Tag: John Birmingham

John Birmingham, Philip Larkin

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook alle tags voor John Birmingham op dit blog.

Uit: He Died With a Felafel in His Hand

“He died with a felafel in his hand. We found him on a bean bag with his chin resting on the top button of a favourite flannelette shirt. He’d worn the shirt when we’d interviewed him for the empty room a week or so before. We were having one of those bad runs, where you seem to interview about thirty people every day and they are all total zipper heads. We really took this guy in desperation. He wasn’t A-list, didn’t have a microwave or anything like that, and now both he and the felafel roll were cold. Our first dead housemate. At least we got some bond off him.
We had no idea he was a junkie, otherwise we would never have given him the room. You let one junkie in the house and you may as well let them all in. We had another secret junkie live with us once. Melissa. She was okay, but her boyfriend stole all of my CDs. Told me some Jap guy, a photographer, took them and if I went to Kinselas on Wednesday nights I could probably find him there. Yeah right.
Melissa, on the other hand, ran a credit scam out of the same house. Months after she’d left, a couple of debt collectors came round looking for Rowan Corcoran. That was the identity she’d set up, but we didn’t know that. We were very helpful, because bills had been turning up for this Corcoran prick for months. We didn’t know who he was, just some mystery guy racking up thousands of dollars in debt and sending the bills to our place. We sat the debt collectors down in the living room with a cup of tea. Showed them all the other bills that had been arriving for Mr Corcoran. When they saw that the last bill was for two Qantas tickets to America their shoulders sort of slumped. I’ve still got those bills. $35,000 worth.
……………………
But Melissa was okay. In fact she was a real babe. She used to steal food for the house from this restaurant she worked in. (If you’re reading this, Melissa, we really appreciated the food.) There were four or five of us living at Kippax Street at that stage. Everyone was on the dole or Austudy or minimum wage. The house was typical Darlinghurst, this huge, dark, damp terrace with yellowed ceilings, green carpet, cigarette burns and brown, torn-up furniture.
We’d sit around on Tuesday night waiting for Melissa to get home with our stolen dinner. She usually walked through the door just before Twin Peaks came on, so there was this nice warm feeling in the house as we all sat in front of the teev scarfing down the free stuff.“

 

John Birmingham (Liverpool, 7 augustus 1964)

 

De Engelse dichter Philip Larkin werd op 9 augustus 1922 geboren in Coventry. Zie ook alle tags voor Philip Larkin op dit blog.

 

GAANDE

Er komt een avond langzaam aan
Dwars door het land, zoals nog nooit gezien,
Geen lamp licht op.

Zijdeachtig lijkt hij van verre, toch
Eenmaal opgetrokken langs knieën en borst
Brengt hij geen kalmte.

Waar is de boom heen, die grond
Klonk aan de lucht? Wat zit onder mijn hand,
Dat ik maar niet voel?

Wat drukt mijn hand neer

 

Vertaald door Cornelis W. Schoneveld

 

Philip Larkin (9 augustus 1922 – 2 december 1985)

 

Zie voor nog meer schrijvers van de 7e augustus ook mijn blog van 7 augustus 2019 en eveneens mijn blog van 7 augustus 2017 en ook mijn blog van 7 augustus 2011 deel 1 en ook deel 2.

John Birmingham, Philip Larkin

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook alle tags voor John Birmingham op dit blog.

