Maand: augustus 2012

Kjell Westö, Diane DiPrima, Alfred Lord Tennyson, Paul Claudel, Yacine Kateb

De Finse schrijver Kjell Westö werd geboren op 6 augustus 1961 in Helsinki. Zie ook alle tags voor Kjell Westö op dit blog.

Uit: The perils of being Skrak (Vertaald door David McDuff)

“At the time of Werner’s stay in Cleveland Bruno and Maggie had already been divorced for some years, and in an irreconcilable manner. But they were still interested in their grown-up son, each in their own way; Maggie wrote often, and Werner replied, he wrote at length, and truthfully, for he knew that Bruno and Maggie no longer communicated; to Maggie he could admit that he hated corporate law and bookkeeping, and to her he dared to talk about the raw music he had found on the radio station WJW, he wrote to her that the music of the blacks had body and that he had found a great record store, it was called Rendezvous and was situated on Prospect Avenue and there he had also bought a ticket for a blues concert, wrote Werner, he thought that Maggie would understand.
Bruno was not a great letter-writer, he sometimes dropped a line to Joe McNab on abrupt postcards in which he asked Joe to report on his son’s progress in his studies, that was all. On the other hand, he sometimes telephoned, transatlantically and intercontinentally, it was a complicated and expensive and easily interrupted procedure that most often consisted of father and son being silent together at a distance of almost 10,000 kilometres from each other.
When Bruno discovered by letter that his son, the Latin scholar and athlete and student of law, had by some strange means got hold of a ticket for a Negro concert and had also used it, he immediately booked an international call to McNab. When the call came through it was afternoon in Helsinki and early morning over there in Cleveland. After some preliminary questions and laconic replies and a period of silence accompanied by cosmic crackling and the roar of the mighty Atlantic between them, Bruno came to the point: ‘I’m not paying for you to stay over there to be beaten up by Negroes, Werner,’ he said. Werner was silent, then he said: ‘So Uncle Joe has been gossiping.’ ‘I wouldn’t call it gossiping,’ retorted Bruno. ‘You live with him, he’s responsible for you.’ ‘I’m a grown man, Dad,’ said Werner bitterly.”

 

Kjell Westö (Helsinki, 6 augustus 1961)

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Richard Preston, Sergio Ramírez, Conrad Aiken, Wendell Berry, Guy de Maupassant

De Amerikaanse schrijver Richard Preston werd geboren op 5 augustus 1954 in Cambridge, Massachusetts. Zie ook mijn blog van 5 augustus 2010 en eveneens alle tags voor Richard Preston op dit blog.

Uit: The Hot Zone

„The doctors thought he should go to Nairobi Hospital, which is the best private hospital in East Africa. The telephone system hardly worked, and it did not seem worth the effort to call any doctors to tell them that he was coming. He could still walk, and he seemed able to travel by himself. He had money; he understood he had to get to Nairobi. They put him in a taxi to the airport, and he boarded a Kenya Airways flight.

A hot virus from the rain forest lives within a twenty-four hour plane flight from every city on earth. All of the earth’s cities are connected by a web of airline routes. The web is a network. Once a virus hits the net, it can shoot anywhere in a day æParis, Tokyo, New York, Los Angeles, wherever planes fly. Charles Monet and the life form inside him had entered the net.

The plane was a Fokker Friendship with propellers, a commuter aircraft that seats thirty-five people. It started its engines and took off over Lake Victoria, blue and sparkling, dotted with the dugout canoes of fishermen. The Friendship turned and banked eastward, climbing over green hills quilted with tea plantations and small farms. The commuter flights that drone across Africa are often jammed with people, and this flight was probably full. The plane climbed over belts of forest and clusters of round huts and villages with tin roofs. The land suddenly dropped away, going down in shelves and ravines, and changed in color from green to brown. The plane was crossing the Eastern rift valley. The passengers looked out the windows at the place where the human species was born. They say specks of huts clustered inside circles of thornbush, with cattle trails radiating from the huts. The propellers moaned, and the friendship passed through cloud streets, lines of puffy rift clouds, and began to bounce and sway. Monet became airsick.“

