Categorie: Literatuur

Allen Ginsberg, Philippe Djian, Maarten van Buuren, Monika Maron, Larry McMurtry

De Amerikaanse dichter Irwin Allen Ginsberg werd geboren in Newark, New Jersey, op 3 juni 1926. Zie ook alle tags voor Allen Ginsberg op dit blog.

 

Hospital Window

At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building’s silver fins
tapering delicately needletopped, Empire State’s
taller antenna filmed milky lit amid blocks
black and white apartmenting veil’d sky over Manhattan,
offices new built dark glassed in blueish heaven–The East
50’s & 60’s covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers’ blue domed medical arbor–
Geodesic science at the waters edge–Cars running up
East River Drive, & parked at N.Y. Hospital’s oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms. Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances’re
spotted five floors above E 59th St under grey painted bridge
trestles. Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge’s skeined dim in modern mists–
Pipes sticking up to sky nine smokestacks huge visible–
U.N. Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache. Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed–from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day’s release
> from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind. A seagull passes alone wings
spread silent over roofs.

 

Allen Ginsberg (3 juni 1926 – 6 april 1997)
Hier met acteur Johnny Depp (links)

Lees verder “Allen Ginsberg, Philippe Djian, Maarten van Buuren, Monika Maron, Larry McMurtry” →

Jim Knipfel, Marcel Reich-Ranicki, Sibylle Berg, Carol Shields, Jean Nelissen

De Amerikaanse schrijver Jim Knipfel werd geboren op 2 juni 1965 in Green Bay, Wisconsin. Zie ook alle tags voor Jim Knipfel op dit blog.

Uit: The Blow-off

“The recording started once again from the beginning.
“No,” was all she said.
The limp and faded banner hanging over the entrance to the tent featured a screaming, bikini-clad beauty held loosely in the clutches of what appeared to be a twelve-foot-tall gorilla who, likewise, was screaming about something. His (as promised) wicked yellow fangs were dripping blood. Behind them, for some reason, stood a single palm tree.
“C’mon,” he said, his voice distant, his eyes fixed on the crudely painted banner. His legs were already moving toward the tent, and he was tugging at her immovable arm like a Jack Russell terrier who’d just spotted something in the gutter. A slice of pizza or the severed wing of a pigeon.
“No,” Annie repeated more firmly. She leaned back, digging her heels into the blacktop, which had softened in the unbearable heat of the past three days. She wrenched her arm free from his sweaty grip. There was no question or hesitation in her tone, no opening for negotiations. She folded her arms and waited for him to turn around and meet her unwavering gaze.
The heavy air around them reeked of burnt sugar and sweat and howled with a collision of warped calliope music, classic rock, and screams. Where they stood, they were hemmed in on all sides by thousands of dancing and whirling and throbbing pinpoint lights.
Hank’s eyes snapped away from the banner and back to his wife, his confusion deepening. “No? Whaddya mean no? It’s a Girl-to-Gorilla show.” He spoke the term as if merely uttering it aloud would clarify everything.
“No.”
“Look, sweetie—Annie—like the tape says, there’s nothing to worry about. It’s in a cage. I’ve seen this show a dozen times and it gets me every time. Great little trick. It’s done with mirrors, you know.” He stared at her expectantly.
“That’s great, Marv. Really. But no.”

Jim Knipfel (Green Bay, 2 juni 1965)

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Thomas Hardy, Markies De Sade, Dorothy West, Max Aub, Karl Gjellerup, Barbara Pym

De Engels romanschrijver en dichter Thomas Hardy werd op 2 juni 1840 geboren in Higher Bockhampton, bij Dorchester. Zie ook alle tags voor Thomas Hardy op dit blog

 

A Broken Appointment

You did not come,
And marching Time drew on, and wore me numb.
Yet less for loss of your dear presence there
Than that I thus found lacking in your make
That high compassion which can overbear
Reluctance for pure lovingkindness’ sake
Grieved I, when, as the hope-hour stroked its sum,
You did not come.