Uit: On Father

“Andrew had snuck a small bottle of whisky into the room and at some point we poured one out for the old man, toasting him from disposable plastic cups liberated from a coffee machine.
He was shrunken in death.
Diminished even beyond the ravages of his long struggle. Grey in pallor, sunken-cheeked, mouth open but eyes mercifully closed. I stared at the dressing on his chest, the last he would ever need to close up the maw of the gaping wound that a runaway ulcer had eaten into his flesh. The cancer was still in there, I thought. His killer.
And now, finally, it was defeated. It had run wild through his body, up and down his spine, through his flesh, into his bones. But now it had nowhere left to run. It would go with him from this place to another place and it would burn. I imagined it, sentient and cruel, screaming as it died in the fire of the crematorium.
Disturbed and aberrant thoughts, but satisfying.
That feeling of vengeful contentment recurred a week later, when I knew he had indeed been given to the flames. And it was even more satisfying then.
I suppose I should have realised that something was amiss, given the powerful irrationality of such thoughts, but I did not otherwise suffer from the magical thinking that Joan Didion described as stealing over her in the year after her husband, the writer John Gregory Dunne, died at their dinner table in front of her while she mixed a salad. I liked to think of myself as an empiricist. The material realm had always been more comfortable to me than the spiritual. Life might not run in straight lines, but the angles would always be measurable.
Over the following days and weeks, however, I slipped into a waking fugue state, passing from grief to depression; or from mourning to melancholia, as Sigmund Freud once put it. I was bereft, unmanned. It was not simply a matter of suddenly finding myself wailing uncontrollably behind the wheel of my car as I drove back from the supermarket with pet food or garbage bags. I was always haunted, always lost. Like poor emo Hamlet, the outward measure of my sorrows did not begin to gauge the depths of misery beneath:
For they are the actions that a man might play, But I have that within which passes show, These but the trappings and the suits of woe.
Before I was done with grief I would fall from the normal and expected purgatory of bereavement to a lower level of Hell, into what J.K. Rowling calls the “deadened feeling”, which whenever it appears for Paulo Coelho “demolishes all the old things it finds in its path”.
Grief is an ocean, fathomless and wide, and on the surface its most impelling forces arrive in waves. I was first inundated by a surge of howling grief a few hours later, when alone. I had driven back to our house to feed the cats and pick up a few things to take down to Byron Bay. Jane and the kids, and some of their friends, and Sophie, our ageing Labrador, were all still there. I drove into the garage, turned off the engine and sat, not moving, under the empty house.”

 

John Birmingham (Liverpool, 7 augustus 1964)

 

De Engelse dichter Philip Larkin werd op 9 augustus 1922 geboren in Coventry. Zie ook alle tags voor Philip Larkin op dit blog.

 

De literaire wereld

II

De vrouw van Alfred Tennyson

Beantwoordde
bedelbrieven
fanbrieven
….scheldbrieven
….brieven met vragen
….brieven over zaken
….en uitgeversbrieven.
Daarbij
….zag ze toe op zijn kleren
….zorgde voor zijn eten en drinken
….ontving de bezoekers
….beschermde hem tegen roddel en kritiek
En tenslotte
….(nog afgezien van het huishouden)
….voedde ze de kinderen op en gaf ze les.

Terwijl dit alles plaatshad
Zat de heer Alfred Tennyson als een dreumes
Op zijn poëtische potje.

 

Vertaald door Peter Verstegen

 

Philip Larkin (9 augustus 1922 – 2 december 1985)

 

Zie voor nog meer schrijvers van de 7e augustus ook mijn blog van 7 augustus 2019 en eveneens mijn blog van 7 augustus 2017 en ook mijn blog van 7 augustus 2011 deel 1 en ook deel 2.

Dolce far niente, Kat Clifford, John Birmingham, Cees Buddingh’, Diana Ozon

Dolce far niente

 

The Raft door Daniel-Bennett Schwartz 1998

 

Lazy Summer Day

Lazy summer days
Hard labour has gone
No serving, no stress
Just rest!
A chance to dance
A chance to sing
With everything you’ve got
A chance to laugh ’til you’re sore
With those who are close
Stroll down the silvery ground
Sparkling in the sun
Away to join the bustle
Of the busy city life
Await the smiles
And happy faces
The fun’s about to begin
Alas the end of wait is near
So long stuck in that place
Locked with the false rays shining down
Behind the wall of coldness
Now out in the real
Soak it up
Soak everything in
Breakthrough the cloak
Open your heart
To that which is good
Let it all in
Don’t give up
No-one else has
Look at them
All laughs
All smiles
All jokes and japes
And you
All alone
Join in
Feel good…
Feel good……
Why won’t it work?
Where’s the sunshine gone?
Why is it so dark?
It’s so quiet
Am I even alive?
Do you see me?
Yes you do
Like many times before
Watch me walk
Into the deathly cold
Shuddering winds
Howling screams
Darkness
Take me once again
Cast my awful shadow
Blacken my soul
Work it in
Straight in my heart
Twist it
Push it in more
Make me want to die
Then leave me cold on the floor
Now do you see me?
Do you see behind the mask?
Do you see the pain?
Do you see the tears inside me?
Do you see me?