 

Richard Preston (Cambridge, 5 augustus 1954)

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Rutger Kopland, Rudi van Dantzig, Percy Bysshe Shelley, Witold Gombrowicz, Tim Winton, Jáchym Topol

 

De Nederlandse dichter en schrijver Rutger Kopland (eig. Rutger Hendrik van den Hoofdakker) werd geboren in Goor op 4 augustus 1934. Zie ook mijn blog van 4 augustus 2010 en ook alle tags voor Rutger Kopland op dit blog.

 

 

Jeneverbessen

 

We liepen door een landschap
met heide en jeneverbessen
een landschap zo oud
als de wereld zelf

zo moest het ooit begonnen zijn
zo moest het gebleven zijn
zo moest het zijn
zo als nu

we keken naar de jeneverbessen
ze stonden daar duister en zwijgend
zwijgend over het verdwijnen

 

 

 

Narcissen

 

We stonden aan de rand van een vijver

het was kil en om ons heen dat kille gras

met die veel te mooie narcissen

 

we keken in het water – waarom staan we hier

stond ik te denken en ik zag hoe zich

een stille voorjaarshemel voor ons uitstrekte

 

ken je het verhaal, zei ik, dat ergens

waar nu een narcis staat een jongen stierf

 

hij keek in het water en zag iemand

iemand die hem aankeek, eindeloos aankeek

en ging verlangen naar die ander daar

 

voelde de diepte van zijn onvervuldheid

tot hij daaraan stierf

 

we keken naar de narcissen om ons heen

welke van hen zou het zijn

 

 

 

De kunst van doodgaan

 

Als het zover is – zal ik dan eindelijk

weten wat dat is, doodgaan

jezelf verlaten en weten

dat je nooit terugkeert

 

soms wanneer ik het koraal hoor

Nun komm’ der Heiden Heiland

doorstroomt mij een vermoeden van

onontkoombaar verlies –

maar wat geeft het

 

bij het zien van een uitzicht over bergen

een verte die verdwijnt in zichzelf

kan ik worden bevangen door een huiver

voor de eenzaamheid die mij wacht –

maar wat geeft het

 

er is wel eens zo’n avond dat over het gras

in de tuin het mooiste licht strijkt

dat er is: dit was het dus

en het komt nooit meer terug –

maar wat geeft het

 

ik hoop dat dit het is want ik ben bang

dat het anders zal zijn.

 

 

 

Rutger Kopland (4 augustus 1934 – 11 juli 2012)

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Rupert Brooke, Leon Uris, Marica Bodrozic, Mirko Wenig

De Britse dichter Rupert Brooke werd geboren in Rugby, Engeland, op 3 augustus 1887. Zie ook mijn blog van 3 augustus 2010 en eveneens alle tags voor Rupert Brooke op dit blog.

 

1914 III: The Dead

Blow out, you bugles, over the rich Dead!
There’s none of these so lonely and poor of old,
But, dying, has made us rarer gifts than gold.
These laid the world away; poured out the red
Sweet wine of youth; gave up the years to be
Of work and joy, and that unhoped serene,
That men call age; and those who would have been,
Their sons, they gave, their immortality.

Blow, bugles, blow! They brought us, for our dearth,
Holiness, lacked so long, and Love, and Pain.
Honour has come back, as a king, to earth,
And paid his subjects with a royal wage;
And Nobleness walks in our ways again;
And we have come into our heritage.

1914 V: The Soldier

If I should die, think only this of me:
That there’s some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England’s, breathing English air,
Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed a way,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.

Rupert Brooke (3 augustus 1887 – 23 april 1915)

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Isabel Allende, James Baldwin, Philippe Soupault, Zoltán Egressy, Caleb Carr

De Chileense schrijfster Isabel Allende werd geboren in Lima op 2 augustus 1942. Zie ook alle tags voor Isabel Allende op dit blog en ook mijn blog van 2 augustus 2010.