You love not me,
And love alone can lend you loyalty;
-I know and knew it. But, unto the store
Of human deeds divine in all but name,
Was it not worth a little hour or more
To add yet this: Once you, a woman, came
To soothe a time-torn man; even though it be
You love not me.

 

A Poet

Attentive eyes, fantastic heed,
Assessing minds, he does not need,
Nor urgent writs to sup or dine,
Nor pledges in the roseate wine.

For loud acclaim he does not care
By the august or rich or fair,
Nor for smart pilgrims from afar,
Curious on where his hauntings are.

But soon or later, when you hear
That he has doffed this wrinkled gear,
Some evening, at the first star-ray,
Come to his graveside, pause and say:

‘Whatever his message his to tell
Two thoughtful women loved him well.’
Stand and say that amid the dim:
It will be praise enough for him.

 

A Thunderstorm in Town

She wore a ’terra-cotta’ dress,
And we stayed, because of the pelting storm,
Within the hansom’s dry recess,
Though the horse had stopped; yea, motionless
We sat on, snug and warm.

Then the downpour ceased, to my sharp sad pain,
And the glass that had screened our forms before
Flew up, and out she sprang to her door:
I should have kissed her if the rain
Had lasted a minute more.

 

Thomas Hardy (2 juni 1840 – 11 januari 1928)
Portret door Reginald Grenville Eves, 1923

Lees verder “Thomas Hardy, Markies De Sade, Dorothy West, Max Aub, Karl Gjellerup, Barbara Pym” →

Patrick Besson, John Masefield, Ferdinand Raimund, Peter de Mendelssohn

De Franse schrijver en journalist Patrick Besson werd geboren op 1 juni 1956 in Montreuil. Zie ook mijn blog van 1 juni 2009 en alle tags voor Patrick Besson op dit blog.

 

Uit: Mais le fleuve tuera l’homme blanc

 

« Ça valait mieux. Installé près d’elle pendant plusieurs heures, j’aurais fini par lui poser des questions auxquelles elle n’aurait pas répondu. Si c’était encore la Blandine de Kergalec qui avait fait autrefois les gros titres des journaux. Dure comme le granit breton, avaient écrit à son sujet les éditorialistes dans leur style caractéristique. Elle était installée de l’autre côté de l’appareil, à deux rangs derrière moi. Elle occupait la place près du hublot. Elle garda son sac sur les genoux pendant plusieurs minutes, semblant douter de vouloir se rendre à destination, puis le glissa sous son siège. Elle n’avait pris ni livre, ni iPod, ni lecteur DVD. Elle passerait les six heures de vol à penser, comme tous les gens en proie à une obsession. Avait-elle remarqué que je la regardais ? Sa façon de ne pas me voir m’inclinait à croire que oui. Passa devant mes genoux une silhouette fluette, puis il y eut un souffle léger à ma droite : la créature infime s’asseyait. Une veste fluide flottait autour de son absence d’épaules. L’homme se présenta. Entre passagers de la classe affaires, on se présente. Pour faire des affaires. C’était un conseiller de présidents africains. Les conseillers de présidents africains sont intéressés par les hommes du pétrole et les hommes du pétrole par les conseillers de présidents africains. Ils exercent, en Afrique, la même profession : pomper. Il regarda alentour, vérifiant qu’il n’avait plus personne à saluer. Partiellement chauve, il avait choisi, comme nombre de footballeurs et de chanteurs hip-hop, de l’être en entier, et son petit crâne rasé luisait comme une pomme au-dessus des fauteuils. Il se rassit, ouvrit son ordinateur et se mit à écrire, sans doute à l’usage du président du pays où nous nous rendions, une note facturée 50 000 euros. 75 000 ? Il refusa le verre de champagne que lui proposait l’hôtesse. Je regardai, de l’autre côté de l’avion, si Blandine de Kergalec avait accepté le sien. Non plus. On se préparait pourtant à un long voyage et les longs voyages se passent mieux avec du champagne.”