Kat Clifford (Derby, 1989)
St Mary’s Church, Derby, de geboorteplaats van Kat Clifford

 

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook alle tags voor John Birmingham op dit blog.

Uit: On Father

“When a parent dies, for those left behind it can feel as though half of the sky has fallen. My father was the sheltering sky, and beneath his mild firmament no storm ever raged, no hard rain fell. His nature was as gentle as the fallen world is brutish. All of our lives, he was both a bastion against the trespasses of ill fate and the predations of the inimical. Shortly after three o’clock on Monday morning, June 19 2017, my father drew in his last breath and let go of his hold on the world.
He lay abed in the palliative care ward of a hospital overlooking the western reaches of the Brisbane River. My brother Andrew was with him, holding his hand. Our mother, his forever love, was there, too. I was laid out on a couch in a tearoom, harboured somewhere in the grey lands between exhausted sleep and the edge of wakefulness. It was a liminal place, somewhere to wait and hide from consciousness.
I had turned Andrew out of the tearoom an hour earlier, after many hours of our final vigil at my father’s bed. He had been a long time dying. A cancer diagnosis more than five years ago; small skirmishes and border wars with lesser cancers in the years since. He’d fought the good fight, but in the end he succumbed to his nemesis, an aggressive, relentless angiosarcoma.
The cancer did not care that he was a good man, the best I’ve ever known. It did not care that he was loving and loved. It just took him, and with him went everything he ever was.
Everything he had done and seen and known. The notes he had plucked from a guitar as a younger man; silenced. The memory of running across a soccer pitch in a suburban club game, chasing a ball, while his children shouted from the sidelines; lost. Seven decades of memory and being in the world; vanished altogether like a dream.
“He’s gone,” my brother said.
He gently pushed open the door of the hospital tearoom, which was set aside each night for the family members of patients in the palliative care ward. A wedge of harsh white light from the fluorescents in the hall outside spilled through and my brother said quietly, “John, he’s gone.”
For a weird, contrary moment, it felt as though the foolish and precipitate act of opening that door had killed my father, as though we would still have him with us if only I’d been allowed to wait and hide in there forever.
But I suppose they’d have wanted the tearoom back eventually. Andrew and I returned to Dad’s room, ghosting past other rooms where other sons and daughters, or brothers and sisters, or wives or husbands or friends, or perhaps a solitary nurse, completed the final days or hours of their own muted and impassive death watch.
It was striking, in a way, that quietude. All around us, human lives guttered out like candles burned down to the very nub, often ending in horrific pain, and some in terror of the great darkness about to envelop them. But all was hushed and measured. Nobody raged against the dying of the light. Mum was holding Dad’s hand as we returned. She would hold on to him for a little while yet, talking to him, talking to herself.”

John Birmingham (Liverpool, 7 augustus 1964)
Cover 

 

De Nederlandse dichter en prozaïst Cees Buddingh’ werd op 7 augustus 1918 geboren in Dordrecht. Zie ook alle tags voor Cees Budding’ op dit blog.

Die eerste nacht

Die eerste nacht, dat we door Londen reden!
’t Bestond dus echt! Oxford Street, Regent’s Street,
Marble Arch, Bayswater Road, Kensington Gardens:
’t leek allemaal één lang vertrouwd gebied.

En toch ook zo onwezenlijk, alsof elk
moment de wekker ratelend af kon lopen,
en alles: huizen, mensen, lichtjes, pubs,
zich in een Dordtse ochtend op zou lossen.