 

Uit: Eva Luna (Vertaald door Margaret Sayers Peden)

“My name is Eva, which means “life,” according to a book of names my mother consulted. I was born in the back room of a shadowy house, and grew up amidst ancient furniture, books in Latin, and human mummies, but none of those things made me melancholy, because I came into the world with a breath of the jungle in my memory. My father, an Indian with yellow eyes, came from the place where the hundred rivers meet; he smelled of lush growing things and he never looked directly at the sky, because he had grown up beneath a canopy of trees, and light seemed indecent to him. Consuelo, my mother, spent her childhood in an enchanted region where for centuries adventurers have searched for the city of pure gold the conquistadors saw when they peered into the abyss of their own ambitions. She was marked forever by that landscape, and in some way she managed to pass that sign on to me.
Missionaries took Consuelo in before she learned to walk; she appeared one day, a naked cub caked with mud and excrement, crawling across the footbridge from the dock like a tiny Jonah vomited up by some freshwater whale. When they bathed her, it was clear beyond a shadow of doubt that she was a girl, which must have caused no little consternation among them; but she was already there and it would not do to throw her into the river, so they draped her in a diaper to cover her shame, squeezed a few drops of lemon into her eyes to heal the infection that had prevented her from opening them, and baptized her with the first female name that came to mind. They then proceeded to bring her up, without fuss or effort to find out where she came from; they were sure that if Divine Providence had kept her alive until they found her, it would also watch over her physical and spiritual well-being, or, in the worst of cases, would bear her off to heaven along with the other innocents. Consuelo grew up without any fixed niche in the strict hierarchy of the Mission. She was not exactly a servant, but neither did she have the status of the Indian boys in the school, and when she asked which of the priests was her father, she was cuffed for her insolence. She told me that a Dutch sailor had set her adrift in a rowboat, but that was likely a story that she had invented to protect herself from the onslaught of my questions. I think the truth is that she knew nothing about her origins or how she had come to be where the missionaries found her.“

 

Isabel Allende (Lima, 2 augustus 1942)

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Gerrit Krol, Edward van de Vendel, Frans Pointl, Jim Carroll

De Nederlandse dichter en schrijver Gerrit Krol werd geboren op 1 augustus 1943 in Groningen. Zie ook mijn blog van 1 augustus 2010 en eveneens alle tags voor Gerrit Krol op dit blog.

 

Uit: Mijn dagen als cavalerist

„Mijn diensttijd, als cavalerist in Assen, duurde precies tien weken. Na de verwarring van de eerste dagen, waarin je marcheren wordt geleerd en in snel tempo allerlei andere gewoontes aangekweekt worden, wist ik al gauw wat mijn plaats was: ergens ter zijde. De spitse uitspraken van de onderofficieren blijken zich nogal ’s te herhalen en al jaren oud te zijn; er is tijd voor contemplatie en verder is het één grote padvinderij.

Veel tijd bracht ik in treinen door. Staande en vol verlangen, vooral de eerste tijd. Met een brief van Yvonne die ik op het appèl, vlak voor de afmars naar het station nog ontvangen had. Tussen de weekendtassen opgesteld in het gangpad, schuddend over de wissels, koud van de tocht, warm van de woorden die ik las.

In Rotterdam aangekomen – haast je rep je over de perrons, de trappen af – zag ik aan het eind van die lange uitgang haar al van verre staan.

‘Te laat, schat.’

Altijd, als we een afspraak hebben, ergens, – als ik haar ontdek tussen de mensen, zie ik een gezicht dat, grijnzend, mij allang in het vizier heeft.

Vierentwintig uur zonder uniform, knus in ‘ons’ huisje aan de spoordijk, alsof we een gezinnetje waren. ’s Zondagsmorgens gewekt door de vogels, maakte ik het ontbijt klaar, verraste ik haar, nog in bed, met een kopje thee en een erectie.