 

 

 

Patrick Besson (Montreuil, 1 juni 1956)

Lees verder “Patrick Besson, John Masefield, Ferdinand Raimund, Peter de Mendelssohn” →

Colleen McCullough, Macedonio Fernández, Dennis Gaens, Rhidian Brook

De Australische schrijfster Colleen McCullough werd geboren op 1 juni 1937 in Wellington. Zie ook mijn blog van 1 juni 2009 en eveneens alle tags voor Colleen McCullough op dit blog.

 

Uit: The Thorn Birds

 

“The doll’s golden hair tumbled down, the pearls flew winking into the long grass and disappeared. A dusty boot came down thoughtlessly on the abandoned dress, smearing grease from the smithy across its satin. Meggie dropped to her knees, scrabbling frantically to collect the miniature clothes before more damage was done them, then she began picking among the grass blades where she thought the pearls might have fallen. Her tears were blinding her, the grief in her heart new, for until now she had never owned anything worth grieving for.

Frank threw the shoe hissing into cold water and straightened his back; it didn’t ache these days, so perhaps he was used to smithying. Not before time, his father would have said, after six months at it. But Frank knew very well how long it was since his introduction to the forge and anvil; he had measured the time in hatred and resentment. Throwing the hammer into its box, he pushed the lank black hair off his brow with a trembling hand and dragged the old leather apron from around his neck. His shirt lay on a heap of straw in the corner; he plodded across to it and stood for a moment staring at the splintering barn wall as if it did not exist, his black eyes wide and fixed.

He was very small, not above five feet three inches, and thin still as striplings are, but the bare shoulders and arms had muscles already knotted from working with the hammer, and the pale, flawless skin gleamed with sweat. The darkness of his hair and eyes had a foreign tang, his full-lipped mouth and wide-bridged nose not the usual family shape, but there was Maori blood on his mother’s side and in him it showed. He was nearly sixteen years old, where Bob was barely eleven, Jack ten, Hughie nine, Stuart five and little Meggie three. Then he remembered that today Meggie was four; it was December 8th. He put on his shirt and left the barn”.

 


Colleen McCullough (Wellington, 1 juni 1937)

Scene uit de tv-serie met Richard Chamberlain en Rachel Ward, 1983

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Walt Whitman, Frank Goosen, Gabriel Barylli, Konstantin Paustovski

De Amerikaanse dichter Walt Whitman werd geboren op 31 mei 1819 in Westhills, Long Island, New York. Zie ook alle tags voor Whalt Whitman op dit blog.

 

 

A Leaf For Hand In Hand


A LEAF for hand in hand!
You natural persons old and young!
You on the Mississippi, and on all the branches and bayous of the
Mississippi!
You friendly boatmen and mechanics! You roughs!
You twain! And all processions moving along the streets!
I wish to infuse myself among you till I see it common for you to
walk hand in hand!

 

 

 

As Adam, Early In The Morning


AS Adam, early in the morning,
Walking forth from the bower, refresh’d with sleep;
Behold me where I pass–hear my voice–approach,
Touch me–touch the palm of your hand to my Body as I pass;
Be not afraid of my Body.

 

 

Uit: Calamus Poems

 

11.

When I heard at the close of the day how my name had been received with plaudits in the capitol, still it was not a happy night for me that followed;

And else, when I caroused, or when my plans were accomplished, still I was not happy;

But the day when I rose at dawn from the bed of perfect health, refreshed, singing, inhaling the ripe breath of autumn,

When I saw the full moon in the west grow pale and disappear in the morning light,

When I wandered alone over the beach, and, undressing, bathed, laughing with the cool waters, and saw the sun rise,

And when I thought how my dear friend, my lover, was on his way coming, O then I was happy;

O then each breath tasted sweeter — and all that day my food nourished me more — And the beautiful day passed well,

And the next came with equal joy — And with the next, at evening, came my friend;

And that night, while all was still, I heard the waters roll slowly continually up the shores,

I heard the hissing rustle of the liquid and sands, as directed to me, whispering, to congratulate me,

For the one I love most lay sleeping by me under the same cover in the cool night,

In the stillness, in the autumn moonbeams, his face was inclined toward me,

And his arm lay lightly around my breast — And that night I was happy.