Hier had ik dertig jaar lang van gedroomd.
Hier had in gedachten al honderdduizenden
voetstappen liggen. En nu was ik er.

De taxi zwenkte Gloucester Road op: hier
zat ik Kees Buddingh’, zesenveertig jaar,
die morgen wakker zou worden op Devonshire Terrace.

 

Tal

Ik moest denken aan het antwoord dat Tal eens gaf toen men
hem vroeg of hij wel eens wat anders deed dan schaken
‘Ja’. ‘Wat dan?’ – ‘Denken aan schaken.’
Die bezetenheid heb ik nooit kunnen opbrengen, zelfs niet voor
de poëzie.

 

Zeer vrij naar het Chinees

de zon komt op. de zon gaat onder.
langzaam telt de boer zijn kloten.

Cees Buddingh’ (7 augustus 1918 – 24 november 1985)
Hier in 1942 in sanatorium Zonnegloren in Soest 


De Nederlandse dichteres Diana Ozon (pseudoniem van Diana Groenveld) werd geboren in Amsterdam op 7 augustus 1959. Zie ook alle tags voor Diana Ozon op dit blog.

 

De vreemde geur van halletjes

De geur bij mensen thuis
die aan vroeger herinnert
Geurige halletjes
Die geur herken ik altijd weer
Die hangt in hun jas, in alles
En allen hebben die mensen
het een of ander voorwerp
dat daar al eeuwen hangt

Een barometer
Een souvenir uit Nederlands-Indië
Een hoedenstand of kapstok
tafeltje om tas en handschoenen
op te leggen
Paraplubak
flesje, flessenrek, de mat
hondenriem, kinderlaarsjes
noem maar op
Van alles wat het bekijken waard is

‘Mevrouw hebt u dit of dat
voor de zus of zo?’
‘Ik zal even wat halen
wacht jij maar in mijn halletje’
En dan ruik ik het

Ik hoor de hond
achter de glazen tochtdeur blaffen
ben bang dat hij de deur open krijgt
door het glas springt en mij bijt
omdat ik in hun halletje sta

Ze vertrouwen me toch mooi die mensen
Ik kan ‘m net zo goed
met een jas van de kapstok smeren
De galerij over spurten
en in zweet naar de uitgang zoeken

Ordinair gegil galmt van de gevels
Die mensen, termieten
in hun ingestorte betonhopen
ik ontvlucht ze
als een kleine miereneter
die fooitjes slurpt
en het geordend leven der slaapkolonie
in opperste opschuddding achterlaat

Diana Ozon (Amsterdam, 7 augustus 1959)


Zie voor nog meer schrijvers van de 7e augustus ook mijn blog van 7 augustus 2017 en ook mijn blog van 7 augustus 2011 deel 1 en ook deel 2.

Dolce far niente, Archibald Lampman, John Birmingham, Cees Buddingh’, Diana Ozon

 

Dolce far niente

 


Summer Heat (A Road to the Ranges) door Arthur Streeton, 1889

 

Heat

From plains that reel to southward, dim,
The road runs by me white and bare;
Up the steep hill it seems to swim
Beyond, and melt into the glare.
Upward half-way, or it may be
Nearer the summit, slowly steals
A hay-cart, moving dustily
With idly clacking wheels.
…

In the sloped shadow of my hat
I lean at rest, and drain the heat;
Nay more, I think some blessèd power
Hath brought me wandering idly here:
In the full furnace of this hour
My thoughts grow keen and clear.

 

 
Archibald Lampman (17 november 1861 – 10 februari 1899)
Lampmans voormalige woonhuis in Ottawa

 

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook alle tags voor John Birmingham op dit blog.