’s Middags, onder de voetbaluitslagen bij haar ouders, het pak weer aan, met zijn tweeën in de tram en dan, weer, het afscheid op het perron, niet langer dan nodig was. Ver voordat de trein vertrok ging ze al heen, zag ik haar, trots en recht, de witte regenjas als een zandloper, in het trapgat verdwijnen, mijn Euridice…

In de trein, op de lange tocht naar het Noorden, schreef ik uitspraken van haar op, allerlei woordjes die zij gezegd had. De sombere bossen op de Veluwe stoven voorbij in de schemering. In Assen was het nacht.“

 

Gerrit Krol (Groningen, 1 augustus 1934)

Cover

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In Memoriam Gore Vidal

In Memoriam Gore Vidal

 

De Amerikaanse schrijver, dramaticus en essayist Gore Vidal is gisteren op 86-jarige leeftijd overleden. Gore Vidal werd geboren op 3 oktober 1925 in West Point, New York. Zie ook mijn blog van 3 oktober 2010 en eveneens alle tags voor Gore Vidal op dit blog.

 

Uit: The City and the Pillar

 

„One by one, great stars appeared. Jim was perfectly contented, loneliness no longer turning in the pit of his stomach, sharp as a knife. He always thought of unhappiness as the “tar sickness.” When tar roads melted in the summer, he used to chew the tar and get sick. In some obscure way he had always associated “tar sickness” with being alone. No longer.

    Bob took off his shoes and socks and let the river cool his feet. Jim did the same.

    “I’ll miss all this,” said Bob for the dozenth time, absently putting his arm around Jim’s shoulders.

    They were very still. Jim found the weight of Bob’s arm on his shoulders almost unbearable: wonderful but unbearable. Yet he did not dare move for fear the other would take his arm away. Suddenly Bob got to his feet. “Let’s make a fire.”

In a burst of activity, they built a fire in front of the cabin. Then Bob brought the blankets outside and spread them on the ground.

    “There,” he said, looking into the yellow flames, “that’s done.” For a long moment both stared into the hypnotically quivering flames, each possessed by his own private daydream. Bob’s dream ended first. He turned to Jim. “Come on,” he said menacingly. “I’ll wrestle you.”

    They met, grappled, fell to the ground. Pushing and pulling, they fought for position; they were evenly matched, because Jim, though stronger, would not allow Bob to lose or to win. When at last they stopped, both were panting and sweating. They lay exhausted on the blanket.

    Then Bob took off his shirt and Jim did the same. That was better. Jim mopped the sweat from his face while Bob stretched out on the blanket, using his shirt for a pillow. Firelight gleamed on pale skin. Jim stretched out beside him. “Too hot,” he said. “Too hot to be wrestling.”

    Bob laughed and suddenly grabbed him. They clung to one another. Jim was overwhelmingly conscious of Bob’s body. For a moment they pretended to wrestle. Then both stopped. Yet each continued to cling to the other as though waiting for a signal to break or to begin again. For a long time neither moved. Smooth chests touching, sweat mingling, breathing fast in unison.

    Abruptly, Bob pulled away. For a bold moment their eyes met. Then, deliberately, gravely, Bob shut his eyes and Jim touched him, as he had so many times in dreams, without words, without thought, without fear. When the eyes are shut, the true world begins.

    As faces touched, Bob gave a shuddering sigh and gripped Jim tightly in his arms. Now they were complete, each became the other, as their bodies collided with a primal violence, like to like, metal to magnet, half to half and the whole restored.

    So they met. Eyes tight shut against an irrelevant world. A wind warm and sudden shook all the trees, scattered the fire’s ashes, threw shadows to the ground.

    But then the wind stopped. The fire went to coals. The trees were silent. No comets marked the dark lovely sky, and the moment was gone. In the fast beat of a double heart, it died.“

 


Gore Vidal (3 oktober 1925 – 31 juli 2012)