickie for a couple of years.’
He’s been in Europe for two years. The Schrievers spoke very highly of you, and thought you might have some influence on Richard if you were to write to him. I want him to come home. He has responsibilities here — but just now he ignores anything that I or his mother try to tell him.’
Tom was puzzled. ‘Just what did the Schrievers say?’
‘They said — apparently they exaggerated a little — that you and Richard were very good friends. I suppose they took it for granted you were writing him all along. You see, I know so few of Richard’s friends any more–‘ He glanced at Tom’s glass, as if he would have liked to offer him a drink, at least, but Tom’s glass was nearly full.

 

 
Patricia Highsmith (19 januari 1921 – 4 februari 1995)

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Patricia Highsmith, Marie Koenen, Thomas Gsella, Paul-Eerik Rummo

De Amerikaanse schrijfster Patricia Highsmith werd geboren als Mary Patricia Plangman in Fort Worth (Texas) op 19 januari 1921. Zie ook alle tags voor Patricia Highsmith op dit blog.

Uit: The Talented Mr. Ripley

“Tom saw the man make a gesture of postponement to the barman, and come around the bar towards him. Here it was! Tom stared at him, paralysed. They couldn’t give you more than ten years, Tom thought. Maybe fifteen, but with good conduct–In the instant the man’s lips parted to speak, Tom had a pang of desperate, agonized regret.
‘Pardon me, are you Tom Ripley?’
‘Yes.’
‘My name is Herbert Greenleaf. Richard Greenleaf’s father.’ The expression on his face was more confusing to Tom than if he had focused a gun on him. The face was friendly, smiling and hopeful. ‘You’re a friend of Richard’s, aren’t you?’

 

Scene uit de gelijknamige film met Matt Damon, Jude Law en Gwyneth Paltrow, 1999

It made a faint connection in his brain. Dickie Greenleaf. A tall blond fellow. He had quite a bit of money, Tom remembered. ‘Oh, Dickie Greenleaf. Yes.’
‘At any rate, you know Charles and Marta Schriever. They’re the ones who told me about you, that you might–uh–Do you think we could sit down at a table?’
‘Yes,’ Tom said agreeably, and picked up his drink. He followed the man towards an empty table at the back of the little room. Reprieved, he thought. Free! Nobody was going to arrest him. This was about something else. No matter what it was, it wasn’t grand larceny or tampering with the mails or whatever they called it. Maybe Richard was in some kind of jam. Maybe Mr Greenleaf wanted help, or advice. Tom knew just what to say to a father like Mr Greenleaf.”

 

Patricia Highsmith (19 januari 1921 – 4 februari 1995)

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Edgar Allen Poe, Julian Barnes, Edwidge Danticat, Gustav Meyrink, Eugénio de Andrade, Patricia Highsmith, Marie Koenen

De Amerikaanse schrijver Edgar Allen Poe werd geboren op 19 januari 1809 in Boston. Zie ook alle tags voor Edgar Allen Poe op dit blog

 

Uit: The Gold Bug

„Many years ago I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenot family, and had once been wealthy; but a series of misfortunes had reduced him to want. To avoid the mortification consequent upon his disasters, he left New Orleans, the city of his forefathers, and took up his residence at Sullivan’s Island, near Charleston, South Carolina.

This Island is a very singular one. It consists of little else than the sea sand, and is about three miles long. Its breadth at no point exceeds a quarter of a mile. It is separated from the main land by a scarcely perceptible creek, oozing its way through a wilderness of reeds and slime, a favorite resort of the marsh-hen. The vegetation, as might be supposed, is scant, or at least dwarfish. No trees of any

magnitude are to be seen. Near the western extremity, where Fort Moultrie stands, and where are some miserable frame buildings, tenanted, during summer, by the fugitives from Charleston dust and fever, may be found, indeed, the bristly palmetto; but the whole island, with the exception of this western point and a line of hard white beach on the sea-coast, is covered with a dense undergrowth of the sweet myrtle so much prized by the horticulturists of England. The shrub here often attains the height of fifteen or twenty feet, and forms an almost impenetrable coppice, burthening the air with its fragrance.

In the inmost recesses of this coppice, not far from the eastern or more remote end of the island, Legrand had built himself a small hut, which he occupied when I first, by mere accident, made his acquaintance. This soon ripened into friendship — for there was much in the recluse to excite interest and esteem. I found him well educated, with unusual powers of mind, but infected with misanthropy, and subject to perverse moods of alternate enthusiasm and melancholy. He had with him many books, but rarely employed them.”