Uit: Emergence: Dave vs. the Monsters

« A helicopter is no place for a hangover. Hooper closed his eyes and breathed carefully as the engine spooled up. His gorge rose at the toxic mix of jet fuel, stale sweat, and bile at the back of his throat. The thudding of the rotors punched deep into his chest: sickening deep-body blows that traveled up his spinal column, directly into his neck and head. He bit down hard on a gag reflex, refusing to heave up what little remained of his stomach contents, most of which he’d left in a steaming pile on the grass at the edge of the helipad.
“Oh, fuck me,” he grunted as the red and white Era Helicopter took off, driving him down into his seat. Years of ass compression had squashed the foam cushioning into a thin hard sandwich between his butt and the steel struts of the seat fitting. The chopper, a venerable old AW139, was streaked with rust and oil, the Plexiglas scratched and the nonslip floor sticky with chaw tobacco and chewing gum. Like Dave, its glory days were behind it, and the AC did nothing to mask the baked-in stench of sweat, cigarette smoke, and budget cologne. Dave was just glad he had the cabin to himself on this trip. The only stewed farts and bad breath he had to contend with were his own. As they ascended, the great rusty iron lever behind his eyeballs cranked up the pressure on his headache. He squeezed his eyes shut behind wraparound Oakleys, but the bright Gulf sun burned through anyway, driving a sharp spike through his eyeballs, an unpleasant contrast to the duller concussive hammering on the sides of his skull. He removed his Dallas Cowboys cap and rubbed gently at the thinning hair on top of his skull in an effort to alleviate the pain—all to no avail. He kept his hair short these days. You had to when it started to fall out, and no matter how tenderly he ministered to himself, his fingertips seemed to rake deep and surely bloody furrows through the unprotected scalp.
“Oh, fuck me,” he grunted again, replacing the cap and making the stubbled skin disappear.”

 


John Birmingham (Liverpool, 7 augustus 1964)

 

De Nederlandse dichter en prozaïst Cees Buddingh’ werd op 7 augustus 1918 geboren in Dordrecht. Zie ook alle tags voor Cees Budding’ op dit blog.

 

Portret van een witte muis

Het is niet voldoende
een lap linnen van twee bij twee meter
helemaal wit te schilderen

om een lekker tof schilderij te maken
dient men er daarna niet alleen
met dezelfde witte verf
een volkomen witte muis op te schilderen
maar men moet vervolgens die witte muis
met een stuk puimsteen langzaam wegschuren
tot er geen spoor meer van overblijft

het kost tijd en moeite natuurlijk, maar dan pas
heeft men een lekker tof schilderij
dat men met een diepgerust hart
portret van een witte muis kan noemen.

 

Heel oud spel

het is een heel oud spel,
maar gelukkig nog vrij eenvoudig te leren

er komen geen stukken bij te pas,
geen stenen, geen schijven, geen fiches, geen kaarten,
alleen, soms, een simpel rekensysteem

het wordt gespeeld met drie of vier benen
(en nog een paar andere benodigdheden)
in een al dan niet opgemaakt bed
(bij gebreke daarvan kan vrijwel ieder
min of meer effen oppervlak dienen,
mits min of meer horizontaal van stand)

het is, als gezegd, een heel oud spel,
maar nog steeds veruit het gezelligste

 

 
Cees Buddingh’ (7 augustus 1918 – 24 november 1985)

 

De Nederlandse dichteres Diana Ozon (pseudoniem van Diana Groenveld) werd geboren in Amsterdam op 7 augustus 1959. Zie ook alle tags voor Diana Ozon op dit blog.

 

Moeder

Een bushokje is erg klein
tochtig en onherbergzaam
met je zeven kinderen
slapen op het plaveisel
samen onder één deken
ver van je thuisland
op reis overal uitgewezen

Je wou naar Rotterdam toe
daar zou iemand je helpen
waarschijnlijk had je nog nooit
van dat Groningen gehoord
tot bleek dat de trein daar stopt
het vervoer niet verder gaat
het was al na middernacht

Ik zie je steeds opnieuw staan
met koffers en kinderen
in vele gedaantes en
met elke taal verlegen
duizend angstige vragen
letters kan je niet lezen
geen plaats om in te rusten

 

MA~, AMIGA

Wil je een Duits toetsenbord
met ringel-s en umlaut
of liever compatibel met
de Commodore 64
de eerste volkscomputer
op de voet gevolgd door
de MSX 1, 2 en 2+

De optimalizering van pc
naar pct, xt, xtt naar at en
dan vergeet ik nog de st die
staat bij Chinees restaurant
Pa Lin ter controle of
de bamie is geënterd
Ik druk op einde F7 en ga eten

heb nog niet zo’n spatvrij zeil als
de nieuwe kok uit Hong Kong

 


Diana Ozon (Amsterdam, 7 augustus 1959)

 

Zie voor nog meer schrijvers van de 7e augustus ook mijn blog van 7 augustus 2017 en ook mijn blog van 7 augustus 2011 deel 1 en ook deel 2.