 

 

 

Walt Whitman (31 mei 1819 – 26 maart 1893)

Hier met vriend Peter Doyle (rechts)

 

Lees verder “Walt Whitman, Frank Goosen, Gabriel Barylli, Konstantin Paustovski” →

Svetlana Alexievich

De Wit-Russische schrijfster en onderzoeksjournaliste Svetlana Alexandrovna Alexievich  werd geboren op 31 mei 1948 in Stanyslaviv (sinds 1962 Ivano – Frankivsk) Na haar schoolopleiding werkte ze als verslaggever in diverse lokale kranten, en vervolgens als correspondente voor het literaire tijdschrift “Neman” in Minsk. Zij maakte carrière in de journalistiek en door het schrijven van verhalen, gebaseerd op interviews met getuigen van de meest dramatische gebeurtenissen in het land zoals de Tweede Wereldoorlog,de Sovjet – Afghaanse oorlog, de val van de Sovjet- Unie en de ramp in Tsjernobyl. Na de vervolging door het Loekasjenko-regime  verliet zij Belarus in 2000. Gedurende de volgende tien jaar woonde ze in Parijs, Göteborg en Berlijn .In 2011 verhuisde Alexievich terug naar Minsk. Haar boeken worden beschreven als een literaire kroniek van de emotionele geschiedenis van de Sovjet -en post-Sovjet-mens. Haar meest opmerkelijke werken in Engelse vertalingen gaan over de oorlog in Afghanistan (The Boys of Zinc) en over de ramp in Tsjernobyl (Voices from Chernobyl. Haar eerste boek “Het onvrouwelijk gezicht van de oorlog” kwam uit in 1985. Het werd meerdere malen herdrukt en er werden meer dan twee miljoen exemplaren van verkocht. Deze roman is opgebouwd uit monologen van vrouwen in de oorlog die spreken over de aspecten van de Tweede Wereldoorlog die nooit eerder aan de orde kwamen. Een ander boek, “De laatste getuige: het Boek van onkinderlijke verhalen” beschrijft persoonlijke herinneringen van kinderen in oorlogstijd. In 1993 publiceerde ze “Betoverd door de dood”, een boek over geslaagde zelfmoorden en zelfmoordpogingen als gevolg van de ondergang van de Sovjet- Unie. Veel mensen voelden zich onlosmakelijk verbonden met de communistische ideologie en waren niet in staat om de nieuwe orde en de nieuw geïnterpreteerde geschiedenis te accepteren . Alexievich ’s boeken zijn gepubliceerd in vele landen, waaronder de VS, Duitsland, Groot-Brittannië, Japan, Zweden, Frankrijk, China, Vietnam, Bulgarije en India met een totaal van 19 landen in totaal. Ze heeft 21 scripts voor documentaires op haar naam en drie toneelstukken die werden opgevoerd in Frankrijk, Duitsland en Bulgarije.

 

Uit: Voices from Chernobyl

 

“Lyudmilla Ignatenko Wife of deceased Fireman Vasily Ignatenko

We were newlyweds. We still walked around holding hands, even if we were just going to the store. I would say to him, “I love you.” But I didn’t know then how much. I had no idea . . . We lived in the dormitory of the fire station where he worked. I always knew what was happening—where he was, how he was.

One night I heard a noise. I looked out the window. He saw me. “Close the window and go back to sleep. There’s a fire at the reactor. I’ll be back soon.”

I didn’t see the explosion itself. Just the flames. Everything was radiant. The whole sky. A tall flame. And smoke. The heat was awful. And he still hadn’t come back.

They went off just as they were, in their shirtsleeves. No one told them. They had been called for a fire, that was it.

Seven o’clock in the morning. At seven I was told he was in the hospital. I ran over there‚ but the police had already encircled it, and they weren’t letting anyone through. Only ambulances. The policemen shouted: “The ambulances are radioactive‚ stay away!” I started looking for a friend, she was a doctor at that hospital. I grabbed her white coat when she came out of an ambulance. “Get me inside!” “I can’t. He’s bad. They all are.” I held onto her. “Just to see him!” “All right‚” she said. “Come with me. Just for fifteen or twenty minutes.”