 


Edgar Allen Poe (19 januari 1809 – 7 oktober 1849)

Lees verder “Edgar Allen Poe, Julian Barnes, Edwidge Danticat, Gustav Meyrink, Eugénio de Andrade, Patricia Highsmith, Marie Koenen”

Patricia Highsmith, Thomas Gsella, Paul-Eerik Rummo, Marie Koenen

De Amerikaanse schrijfster Patricia Highsmith werd geboren als Mary Patricia Plangman in Fort Worth (Texas) op 19 januari 1921. Zie ook mijn blog van 19 januari 2008 en ook mijn blog van 19 januari 2009 en ook mijn blog van 19 januari 2010.

 

Uit: The Talented Miss Highsmith (Biografie door Joan Schenkar)

 

„On 16 November, 1973, a damp, coldish, breaking day in the tiny French village of Moncourt, France,  Patricia Highsmith, a fifty-two year old American writer living an apparently quiet life beside a branch of the Loing Canal, lit up another Gauloise jaune, tightened her grip on her favorite Parker fountain pen, hunched her shoulders  over her roll-top desk — her oddly-jointed arms and enormous hands were long enough to reach the back of the  roll while she was still seated –- and jotted down in her writer’s notebook a short list of helpful activites “which small children” might do “around the house.”

It’s a casual little list, the kind of list Pat liked to make when she was emptying out the  back pockets of her mind, and it has the tossed-off quality of an afterthought. But as any careful reader of Highsmith knows, the time to pay special attention to her is when she seems to be lounging, negligent, or (God forbid) mildly relaxed. There is a beast crouched in every “unconcerned” corner of her writing mind and, sure enough, it springs out at us in her list’s discomfiting title. “Little Crimes for Little Tots,” she called it.  And then for good measure she added a subtitle: “Things around the house which small children Can do…”

Pat had recently filled in another little list –- it was for the comics historian Jerry Bails back in the U.S. –- with some diversionary information about her work on the crime-busting comic book adventures of Black Terror and Sgt. Bill King, so perhaps she was  still counting up the ways in which small children could be slyly associated with crime. In her last writer’s journal, penned from the same perch in semi-suburban France, she had also spared a few thoughts for children.“

 

 

Patricia Highsmith (19 januari 1921 – 4 februari 1995)

 

 

Lees verder “Patricia Highsmith, Thomas Gsella, Paul-Eerik Rummo, Marie Koenen”

Patricia Highsmith, Thomas Gsella, Paul-Eerik Rummo, Marie Koenen

De Amerikaanse schrijfster Patricia Highsmith werd geboren als Mary Patricia Plangman in Fort Worth (Texas) op 19 januari 1921. Zie ook mijn blog van 19 januari 2008 en ook mijn blog van 19 januari 2009.

 

Uit: Those Who Walk Away

 

‘What are you worried about?’ asked Elisabetta. She was smiling, a little merry on the champagne.

‘I don’t know. Nothing.’ He felt faint, blank, dead or perhaps dying. Distant, high-pitched bells rang in his ears. The girl was saying something that he could not hear, looking off to one side now, and her unconcern at his condition made him feel quite alone. He breathed deeply, one deep breath after another of the tobacco-laden air. The girl did not notice. The faintness passed.

A few moments later, they were out on the street, walking. The girl said it was not far back to where they lived, and there was no boat that could be of any help. The lanes were moist under their shoes. The girl held his arm and chattered on about last summer’s vacation. She had gone to visit relatives in the Ticino. They had cows and a big house. They had taken her to Zurich. She thought Zurich was much cleaner than Venice. Ray could feel the warmth of the girl’s arm next to his. He did not feel faint now, but he felt alone and lost, without purpose, without identity. Wouldn’t it be strange, he thought, if he really were dead, if he were dreaming all of this, or if by some strange process – which was the assumption on which nearly all ghost stories were based – he was a ghost visible to a few people, like this girl, a ghost who tomorrow would not be in the room at Signora Calliuloi’s, would have left not even an unmade bed behind him, only a strange memory in the minds of the few who had seen him, a few whom other people might not believe when they spoke him?

But the dark canals were very real, and so was the rat that crossed their path twenty feet ahead, running from a hole in the stone parapet that bordered the canal, where a barge stirred sleepily against its rope mooring, making a piggish sound like schlurp. The girl had seen the rat, but had interrupted what she was saying only by a brief ‘Ooh!’ and gone on. A light, fixed on the corner of a house so it would illuminate four streets, seemed to burn with impatience, waiting for persons not yet arrived, persons who would carry out some action below it.

‘How long are you really going to be here?’ asked Elisabetta.

Ray saw that they had entered their street. ‘Three or four days.’