John Birmingham, Cees Buddingh’, Diana Ozon, Vladimir Sorokin, Michael Roes, Joachim Ringelnatz, Garrison Keillor, Dieter Schlesak, Othon III de Grandson

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook mijn blog van 7 augustus 2010 en eveneens alle tags voor John Birmingham op dit blog.

Uit: Weapons of Choice

“He unwrapped the banana leaves from around a small rice cake, thanking Allah for the generosity of his masters. They had included a little dried fish in his rations for today, a rare treat.
Sometimes, when the sun climbed directly overhead and beat down with a slow fury, Adil’s thoughts wandered. He cursed his weakness and begged God for the strength to carry out his duty, but it was hard. He had fallen asleep more than once. Nothing ever seemed to happen. There was plenty of movement down in Dili, which was infested with crusader forces from all over the Christian world, but Dili wasn’t his concern. His sole responsibility was to watch those ships that were hiding in the shimmering haze on the far horizon.
Still, Adil mused, it would be nice to know he had some real purpose here; that he had not been staked out like a goat on the side of a hill. Perhaps he was to be part of some elaborate strike on the Christians in town. Perhaps tonight the darkness would be torn asunder by holy fire as some martyr blew up one of their filthy taverns. But then, why leave him here on the side of this stupid hill, covered in monkey shit and tormented by ants?
This wasn’t how he had imagined jihad would be when he had graduated from the Madrasa in Bandung.
USS Kandahar, 1014 Hours, 15 January 2021
The marines wouldn’t have been surprised at all to discover that someone like Adil was watching over them. In fact, they assumed there were more than two hundred million pairs of eyes turned their way as they prepared to deploy into the Indonesian Archipelago.
Nobody called it the Caliphate. Officially the United States still recognized it as the sovereign territory of Indonesia, seventeen thousand islands stretching from Banda Aceh, three hundred kilometers off the coast of Thailand, down to Timor, just north of Australia. The sea-lanes passing through those islands carried a third of the world’s maritime trade, and officially they remained open to all traffic. The Indonesian government-in-exile said so-from the safety of the Grand Hyatt in Geneva where they had fled, three weeks earlier, after losing control of Jakarta. »

 
John Birmingham (Liverpool, 7 augustus 1964)

Lees verder “John Birmingham, Cees Buddingh’, Diana Ozon, Vladimir Sorokin, Michael Roes, Joachim Ringelnatz, Garrison Keillor, Dieter Schlesak, Othon III de Grandson” →

Dolce far niente, Abdelkader Benali, John Birmingham, Cees Buddingh’, Diana Ozon, Othon III de Grandson

Dolce far niente

 

 
Kasteel Assumburg, Heemskerk

 

Heemskerk

Paars pioenroze in juni. Twee vijftig voor een bosje.
Te geef. Ze liggen in een kratje te wachten op een
hardloper, een wandelaar, een koper.Wij passeren.
Mijn tweede keer in Heemskerk. Drie rondjes

van zeven kilometer. Een bordje met daarop kam-
pioenen. Bloemen geurt alles naar. Drie rondjes
betaald door Tata Steel. Tietenijzer. De eerste keer
liep ik harder, de tweede keer kom ik niet verder

dan de derde. Villawijk. Polder. De geur van
mest. Mensen op het gazon, kortgeknipt en
groen. Een villa staat te koop. Een donkere
vrouw met aan haar voet een flesje water,

wacht op haar man, haar minnaar, haar vriend,
een zus. Familie. Onze blikken missen elkaar.