I saw him. He was all swollen and puffed up. You could barely see his eyes.

“He needs milk. Lots of milk‚” my friend said. “They should drink at least three liters each.”

“But he doesn’t like milk.”

“He’ll drink it now.”

Many of the doctors and nurses in that hospital‚ and especially the orderlies‚ would get sick themselves and die. But we didn’t know that then.

At ten‚ the cameraman Shishenok died. He was the first.”

 


Svetlana Alexievich (Stanyslaviv, 31 mei 1948)

Annette von Droste-Hülshoff, Elizabeth Alexander, Countee Cullen, Emmanuel Hiel, Martin Jankowski, Jan Geerts

Bij Sacramentsdag

 

 

 

Abendmahl door Hans Leonhard Schäufelein, 1515, Ulmer Münster

 

 

Am Fronleichnamstage

“Mein Fleisch ist wahrhaftig eine Speise,
und mein Blut ist wahrhaftig ein Trank”

O fasse Mut; er ist dir nah!
Du hast sein Fleisch, sein heilig Blut
Genossen ja.
O meine arme Seele, fasse Mut;
Er ist ja dein, er ward dein Fleisch und Blut.

Nicht, wie ich sollte, reich und warm
Kam freilich ich zu deinem Mahl:
Ich war ein arm
Zerlumpter Gast; doch zitterte die Qual
In mir des Sehnens; Tränen sonder Zahl

Hab’ ich vergossen in der Angst,
Die dennoch Freudeschauer war.
Sprich, warum bangst
Du vor der Arzenei so süß und klar,
Die Leben dir und Frieden bietet dar?

Wohl ist es furchtbar, seinen Gott
Zu einen mit dem sünd’gen Leib;
Es klingt wie Spott.
O Herr, ich bin ein schwach und wirres Weib,
Und stärker als die Seele ist der Leib!

So hab’ ich schuldbeladen dir
In meiner Sünde mich vereint;
Doch riefst du mir
So laut wie Einem, der um Leben weint:
So ist es Gnade, was von oben scheint.

Und hast du des Verstandes Fluch
Zu meiner Prüfung mir gestellt:
Er ist ein Trug.
Doch hast du selber ja, du Herr der Welt,
Hast selber den Verführer mir gesellt.

Drum trau ich, daß du dessen nicht
Vergessen wirst an jenem Tag,
Daß dein Gericht
Mir sprechen wird: Den Irren seh’ ich nach;
Dein Herz war willig, nur dein Kopf war schwach.

 

 

Annette von Droste-Hülshoff (10 januari 1797 – 24 mei 1848)

De Paulusdom in Münster, dichtbij Drostes geboortehuis

Lees verder “Annette von Droste-Hülshoff, Elizabeth Alexander, Countee Cullen, Emmanuel Hiel, Martin Jankowski, Jan Geerts” →

André Brink, Eduard Escoffet, G. K. Chesterton, Bernard Clavel, Leah Goldberg

De Zuid-Afrikaanse schrijver André Brink werd geboren op 29 mei 1935 in Vrede. Zie ook alle tags voor André Brink op dit blog.

Uit: Philida

“Here come shit. Just one look, and I can see it coming. Here I walk all this way and God know that is bad enough, what with the child in the abbadoek on my back, and now there’s no turning back, it’s just straight on to hell and gone. This is the man I got to talk to if I want to lay a charge, they tell me, this Grootbaas who is so tall and white and thin and bony, with deep furrows in his forehead, like a badly ploughed wheat field, and a nose like a sweet potato that has grown past itself.
It’s a long story. First he want to find out everything about me, and it’s one question after another. Who am I? Where do I come from? What is the name of my Baas? What is the name of the farm? For how long I been working there? Did I get a pass for coming here? When did I leave and how long did I walk? Where did I sleep last night? What do I think is going to happen to me when I get home again? And every time I say something, he first write it down in his big book with those knobbly hands and his long white fingers. These people got a thing about writing everything down. Just look at the back pages of the black Bible that belong to Oubaas Cornelis Brink, that’s Francois Gerhard Jacob’s father.
While the Grootbaas is writing I keep watching him closely. There’s something second-hand about the man, like a piece of knitting gone wrong that had to be done over, but badly, not very smoothly. I can say that because I know about knitting. On his nose sit a pair of thick glasses like a bat with open wings, but he look at me over them, not through them. His long hands keep busy all the time. Writing, and dipping the long feather in the ink, and sprinkling fine sand on the thick paper, and shifting his papers this way and that on top of the table that is really too low for him because he is so tall. He is sitting, I keep standing, that is how it’s got to be.