‘Thank you for this evening,’ Elisabetta said in her doorway. She looked quickly at her watch., but Ray doubted if she could even see the time on it. ‘I think it’s before eleven. We are very good.’

He had reached a state of not hearing what she said, and yet he did not want to leave her.“

 

patricia-highsmith

Patricia Highsmith (19 januari 1921 – 4 februari 1995)

 

De Duitse dichter en satiricus Thomas Gsella werd geboren op 19 januari 1958 in Essen. Zie ook mijn blog van 19 januari 2009.

Die Bundeskanzlerin

Sie platzt vor Fleiß. Kaum graut der Tag,
Da stellt sie erste Weichen:
Sie nimmt den Armen den Belag
Vom Brot und schenkt’s den Reichen.
Am Mittag geht’s ins Kabinett.
Ergebnis der Debatten:
Sie kratzt den Hungrigen das Fett
Vom Brot und gibt’s den Satten.
Am Abend dann das reine Glück:
Sie senkt Lohnnebenkosten.
Zehn Wessis kriegen Geld zurück
Von einer aus ‘m Osten.

 

Der ICE-Zugchef

Ein Kieler Morgen, heiß und licht.
Er spricht dezent und leise:
“Die Lüftung funktioniert heut’ nicht.
Wir wünschen gute Reise.”
Ein Kieler Nachmittag. Man hört
Im Halbschlaf seine Worte:
“Die Oberleitung ist zerstört.
Im Bistro: alte Torte.”
Die Kieler Nacht, von ihm versüßt
Dank tiefster Menschenkenntnis:
“Zwölf Stunden sind nun eingebüßt.
Wir bitten um Verständnis.”

Thomas_Gsella

Thomas Gsella (Essen,19 januari 1958)

 

De Estlandse dichter, schrijver en politicus Paul-Eerik Rummo werd geboren op 19 januari 1942 in Tallinn. Zie ook mijn blog van 19 januari 2009.

 

Now give me god the strength

 

now give me god the strength to run in showers of
chances
and to recognize the inevitability amongst the many
imposing themselves on being it

 

memory is where our sufferings are nesting
no dog can gnaw through his genetic chain
but it’s quite another thing to run just here in showers
of chances
but it’s quite another thing to run just here in showers
of chances
inevitability, give me your hand

 

inevitability, here is my second hand
my first one has been already given to you by my
birth
inevitability, give me your hand

 

 

Vertaald door de dichter en Enn Soosaar

 

 

Here you grew up

 

Here you grew up. On a land which is flat.
You get your peace and balance from that.

 

The Egg Hill remains the cloud-frontier
The clouds are low and mouse-grey here.

 

One ticket to the world was meant for you.
You can still check whether it’s all true.

 

What Mecca is to a Moslem believer,
these woods are to you with mushroom-fever.

 

Here you were born. On a land which is flat.
Your peace and balance stem from that.

 

 

Vertaald door Ivar Ivask

 

rummo

Paul-Eerik Rummo (Tallinn, 19 januari 1942)

 

De Nederlandse dichteres en schrijfster Marie Koenen werd geboren in ’s-Hertogenbosch op 19 januari 1879. Zie ook mijn blog van 19 januari 2007 en ook mijn blog van 19 januari 2008 en ook mijn blog van 19 januari 2009.

Ze kwamen

En toch zijn hier Gods Heiligen geland.
Hun zeilsnik kwam eens met de meeuwen strijken
Uit ’t ochtendlicht, hier, aan dit zelfde strand.

Om met hun diepst geluk haar te verrijken,
Zochten ze zingend de overzeesche kust,
De twaalef, die op koningen gelijken.

Ewald en Adelbert en Werenfried
En de anderen, die met Sint Wilbert kwamen,
Veroveraars voor God en Zijn gebied.

De zang der zee druischt door hun heldennamen,
Zooals Gods waarheid door hun heldengeest,
Ze trekken op, sterk als een leger samen.

Wel even sterk in God en onbevreesd
Als ’t twaalfetal door Christus uitgezonden,
Die de veroveraars van volken zijn geweest.

Ze hebben d’ingang tot het land gevonden,
Tusschen de duinen de open groene poort,
Waardoor de Rijn in de Noordzee komt monden.

Ze roeien ’t schip door ’t klare water voort,
De vlakte door, den droom der verte tegen,
En bidden: ‘In den aanvang was het woord’.

Bleef dan ook van hun stem, hun zang, hun zegen
Geen laatste naklank leven aan dit strand,
Geen zweem van hun gestalte op deze wegen,
Geen spoor meer van hun voetstap in het zand:
Gods Heiligen, ze zijn hier toch geland.

marie_koenen

Marie Koenen (19 januari 1879 – 11 juli 1959)