 
Abdelkader Benali (Ighazzazen, 25 november 1975)

Lees verder “Dolce far niente, Abdelkader Benali, John Birmingham, Cees Buddingh’, Diana Ozon, Othon III de Grandson” →

John Birmingham, Diana Ozon, Vladimir Sorokin, Michael Roes, Cees Buddingh’, Joachim Ringelnatz

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook mijn blog van 7 augustus 2010 en eveneens alle tags voor John Birmingham op dit blog.

Uit: Stalin’s Hammer

“Harry dug a thumb into the man’s biceps to emphasize just who was controlling this negotiation.
“You won’t get a chance to tell anybody anything until you get to a safe house, and I’m not taking you anywhere until I know whether it’s worth it. Quite frankly, comrade, there’s a very good chance I’m going to get my arse shot off tonight.
It’s a fine-looking arse too. I spend a lot of time keeping it in trim and my girlfriend will be jolly fucking upset if some filthy Smedlov shoots a big bloody hole in it. So before we go anywhere, before you begin the first day of your new life as a pampered turncoat on some beach in bloody Australia, you’re going to tell me everything you know. Just. In. Case.”
The businessman grinned, or at least tried to. It was a weak, unconvincing effort. His eyes shifted left and right, and he jumped a little as the fire-exit door suddenly opened.
“Still looks clear out here, guv,” reported St. Clair.
“Thanks, Viv.”
“Don’t thank me, Your bloody Highness. Just make sure they pay my invoice promptly when I send it for this little bit of freelancing. Seven-day terms.”
“Your check is in the mail.”
Harry laid his gaze back on the quivering Sobeskaia, allowing the Russian to see the smile in his eyes die when he turned away from his old friend.
“Is complicated, and much difficulty,” blurted Sobeskaia.
“Much I do not know, much I have to tell. This is not place and, really, we must go now. I can tell all, later.”
“Aggregate it for me, Comrade Huff Po.”

 
John Birmingham (Liverpool, 7 augustus 1964)

Lees verder “John Birmingham, Diana Ozon, Vladimir Sorokin, Michael Roes, Cees Buddingh’, Joachim Ringelnatz” →

John Birmingham, Vladimir Sorokin, Michael Roes, Cees Buddingh’, Joachim Ringelnatz

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook mijn blog van 7 augustus 2010 en eveneens alle tags voor John Birmingham op dit blog.

Uit:Without Warning

„They were her mission. And her name wasn’t Cathy. It was Caitlin.
The women were dressed in cheap clothing, layered for warmth. Falling back into the pillows, recovering from an uncontrolled moment of vertigo into which she had fallen, Caitlin Monroe composed herself. She was in a hospital bed, and in spite of the apparent poverty of her “friends,” the private room was expensively fitted out. The youngest of the women wore a brown suede jacket, frayed at the cuffs and elbows and festooned with colorful protest buttons. A stylized white bird. A rainbow. A collection of slogans: Halliburton Watch. Who Would Jesus Bomb? And Resistance Is Fertile.
Caitlin took a sip of water from a squeeze bottle by the bed.
“I’m sorry,” she croaked. “What happened to me?”
She received a pat on the leg from an older, red-haired woman wearing a white T-shirt over some sort of lumpy handmade sweater. Celia. “Auntie” Celia, although she wasn’t related to anyone in the room. Auntie Celia had very obviously chosen the strange ensemble to show off the writing on her shirt, which read If you are not outraged you are not paying attention.
“Doctor!” cried the other older woman, who had just moved to the doorway.
Maggie. An American, like Caitlin. And there the similarity ended. Maggie the American was short and barrel-chested and pushing fifty, where Caitlin was tall, athletic, and young.
She felt around under her blanket and came up with a plastic control stick for the bed.
“Try this,” she offered, passing the controller to the young girl she knew as Monique, a pretty, raven-haired Frenchwoman. “See, the red call button. That’ll bring ’em.” Then, gently touching the bandages that swaddled her head, she asked, “Where am I?”
“You’re in a private room, at the Pitié-Salpêtrière Hospital in Paris,” explained Monique. “Paris, France,” she added self-consciously.
Caitlin smiled weakly. “’Okay. I remember that Paris is in France.” She paused. “And now I am, too, I guess. How did I get here? I don’t remember much after coming out of the Chunnel on the bus.