In the beginning I feel scared, my throat is tight. But after the second or third question I start feeling better. All I can think of is: If it was me that was knitting you, you’d look a bit better, but now whoever it was that knitted you, did not cast you off right. Still, I don’t say anything. In this place it’s only him and me and I don’t want to get on his wrong side. I got to tell him everything, and that is exactly what I mean to do today, without keeping anything back.”

 

André Brink (Vrede, 29 mei 1935)

Lees verder “André Brink, Eduard Escoffet, G. K. Chesterton, Bernard Clavel, Leah Goldberg” →

Adriaan Bontebal, Leo Pleysier, Frank Schätzing, Maeve Binchy, Thomas Moore, Ian Fleming

De Nederlandse dichter en schrijver Adriaan Bontebal werd als Aad van Rijn op 28 mei 1952 in Leidschendam geboren. Zie ook alle tags voor Adriaan Bontebal op dit blog.

ONTWAKEN

Ieder ontwaken
een feest

Ik sta op
rek me uit en
krab me eens flink
aan het onderlijf

Als rijpe vruchten
vallen de eitjes
van mijn schaamluis
op het dauwvochtige
slaapkamerzeil

Iedere morgen
een feest

Zwarte koffie
zware shag en
scharreleieren
bij het ontbijt

 

PAULUS POTTERSTRAAT

naar De Dapperstraat van J.C.Bloem

De legen kom je aan de randen tegen
Waar stoffig op de schoorsteen prijkt:
‘Over mijn lijk naar de Schilderswijk’
Dat volk ervaart de rust als zegen

Maar zo niet ik, voor mij geen kassen
Hoewel ik van een dorpje ben
De stad niet echt van huis uit ken
Haal ‘k nu mijn lucht uit uitlaatgassen

Als kneuter ben ik afgemeld
Mijn teugen zijn steeds voller teugen
De stedeling hij kent geen maat

Tevreden heb ik vastgesteld
Ik deug niet en ik zal nooit deugen
Dom weg gelukkig in de Potterstraat

 

 

Adriaan Bontebal (28 mei 1952 – 11 februari 2012)

 

De Belgische schrijver Leo Pleysier werd geboren in Rijkevorsel op 28 mei 1945. Zie ook alle tags voor Leo Pleysier op dit blog.

Uit: The Yellow River Is Frozen (Vertaald door Tanis Guest.)

“The first time I saw her in the flesh was in the early fifties when she, one of the last remaining Western nuns, was expelled from the country for good on the orders of the government of the Chinese People’s Republic. I was a small boy of seven or eight. And she was a tall, bony creature dressed in white with a black veil who was staying with us for a while. She looked thin and pale. I had noticed her eyes at once: they were huge, sunk deep in their sockets. I also found her disquietingly silent as she sat there at table with us. Suddenly, instead of sending a letter she had come herself. That in itself was a wonder. So she really did exist. She had a face. Maybe, under her clothes, there was even a body of flesh and blood. And on top of that she had brought someone else with her. A sort of replica of herself. But a much softer version. Applecheeked, even. It turned out she was the daughter of a fruit farmer and came originally from Montenaken, not far from Sint-Truiden. A sweetly smiling guardian angel from Limburg. Born and bred in the Haspengouw hills. Among the apples and pears.

– You can call me Sister Irma.

– Hullo, Sister Irma.

– That’s a clever boy.

But actually she was a sort of watchdog they’d sent to keep an eye on Aunt Roza. Not for nothing was it called The Guardian, the mother house in Leefdaal.

Black nuns and white nuns. The black ones I was familiar with from kindergarten. The white ones, to whom Aunt Roza belonged, were new to me. And I thought her sort and her plumage were much finer. More elegant, especially. There was something of a big, slow bird about her. A seagull. A stork. A pelican who had landed unexpectedly at our house after a long journey. Had come here to rest and get its strength back.

– You’ve got to feed yourself up!”

Time and again I heard my father telling her that and he kept piling much too much food on her plate. She weighed barely forty kilos when she came home from China. She’d weighed as little as that once before, when she was about twenty-five, so my mother said. That time she had gone on hunger strike because Grandfather and Grandmother wouldn’t let her ‘take the veil’. And it had been weeks before her parents gave in to her blackmail.”

 

 

 

Leo Pleysier (Rijkevorsel, 28 mei 1945)

 

 

 

De Duitse schrijver Frank Schätzing werd geboren in Keulen op 28 mei 1957. Zie ook alle tags voor Frank Schätzing op dit blog.

 

Uit: Mordshunger

 

„Sie hatte ihm eine Gurke geschenkt mit dem Ratschlag,sie sich sonst wohin zu stecken, und war ausgezogen.

»Ein guter Kriminalist«, pflegte er zu sagen, »wird verlassen. Er muss verlassen werden. Würde er der Idee verfallen, hinter Wahnsinnigen und Mördern herzulaufen, wenn man ihn nicht verlassen hätte? Fähige Polizisten neigen zum Verlust der Freundin, die Genies sind allesamt geschieden. Schön, ich hab nur eine Freundin. Aber ich bin ein guter Polizist! Folglich wird sie mich verlassen, irgendwann, das ist die Tragik meiner Profession.

Ich frage mich eigentlich nur, ob ich sie vorher schnell heiraten sollte, um hinterher ein ganz besonders genialer Polizist zu sein. Verzwickt, das Ganze! Geht mir im Kopf rum, immer wieder. Im Allgemeinen gehe ich dann was essen und sage mir, langsam Cüpper. Sechsunddreißigmal kauen, jeden Bissen. Hat alles noch Zeit.«

Es hatte keine Zeit.

Sie hatte ihm eine Gurke geschenkt, weil sie wusste, dass er keine Gurken mochte, dass es nur drei Dinge gab, die er von Herzen verabscheute: Gurken, Kümmel, Kokos.

Er war um die Gurke herumspaziert, als könne sie den Lauf der Dinge biegen, während im Nebenzimmer Blusen, Röcke, Jeans, Dessous flupp flupp in den Koffer flogen. Dann kamen die Packer, und man trug die Couch und den Glastisch und die zwei CD-Regale und die komplette Stereoanlage und noch bedenklich viel mehr an ihm vorbei nach draußen und fütterte einen schier unersättlichen Möbelwagen. Währenddessen lag die Gurke lang und dunkelgrün vor ihm und begann ihn auf merkwürdige Weise zu faszinieren, bis einer der Männer sie kurzerhand auf die Fensterbank legte, um das Schränkchen wegzutragen, das ihm, wie er sich mit einem Mal entsann, auch nicht gehörte.“

 

 

 

Frank Schätzing (Keulen, 28 mei 1957)

 

 

 

De Ierse schrijfster en columniste Maeve Binchy werd geboren op 28 mei 1940 in Dalkey. Zie ook alle tags voor Maeve Binchy op dit blog.

 

Uit: Scarlet Feather

 