 
John Birmingham (Liverpool, 7 augustus 1964)

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John Birmingham, Vladimir Sorokin, Michael Roes, Cees Buddingh’, Joachim Ringelnatz

De Australische schrijver John Birmingham werd geboren op 7 augustus 1964 in Liverpool, Engeland. Zie ook mijn blog van 7 augustus 2010 en eveneens alle tags voor John Birmingham op dit blog.

 

Uit: After America

„New York
“No siree, Mister President, you do not get these from pettin’ kitty cats.”
James Kipper nodded, smiling doubtfully as the slab-shouldered workman flexed his biceps and kissed each one in turn. His Secret Service guys didn’t seem much bothered, and he’d long ago learned to pick up on their unspoken signals and body language. They paid much less attention to the salvage crew in front of him than to the ruined façades of the office blocks looking down on the massive, rusting pileup in Lower Manhattan. The hard work and unseasonal humidity of Lower Manhattan had left the workman drenched in sweat, and Kipper could feel the shirt sticking to his own back.
Having paid homage to his bowling-ball-sized muscles, the workman reached out one enormous, calloused paw to shake hands with the forty-forth president of the United States. Kipper’s grip was not as strong as it once had been and had certainly never been anywhere near as powerful as this gorilla’s, but a long career in engineering hadn’t left him with soft fingers or a limp handshake. He returned the man’s iron-fisted clench with a fairly creditable squeeze of his own.
“Whoa there, Mister President,” the salvage and clearance worker cried out jokingly. “I need these dainty pinkies for my second job. As a concert pianist, don’tcha know.”
The small crush of men and women gathered around Kipper grinned and chuckled. This guy was obviously the clown of the bunch.
“A concert penis, you say?” Kipper shot back. “What’s that, some sorta novelty act? With one of those really tiny pianos?”
The groan of his media handler, Karen Milliner, was lost in the sudden uproar of coarse, braying laughter as the S&C workers erupted at the exchange. That did put his security detail a little on edge, but the man-mountain with the kissable biceps was laughing the loudest of them all, pointing at the chief executive and crying out, “This fuggin’ guy. He cracks me up. Best fuggin’ president ever.”

 

John Birmingham (Liverpool, 7 augustus 1964)

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Michael Roes, John Birmingham, Vladimir Sorokin, Cees Buddingh’, Garrison Keillor

De Duitse dichter, schrijver en filmmaker Michael Roes werd geboren op 7 augustus 1960 in Rhede. Zie ook mijn blog van 7 augustus 2007 en ook mijn blog van 7 augustus 2008 en ook mijn blog van 7 augustus 2009 en ook mijn blog van 7 augustus 2010.

 

Uit: Geschichte der Freundschaft

 

“Wir sitzen am Strand reden über sein Studium, über Literatur und Philosophie und über die Schwierigkeiten des Übersetzens. Plötzlich ändert sich sein Ton. Heute Nacht habe ich von dir geträumt, sagt er. Im Traum hattest du die Gestalt eines Elefanten. Aber ich wusste von Anfang an, dass du es warst. Zunächst fürchtete ich, du würdest alles zertrampeln, die Obstkisten vor den Geschäften, die Tische und Stühle vor den Cafés. Doch du bewegst dich ganz vorsichtig durch die enge Straße, lässt dich von den Kindern streicheln und hebst die Mutigeren von ihnen mit deinem Rüssel sogar auf deinen Rücken. Als du dann mich packst, bekomme ich doch Angst. Ich will etwas rufen, aber halte dann lieber den Mund, um den Elefanten nicht zu erschrecken.”

 

 

 

Michael Roes (Rhede, 7 augustus 1960)

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