“On the radio show they were asking people what kind of a New Year’s Eve did they really want. It was very predictable. Those who were staying at home doing nothing wanted to be out partying, those who were too busy and rushed wanted to go to bed with a cup of tea and be asleep before the festivities began.
Cathy Scarlet smiled grimly as she packed more trays of food into the van. There could hardly be anyone in Ireland who would answer the question by saying that they really and truly wanted to spend the night catering a supper party for a mother-in-law. Now that was the punishment posting tonight, feeding Hannah Mitchell’s guests at Oaklands. Why was she doing it then? Partly for practice, and of course it would be a good way to meet potential customers. Jock and Hannah Mitchell knew the kind of people who could afford caterers. But mainly she was doing it because she wanted to prove to Hannah Mitchell that she could. That Cathy, daughter of poor Lizzie Scarlet, the maid who cleaned Oaklands, who had married the only son of the house, Neil, was well able to run her own business and hold her head as high as any of them.
Neil Mitchell was in his car when he heard the radio program. It annoyed him greatly. Anyone looking at him from another car would have seen his sharp, handsome face frown. People often thought they recognized him; his face was familiar from television, but he wasn’t an actor. He just turned up on the screen so often, pushing the hair out of his eyes, passionate, concerned and caring, always the spokes- person for the underdog. He had the bright burning eyes of a crusader. This kind of whining and moaning on a radio show really drove him mad. People who had everything, a home, a job, a family, all telephoning a radio station to complain about the pressures of life.”

 

 

 

Maeve Binchy (28 mei 1940 – 30 juli 2012)

 

 

De Ierse dichter en songwriter Thomas Moore werd geboren op 28 mei 1779 in Dublin. Zie ook alle tags voor Thomas Moore op dit blog.

Come, Send Round the Wine

Come, send round the wine, and leave points of belief
To simpleton sages and reasoning fools;
This moment’s a flower too fair and brief
To be wither’d and stain’d by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are fill’d from the same bright bowl,
The fool who would quarrel for difference of hue,
Deserves not the comfort they shed o’er the soul.

Shall I ask the brave soldier, who fights by my side
In the cause of mankind, if our creeds agree?
Shall I give up the friend I have valued and tried,
If he kneel not before the same altar with me?
From the heretic girl of my soul should I fly?
To seek somewhere else a more orthodox kiss?
No, perish the hearts, and the laws that try
Truth, valour, or love, by a standard like this!

 

 

Thomas Moore (28 mei 1779 – 25 februari 1852)

Standbeeld in Dublin

 

 

 

De Britse schrijver Ian Fleming werd geboren op 28 mei 1908 in Londen. Zie ook alle tags voor Ian Fleming op dit blog.

Uit: From Russia With Love

 

“Bond’s thoughts were interrupted by the stewardess. ‘Fasten your seat-belts, please.’ As she spoke the plane dropped sickeningly and soared up again with an ugly note of strain in the scream of the jets. The sky outside was suddenly black. Rain hammered on the windows. There came a blinding flash of blue and white light and a crash as if an anti-aircraft shell had hit them, and the plane heaved and bucketed in the belly of the electric storm that had ambushed them out of the mouth of the Adriatic.
Bond smelt the smell of danger. It is a real smell, something like the mixture of sweat and electricity you get in an amusement arcade. Again the lightning flung its hands across the windows. Crash! It felt as if they were the centre of the thunder clap. Suddenly the plane seemed incredibly small and frail. Thirteen passengers! Friday the Thirteenth! Bond thought of Loelia Ponsonby’s words and his hands on the arms of his chair felt wet. How old is this plane, he wondered? How many flying hours has it done? Had the deathwatch beetle of metal fatigue got into the wings? How much of their strength had it eaten away? Perhaps he wouldn’t get to Istanbul after all. Perhaps a plummeting crash into the Gulf of Corinth was going to be the destiny he had been scanning philosophically only an hour before.
In the centre of Bond was a hurricane-room, the kind of citadel found in old-fashioned houses in the tropics. These rooms are small, strongly built cells in the heart of the house, in the middle of the ground floor and sometimes dug down into its foundations. To this cell the owner and his family retire if the storm threatens to destroy the house, and stay there until the danger is past. Bond went to his hurricane room only when the situation was beyond his control and no other possible action could be taken. Now he retired to this citadel, closed his mind to the hell of noise and violent movement and focused on a single stitch in the back of the seat in front of him, waiting with slackened nerves for whatever fate had decided for BEA Flight No. 130.”

 

 

 

Ian Fleming (28 mei 1908 – 12 augustus 1964)

Scene uit de film “From Russia With Love”, 1963

 

 

Zie voor nog meer schrijvers van de 28e mei ook mijn drie blogs van 28 mei 2011.